Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan Pieter Nicolaas van Eyck (1887-1954)

Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan Pieter Nicolaas van Eyck (1887-1954) PDF Author:
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Category :
Languages : en
Pages :

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Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan Pieter Nicolaas van Eyck (1887-1954)

Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan Pieter Nicolaas van Eyck (1887-1954) PDF Author:
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Category :
Languages : en
Pages :

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Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan Otto Alexander Oppermann (1873-1946)

Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan Otto Alexander Oppermann (1873-1946) PDF Author:
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Category :
Languages : en
Pages :

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Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan De Erven F. Bohn Haarlem

Brieven van Godefridus Johannes Hoogewerff (1884-1963) aan De Erven F. Bohn Haarlem PDF Author: Godefridus Johannes Hoogewerff
Publisher:
ISBN:
Category :
Languages : nl
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In Search of Utopia

In Search of Utopia PDF Author: Jan van der Stock
Publisher: Amsterdam University Press
ISBN: 9789462984073
Category : Art
Languages : en
Pages : 0

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2016 marks exactly 500 years since the English humanist and statesman Thomas More published in the city Leuven his world-famous book Utopia. Leuven is celebrating this milestone with a major city festival featuring exhibitions, street art, film, music, theatre, dance, literature, lectures and city walks. The cornerstone is the international, art historical exhibition 'In Search of Utopia' at M - Museum Leuven. The festival will officially start on Monday, 26 September 2016 after a festive opening weekend on 24 and 25 September and will end on 17 January 2017. In the book 'In Search of Utopia' the reader is introduced to the world of More and his friends, with the ideals and dreams of the times. The desire of far-away horizons and the cobweb of new sciences that patiently layed upon the reality. Magnificent works of the 15th- and 16th Century artists: Quinten Metsijs, Hans Holbein, Jan Gossaert en Albrecht Dürer are being brought together in this exciting and intriguing story. It shows in an unexceeded way the imagination of an ideal world.

RUBENS, VAN DYCK AND THE SPLENDOUR OF FLEMISH PAINTING.

RUBENS, VAN DYCK AND THE SPLENDOUR OF FLEMISH PAINTING. PDF Author: JULIA. TATRAI
Publisher:
ISBN: 9786155987137
Category :
Languages : en
Pages :

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From Titian to Rubens

From Titian to Rubens PDF Author: Ben van Beneden
Publisher: Snoeck
ISBN: 9789461615640
Category : Arts
Languages : nl
Pages : 0

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From 5th September until 1st March 2020 the Fondazione Musei Civici di Venezia, in conjunction with the City of Antwerp, VisitFlanders and the Flemish Community, presents 'From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections', an exhibition curated by Ben Van Beneden, director of Rubenshuis in Antwerp. The Doge's apartments will be transformed into veritable 'constkamers', rooms filled with exquisite art demonstrating the riches of Flemish collections. Featuring artists including Titian, Peter Paul Rubens, Anthony van Dyck and Michiel Sweerts, the exhibition offers an array of works. Three icons of Venetian painting return to their hometown of Venice: Titian's Jacopo Pesaro presenting Saint Peter to Pope Alexander VI, the altarpiece of the former San Geminiano church, covered by the press worldwide as David Bowie's Tintoretto', and Titian's Portrait of a Lady and her Daughter (thought to be a depiction of Titian's mistress Milia and their daughter Emilia). A special section of the exhibition will be devoted to Flemish composer Adriaan Willaert who settled permanently in 'la Serenissima' to become Maestro di Cappella of the Basilica di San Marco in 1527. It was Willaert who founded the Venetian School of music that was to instruct, among others, Giovanni Gabrieli and Claudio Monteverdi.

