Author:
Publisher: BRILL
ISBN: 9004310983
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
In Brill's Companion to the Reception of Senecan Tragedy, Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national literatures into a subtle narrative tracing the diverse scholarly, literary and theatrical receptions of Seneca's tragedies. The tragedies, influential throughout the Roman world well beyond Seneca's time, plunge into obscurity in Late Antiquity and nearly disappear during the Middle Ages. Profound consequences follow from the rediscovery of a dusty manuscript containing nine plays attributed to Seneca: it is seminal to both the renaissance of tragedy and the birth of Humanism. Canonical Western writers from Antiquity to the present have revisited, transformed, and eviscerated Senecan precedents to develop, in Dodson-Robinson's words, "competing tragic visions of agency and the human place in the universe."
Brill's Companion to the Reception of Senecan Tragedy
Author:
Publisher: BRILL
ISBN: 9004310983
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
In Brill's Companion to the Reception of Senecan Tragedy, Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national literatures into a subtle narrative tracing the diverse scholarly, literary and theatrical receptions of Seneca's tragedies. The tragedies, influential throughout the Roman world well beyond Seneca's time, plunge into obscurity in Late Antiquity and nearly disappear during the Middle Ages. Profound consequences follow from the rediscovery of a dusty manuscript containing nine plays attributed to Seneca: it is seminal to both the renaissance of tragedy and the birth of Humanism. Canonical Western writers from Antiquity to the present have revisited, transformed, and eviscerated Senecan precedents to develop, in Dodson-Robinson's words, "competing tragic visions of agency and the human place in the universe."
Publisher: BRILL
ISBN: 9004310983
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
In Brill's Companion to the Reception of Senecan Tragedy, Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national literatures into a subtle narrative tracing the diverse scholarly, literary and theatrical receptions of Seneca's tragedies. The tragedies, influential throughout the Roman world well beyond Seneca's time, plunge into obscurity in Late Antiquity and nearly disappear during the Middle Ages. Profound consequences follow from the rediscovery of a dusty manuscript containing nine plays attributed to Seneca: it is seminal to both the renaissance of tragedy and the birth of Humanism. Canonical Western writers from Antiquity to the present have revisited, transformed, and eviscerated Senecan precedents to develop, in Dodson-Robinson's words, "competing tragic visions of agency and the human place in the universe."
Brill's Companion to the Reception of Aeschylus
Author: Rebecca Futo Kennedy
Publisher: BRILL
ISBN: 9004348824
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been discussed, parodied, translated, revisioned, adapted, and integrated into other works over the course of the last 2500 years. Immensely popular while alive, Aeschylus’ reception begins in his own lifetime. And, while he has not been the most reproduced of the three Attic tragedians on the stage since then, his receptions have transcended genre and crossed to nearly every continent. While still engaging with Aeschylus’ theatrical reception, the volume also explores Aeschylus off the stage--in radio, the classroom, television, political theory, philosophy, science fiction and beyond.
Publisher: BRILL
ISBN: 9004348824
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been discussed, parodied, translated, revisioned, adapted, and integrated into other works over the course of the last 2500 years. Immensely popular while alive, Aeschylus’ reception begins in his own lifetime. And, while he has not been the most reproduced of the three Attic tragedians on the stage since then, his receptions have transcended genre and crossed to nearly every continent. While still engaging with Aeschylus’ theatrical reception, the volume also explores Aeschylus off the stage--in radio, the classroom, television, political theory, philosophy, science fiction and beyond.
Brill's Companion to the Reception of Sophocles
Author:
Publisher: BRILL
ISBN: 9004300945
Category : Literary Criticism
Languages : en
Pages : 608
Book Description
Brill's Companion to the Reception of Sophocles offers a comprehensive account of the influence, reception and appropriation of all extant Sophoclean plays, as well as the fragmentary Satyr play The Trackers, from Antiquity to Modernity, across cultures and civilizations, encompassing multiple perspectives and within a broad range of cultural trends and manifestations: literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern, which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
Publisher: BRILL
ISBN: 9004300945
Category : Literary Criticism
Languages : en
Pages : 608
Book Description
Brill's Companion to the Reception of Sophocles offers a comprehensive account of the influence, reception and appropriation of all extant Sophoclean plays, as well as the fragmentary Satyr play The Trackers, from Antiquity to Modernity, across cultures and civilizations, encompassing multiple perspectives and within a broad range of cultural trends and manifestations: literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern, which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
Brill's Companion to the Reception of Socrates
Author:
Publisher: BRILL
ISBN: 9004396756
Category : Literary Criticism
Languages : en
Pages : 1027
Book Description
Brill’s Companion to the Reception of Socrates, edited by Christopher Moore, provides almost unbroken coverage, across three-dozen studies, of 2450 years of philosophical and literary engagement with Socrates – the singular Athenian intellectual, paradigm of moral discipline, and inspiration for millennia of philosophical, rhetorical, and dramatic composition. Following an Introduction reflecting on the essentially “receptive” nature of Socrates’ influence (by contrast to Plato’s), chapters address the uptake of Socrates by authors in the Classical, Hellenistic, Roman, Late Antique (including Latin Christian, Syriac, and Arabic), Medieval (including Byzantine), Renaissance, Early Modern, Late Modern, and Twentieth-Century periods. Together they reveal the continuity of Socrates’ idiosyncratic, polyvalent, and deep imprint on the history of Western thought, and witness the value of further research in the reception of Socrates.
