Author: Ian Cooper
Publisher: Columbia University Press
ISBN: 0231502079
Category : Performing Arts
Languages : en
Pages : 142
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Book Description
In 1974, The Wall Street Journal called this movie "grotesque, sadistic, irrational, obscene, incompetent," while New York Magazine declared it "a catastrophe." Upon its initial release, Sam Peckinpah ́s notorious work took a critical and commercial nosedive, but in later years, the work was heralded as a demented masterpiece--a violent, hallucinatory autobiography and a brilliant example of "pure Peckinpah." This study revisits the making of this controversial film, as well as its original reception and subsequent reassessment. It reads the project as an auteur work, a genre film, a confession, and a bizarre self-parody.
Author: Louis Black
Publisher: University of Texas Press
ISBN: 1477315446
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Kevin J. Hayes
Publisher: Univ. Press of Mississippi
ISBN: 9781934110645
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
Collected interviews with the combustible director of The Wild Bunch, Ride the High Country, Straw Dogs, The Getaway, and other films
Author: John L. Simons
Publisher: McFarland
ISBN: 0786484748
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Garner Simmons
Publisher: Hal Leonard Corporation
ISBN: 1617744492
Category : Biography & Autobiography
Languages : en
Pages : 335
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Book Description
Sam Peckinpah is by his own admission and that of almost everyone else in this richly entertaining book a director who needs adversity to get the juices flowing. As shooting goes on complications multiply and tensions increase. The wild man fortified
Author: Lucy Fife Donaldson
Publisher: Springer
ISBN: 1137034807
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
Drawing on interdisciplinary perspectives of art, literature and music, Donaldson develops a stimulating understanding of a concept that has received little detailed attention in relation to film. Based in close analysis, Texture in Film brings discussion of style and affect together in a selection of case studies drawn from American cinema.
Author: Fernando Ganzo
Publisher: Intellect Books
ISBN: 9781783206193
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
Sam Peckinpah never won an Oscar, his filmography is short and uneven, and he has not always found favor with the public. Yet many moviegoers and great film-makers today - Tarantino and Scorsese to name just two -claim to have been hugely influenced by him. This book looks at why this should be so, analysing films divided into three periods: 1961-1
Author: W. K. Stratton
Publisher: Bloomsbury Publishing USA
ISBN: 163286214X
Category : Performing Arts
Languages : en
Pages : 353
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Book Description
For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.
