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Author: Andrew Whelan
Publisher: Cambridge Scholars Publishing
ISBN: 144381167X
Category : Language Arts & Disciplines
Languages : en
Pages : 390
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Book Description
Peer-to-peer music exchange, sampling, and digital distribution have garnered much attention in recent years, notably in debates about authorship, intellectual property, media control, and ‘Web 2’. However, empirical scholarship on how these technologies are used creatively by musicians and fans is still sparse. In this interdisciplinary ethnography of ‘bedroom producer’ culture, Andrew Whelan examines interaction and exchange within a specific online milieu: peer-to-peer chatrooms dedicated to electronic music, focusing on a genre known as ‘breakcore’. The author draws on semantic anthropology, ethnomethodology, sociolinguistics, and critical musicology to explore the activity afforded by this controversial and criminalised environment. Through in-depth analysis of often ritually vituperative text-based interaction, discussions of music, and the samples used in that music, Whelan describes the cultural politics and aesthetics of bedroom producer identity, highlighting the roles gender and ethnicity play in the constitution of subcultural authenticity. Empirically driven throughout, this book also engages with a spectrum of social theory; in doing so, it highlights the intersections between gender, interaction, technology and music. This book will prove valuable for students and scholars with interests in gender and language use, computer-mediated communication, online subcultures and virtual community, and the evolution, production and distribution of electronic music.
Author: Andrew Whelan
Publisher: Cambridge Scholars Publishing
ISBN: 144381167X
Category : Language Arts & Disciplines
Languages : en
Pages : 390
Get Book Here
Book Description
Peer-to-peer music exchange, sampling, and digital distribution have garnered much attention in recent years, notably in debates about authorship, intellectual property, media control, and ‘Web 2’. However, empirical scholarship on how these technologies are used creatively by musicians and fans is still sparse. In this interdisciplinary ethnography of ‘bedroom producer’ culture, Andrew Whelan examines interaction and exchange within a specific online milieu: peer-to-peer chatrooms dedicated to electronic music, focusing on a genre known as ‘breakcore’. The author draws on semantic anthropology, ethnomethodology, sociolinguistics, and critical musicology to explore the activity afforded by this controversial and criminalised environment. Through in-depth analysis of often ritually vituperative text-based interaction, discussions of music, and the samples used in that music, Whelan describes the cultural politics and aesthetics of bedroom producer identity, highlighting the roles gender and ethnicity play in the constitution of subcultural authenticity. Empirically driven throughout, this book also engages with a spectrum of social theory; in doing so, it highlights the intersections between gender, interaction, technology and music. This book will prove valuable for students and scholars with interests in gender and language use, computer-mediated communication, online subcultures and virtual community, and the evolution, production and distribution of electronic music.
Author: Michael D. Ayers
Publisher: Peter Lang
ISBN: 9780820478616
Category : Computers
Languages : en
Pages : 298
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Book Description
Textbook
Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
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Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
Author: Simon Reynolds
Publisher: Catapult
ISBN: 1593764073
Category : Music
Languages : en
Pages : 609
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Book Description
Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”
Author: Gail Priest
Publisher: UNSW Press
ISBN: 1921410078
Category : Music
Languages : en
Pages : 254
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Book Description
Summary: A lively accessible survey of contemporary exploratory music in Australia. Complemented by iamges and an audio CD, it offers a fascinating glimpse into the vibrant world of sound art and the role of experimentation in contemporary Australian culture.
Author: Sean Nye
Publisher: Bloomsbury Publishing USA
ISBN: 1501346261
Category : Music
Languages : en
Pages : 153
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Book Description
Modeselektor, the Berlin electronic duo consisting of Gernot Bronsert and Sebastian Szary, released Happy Birthday! in 2007, an album that mixed emotion, humor, and party excess. Through this album, this book presents a unique window into the histories of Berlin techno, European rave culture, and electronic music. By emphasizing Happy Birthday! as a network of collabs, genres, and insider winks, it highlights key features in Modeselektor's career: above all, the beginnings of Moderat, the famous project between Modeselektor and Apparat, as well as the connections to groups and artists as diverse as Thom Yorke, Ellen Allien, Paul St. Hilaire, Otto von Schirach, Scooter, and Jones & Stephenson. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.
Author: Source Wikipedia
Publisher: University-Press.org
ISBN: 9781230538570
Category :
Languages : en
Pages : 26
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Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 25. Chapters: Ambush Records, Autopsia, Axiome, Bloody Fist Records, Bong-Ra, Clash Records, DJ Balli, DJ Scud, Doormouse, Droon, Drop Bass Network, Eiterherd, Enduser (artist), Eustachian (band), Hecate (musician), Irritant Records, Istari Lasterfahrer, Jan Robbe, Jason Forrest, Knifehandchop, Ladyscraper, List of breakcore artists, List of breakcore record labels, Nasenbluten, Nero's Day At Disneyland, Oozing Bass Spasms, Ove-Naxx, Parasite (artist), Praxis Records, Shitmat, Sickboy Milkplus, Society Suckers, Sonic Belligeranza, Sublight Records, Velapene Screen, Venetian Snares, Widerstand Records, William Flegel, Xanopticon. Excerpt: Jan Robbe (born 14 June 1980 in Ghent, Belgium), otherwise known by his music project aliases Atomhead, Erratic, and UndaCova, is an electronic music artist. He founded the experimental netlabel Entity in 2003 with friend Nico de Gols (aka Kaebin Yield). Jan Robbe is known for expressing various musical styles under different pseudonyms. Atomhead and UndaCova, his two most prominent projects, focus on fractured industrial beats and densely textured DSP sound design techniques, whereas Erratic is a vehicle for pursuing more minimal long-form ambiental directions. Robbe has released music on distinguished labels such as Dyslexic Response and Hangars Liquides, and collaborated with artists who operate in similar aesthetic domains, including Neurocore, Subskan and Xanopticon. In 1999 Jan Robbe adopted the name "UndaCova" to release IDM experiments using FL Studio, which remains one of his favourite programs. These include S-T-U-C-K (2001) on the Arghprkl netlabel, and a series of meditative brainwave synchronizers released on Theta. An illbient split with Affective Disorder entitled Study of a Ladybug on a Rope was later released on Autoplate. Robbe's influences at this time included the post-rock...
Author: Perfect Papers
Publisher: Independently Published
ISBN: 9781717997265
Category : Antiques & Collectibles
Languages : en
Pages : 122
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Book Description
Keep Calm And Listen To Listen To Breakcore: Breakcore Designer Notebook Looking for the perfect personalized gift?! This awesome notebook is the best choice
Author: Anita Jóri
Publisher: transcript Verlag
ISBN: 3839457580
Category : Music
Languages : en
Pages : 229
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Book Description
Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview of the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies.
Author:
Publisher:
ISBN:
Category : Alternative rock music
Languages : en
Pages : 658
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Book Description