‘A Truly Golden Handbook’

‘A Truly Golden Handbook’ PDF Author: Veerle Achten
Publisher: Leuven University Press
ISBN: 9462700796
Category : Science
Languages : en
Pages : 577

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What would the ideal society of the future look like? In 1516, the eminent English humanist Thomas More tried his hand at imagining a perfect society on a distant island. His Utopia was published in the Flemish town of Leuven, home of a university that was established almost a century earlier. 500 years later, scholars of this university revisit More’s best-known work and reflect on the ideal society of the future, using the scientific insights of today, including perspectives which More could never have imagined. What will our cities look like a hundred years from now? How will stem cell research and 3D printing change the world? Will we be able to cure all diseases? Will we be traveling to other planets? Will computers take over? Or will humanity find a way to improve the quality of life for everyone and feed a growing world population? In ‘A Truly Golden Handbook’, more than fifty KU Leuven scholars share their science-based utopian dreams. From the creation of spare organs, artificial intelligence and the genetic future, to global governance, ecological sustainability and pathways to more equality, this visionary book offers a broad interdisciplinary look at the world of tomorrow. Contributors All contributions were written by academics of KU Leuven Conny Aerts, Ivo Aertsen, Marc Boogaerts, Geert Bouckaert, René Bouwen, Frederik Ceyssens, Stephan Claes, Katrijn Clémer, Sara Coemans, Goele Cornelissen, Marc Craps, Joep Crompvoets, Lieven De Cauter, Ortwin de Graef, Jan De Lepeleire, Dorien De Man, Bart De Moor, Koen Devriendt, Rudi D’Hooge, Thomas D’Hooghe, Philip Dutré, Jan Elen, Liesbet Geris, Gerard Govers, Styn Grieten, Karin Hannes, Ann Heylighen, Hilde Heynen, Rianne Janssen, Rudy Lauwereins, Koen Lemmens, Peter Lievens, Katlijn Malfliet, Jan Masschelein, Terrence Merrigan, Yves Moreau, Bart Muys, Marten Ovaere, Jan Rongé, Erik Schokkaert, Frans Schuit, Maarten Simons, Manuel Sintubin, Stéphane Symons, Rik Torfs, Chantal Van Audenhove, Kenneth Van den Bergh, André Van de Putte, Hilde Van Esch, Inge Vanfraechem, Ine Van Hoyweghen, Geertrui Van Overwalle, Peter Van Puyvelde, Arne van Stiphout, An Verburgh, Peter Vermeersch, Johan Wagemans, Lode Walgrave

Caravaggio to Canaletto

Caravaggio to Canaletto PDF Author: Daniele Benati
Publisher:
ISBN: 9786155304187
Category : Arts, Rococo
Languages : en
Pages : 0

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Rubens, Van Dyck & Jordaens

Rubens, Van Dyck & Jordaens PDF Author:
Publisher: Stichting Winkel de Nieuwe Kerk
ISBN: 9789078653271
Category : Amsterdam (Netherlands)
Languages : en
Pages : 256

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This book gives an excellent overview of Flemish art from the Hermitage in St Petersburg. A large proportion was acquired in the eighteenth century by Catherine the Great, from superb collections such as those of Crozat and Brühl, which she bought up in their entirety. Many of these paintings originally hung in churches and monasteries in Antwerp and other European cities. Most attention focuses on the 'big three': Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens. Rubens was the most important, the most talented, and the most influential seventeenth-century Flemish painter. He was also a phenomenon in his day, a true homo universalis. The portraits produced by Van Dyck for the court of King Charles I of England also share the limelight, along with impressive history paintings by Jordaens, exuding the vibrant atmosphere in which he excelled. Exhibition: De Nieuwe Kerk - Hermitage, Amsterdam, 17.9.2011 to 16.3.2012.

The Age of Rubens

The Age of Rubens PDF Author: Robert Malcolm Smuts
Publisher: Brepols Publishers
ISBN: 9782503549484
Category : Art
Languages : en
Pages : 0

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Using the career of Peter Paul Rubens as an organizing thread, this conference proceeding examines the complex relationships between diplomacy, dynastic politics and the visual arts during the early part of the Thirty Years War. What role did exchanges of art and artists play in the diplomacy of this period? How did these exchanges contribute to the development of international formulas for the visual representation of power and glory? To what extent had dynastic alliances and diplomacy created a shared visual language of power and authority throughout much of Europe, as opposed to distinctive national, dynastic or even personal formulas favored by particular patrons? What similarities and dissimilarities can we detect by comparing the relationship between high politics and the visual arts in different European courts? By addressing these and other related questions, ot only Rubens’s own work is illuminated but also the interplay between international dynastic politics and the visual language of power more generally during a critical fifteen year period.