Publisher: BRILL
ISBN: 9004396756
Category : Literary Criticism
Languages : en
Pages : 1027
Book Description
Brill’s Companion to the Reception of Socrates, edited by Christopher Moore, provides almost unbroken coverage, across three-dozen studies, of 2450 years of philosophical and literary engagement with Socrates – the singular Athenian intellectual, paradigm of moral discipline, and inspiration for millennia of philosophical, rhetorical, and dramatic composition. Following an Introduction reflecting on the essentially “receptive” nature of Socrates’ influence (by contrast to Plato’s), chapters address the uptake of Socrates by authors in the Classical, Hellenistic, Roman, Late Antique (including Latin Christian, Syriac, and Arabic), Medieval (including Byzantine), Renaissance, Early Modern, Late Modern, and Twentieth-Century periods. Together they reveal the continuity of Socrates’ idiosyncratic, polyvalent, and deep imprint on the history of Western thought, and witness the value of further research in the reception of Socrates.
Brill's Companion to Seneca
Author: Andreas Heil
Publisher: BRILL
ISBN: 9004217088
Category : Literary Criticism
Languages : en
Pages : 895
Book Description
This new and important introduction to Seneca provides a systematic and concise presentation of this author’s philosophical works and his tragedies. It provides handbook style surveys of each genuine or attributed work, giving dates and brief descriptions, and taking into account the most important philosophical and philological issues. In addition, they provide accounts of the major steps in the history of their later influence. The cultural background of the texts and the most important problem areas within the philosophic and tragic corpus of Seneca are dealt with in separate essays.
Publisher: BRILL
ISBN: 9004217088
Category : Literary Criticism
Languages : en
Pages : 895
Book Description
This new and important introduction to Seneca provides a systematic and concise presentation of this author’s philosophical works and his tragedies. It provides handbook style surveys of each genuine or attributed work, giving dates and brief descriptions, and taking into account the most important philosophical and philological issues. In addition, they provide accounts of the major steps in the history of their later influence. The cultural background of the texts and the most important problem areas within the philosophic and tragic corpus of Seneca are dealt with in separate essays.
Brill's Companion to Roman Tragedy
Author:
Publisher: BRILL
ISBN: 9004284788
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Until the Renaissance the centrality of Roman tragedy in Western society and culture was unchallenged. Studies on Roman Republican tragedy and on Imperial Roman tragedy by the contributors have been directing the gaze of scholarship back to Roman tragedy. This volume has two goals: first, to demonstrate that Republican tragedy had a far more central role in shaping Imperial tragedy than is currently thought, and quite possibly more important than Classical Greek tragedy. Second, the influence of other Roman literary genres on Roman tragedy is greater than has formerly been credited. Studies on von Kleist and Shelley, Eliot and Claus help reconstruct the ancient Roman stage by showing how moderns had thought to change it for contemporary aesthetics.
Publisher: BRILL
ISBN: 9004284788
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Until the Renaissance the centrality of Roman tragedy in Western society and culture was unchallenged. Studies on Roman Republican tragedy and on Imperial Roman tragedy by the contributors have been directing the gaze of scholarship back to Roman tragedy. This volume has two goals: first, to demonstrate that Republican tragedy had a far more central role in shaping Imperial tragedy than is currently thought, and quite possibly more important than Classical Greek tragedy. Second, the influence of other Roman literary genres on Roman tragedy is greater than has formerly been credited. Studies on von Kleist and Shelley, Eliot and Claus help reconstruct the ancient Roman stage by showing how moderns had thought to change it for contemporary aesthetics.
Brill's Companion to the Reception of Senecan Tragedy
Author: Eric Dodson Robinson
Publisher:
ISBN: 9789004266469
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
In "Brill's Companion to the Reception of Senecan Tragedy," Dodson-Robinson incorporates interdisciplinary essays tracing how Western writers from antiquity to the present have transformed Senecan drama to develop competing tragic visions of agency and the human place in the universe.
Publisher:
ISBN: 9789004266469
Category : Literary Criticism
Languages : en
Pages : 332
Book Description
In "Brill's Companion to the Reception of Senecan Tragedy," Dodson-Robinson incorporates interdisciplinary essays tracing how Western writers from antiquity to the present have transformed Senecan drama to develop competing tragic visions of agency and the human place in the universe.
Shakespeare and Senecan Tragedy
Author: Curtis Perry
Publisher: Cambridge University Press
ISBN: 1108496172
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
Publisher: Cambridge University Press
ISBN: 1108496172
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
Reading Fear in Flavian Epic
Author: Dalida Agri
Publisher: Oxford University Press
ISBN: 0192675419
Category : Juvenile Nonfiction
Languages : en
Pages : 257
Book Description
This book examines the textual representations of emotions, fear in particular, through the lens of Stoic thought and their impact on depictions of power, gender, and agency. It first draws attention to the role and significance of fear, and cognate emotions, in the tyrant's psyche, and then goes on to explore how these emotions, in turn, shape the wider narratives. The focus is on the lengthy epics of Valerius Flaccus' Argonautica, Statius' Thebaid, and Silius Italicus' Punica. All three poems are obsessed with men in power with no power over themselves, a marked concern that carries a strong Senecan fingerprint. Seneca's influence on post-Neronian epic can be felt beyond his plays. His Epistles and other prose works prove particularly illuminating for each of the poet's gendered treatment of the relationship between power and emotion. By adopting a Roman Stoic perspective, both philosophical and cultural, this study brings together a cluster of major ideas to draw meaningful connections and unlock new readings.
Publisher: Oxford University Press
ISBN: 0192675419
Category : Juvenile Nonfiction
Languages : en
Pages : 257
Book Description
This book examines the textual representations of emotions, fear in particular, through the lens of Stoic thought and their impact on depictions of power, gender, and agency. It first draws attention to the role and significance of fear, and cognate emotions, in the tyrant's psyche, and then goes on to explore how these emotions, in turn, shape the wider narratives. The focus is on the lengthy epics of Valerius Flaccus' Argonautica, Statius' Thebaid, and Silius Italicus' Punica. All three poems are obsessed with men in power with no power over themselves, a marked concern that carries a strong Senecan fingerprint. Seneca's influence on post-Neronian epic can be felt beyond his plays. His Epistles and other prose works prove particularly illuminating for each of the poet's gendered treatment of the relationship between power and emotion. By adopting a Roman Stoic perspective, both philosophical and cultural, this study brings together a cluster of major ideas to draw meaningful connections and unlock new readings.
Shakespeare Unlearned
Author: Adam Zucker
Publisher: Oxford University Press
ISBN: 0198906781
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.
Publisher: Oxford University Press
ISBN: 0198906781
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Shakespeare Unlearned dances along the borderline of sense and nonsense in early modern texts, revealing overlooked opportunities for understanding and shared community in words and ideas that might in the past have been considered too silly to matter much for serious scholarship. Each chapter pursues a self-knowing, gently ironic study of the lexicon and scripting of words and acts related to what has been called 'stupidity' in work by Shakespeare and other authors. Each centers significant, often comic situations that emerge -- on stage, in print, and in the critical and editorial tradition pertaining to the period -- when rigorous scholars and teachers meet language, characters, or plotlines that exceed, and at times entirely undermine, the goals and premises of scholarly rigor. Each suggests that a framing of putative 'stupidity' pursued through lexicography, editorial glossing, literary criticism, and pedagogical practice can help us put Shakespeare and semantically obscure historical literature more generally to new communal ends. Words such as 'baffle' in Twelfth Night or 'twangling' and 'jingling' in The Tempest, and characters such as Sir Andrew Aguecheek and Holofernes the pedant, might in the past have been considered unworthy of critical attention -- too light or obvious to matter much for our understanding of Shakespeare and his contemporaries. Adam Zucker's meditation on the limits of learnedness and the opportunities presented by a philology of stupidity argues otherwise.