Brazilian Music for Acoustic Guitar PDF Download
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Author: Carlos Barbosa-Lima
Publisher:
ISBN: 9781562225582
Category :
Languages : en
Pages : 68
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Book Description
Author: Carlos Barbosa-Lima
Publisher:
ISBN: 9781562225582
Category :
Languages : en
Pages : 68
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Book Description
Author: Nelson Faria
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101351
Category : Music
Languages : en
Pages : 231
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Book Description
* A complete guide to playing guitar accompaniment and chord melodies in various Brazilian styles -- Samba, Bossa Nova, Frevo, etc. * Comes with a CD of Nelson demonstrating each exercise, plus a tune in each style * Many variations of basic comping patterns written out, each with complete chord voicings. * Also includes short transcriptions of guitar parts as recorded by Toninho Horta, Joao Bosco, Joao Gilberto, etc.
Author: Mike (COP) Christiansen
Publisher:
ISBN: 9780786694426
Category :
Languages : en
Pages : 136
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Book Description
Number ten in the Mel Bay/Alfred collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: 'One Note Samba', 'Meditation', 'Quiet Nights of Quiet Stars', 'Chega de Saudade', 'How Insensitive', 'The Girl from Ipanema', 'A Day in the Life of a Fool', 'The Island', 'So Nice', 'Desafinado', 'A Felicidade', 'Sabia' and 'Gentle Rain'. Tunes arranged by John Zaradin and Mike Christiansen. All tunesincluded on companion online audio in solo and rhythm styles. Includes access to online audio.
Author: Billy Newman
Publisher: Alfred Music Publishing
ISBN: 9780739024768
Category : Music
Languages : en
Pages : 52
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Book Description
Renowned guitarist Billy Newman guides you through distinctive rhythms such as tango, samba and bossa nova, as he clearly explains the corresponding chord sequences and techniques found in each style. Included is a CD demonstrating all examples covered throughout the book, which are written in both standard notation and TAB to make learning easy and fun.
Author: Chris McGowan
Publisher: Temple University Press
ISBN: 9781566395458
Category : Music
Languages : en
Pages : 266
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Book Description
At the second International Song Festival in 1967, Milton Nascimento had three songs accepted for competition. He had no intention of performing them--he hated the idea of intense competition. In fact, Nascimento might never have appeared at all if Eumir Deodato hadn't threatened not to write the arrangements for his songs if he didn't perform at least two of them. Nascimento went on to win the festival's best performer award, all three of his songs were included soon afterward on his first album, and the rest is history. This is only one anecdote from The Brazilian Sound, an encyclopedic survey of Brazilian popular music that ranges over samba, bossa nova, MPB, jazz and instrumental music and tropical rock, as well as the music of the Northeast. The authors have interviewed a wide variety of performers like Nascimento, Gilberto Gil, Carlinhos Brown, and Airto Moreira, U.S. fans, like Lyle Mays, George Duke, and Paul Winter, executive André Midani; and music historian Zuza Homem de Mello, just to name a few. First published in 1991, The Brazilian Sound received enthusiastic attention both in the United States and abroad. For this new edition, the authors have expanded their examination of the historical roots of Brazilian music, added new photographs, amplified their discussion of social issues like racism, updated the maps, and added a new final chapter highlighting the most recent trends in Brazilian music. The authors have expanded their coverage of the axé music movement and included profiles of significant emerging artists like Marisa Monte, Chico Cesar, and Daniela Mercury. Clearly written and lavishly illustrated with 167 photographs, The Brazilian Sound is packed with facts, explanations, and fascinating stories. For the Latin music aficionado or the novice who wants to learn more, the book also provides a glossary, a bibliography, and an extensive discography containing 1,000 entries. Author note: Chris McGowan was a contributing writer and columnist for Billboard from 1984 to 1996 and pioneered that publication's coverage of Brazilian and world music in the mid-1980s. He has written about the arts and other subjects for Musician, The Beat, the Hollywood Reporter, the Los Angeles Times, L. A Weekly, and the Los Angeles Reader. He is the author of Entertainment in the Cyber Zone: Exploring the Interactive Universe of Multimedia (1995) and was a contributor to The Encyclopedia of Latin American History and Culture (1996). Ricardo Pessanha has worked as a teacher, writer, editor, and management executive for CCAA, one of Brazil's leading institutes of English-language education. He has served as a consultant to foreign journalists and scholars on numerous cultural projects relating to Brazil. He has contributed articles about Brazilian music to The Beat and other publications.
Author: Carlos Arana
Publisher: Alfred Music Publishing
ISBN: 9780757940798
Category : Music
Languages : en
Pages : 102
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Book Description
Educator and performer Carlos Arana captures Brazil's rich musical heritage with impeccable stylistic, historic, and technical analyses. The first section of this book covers the fundamental rhythmic and harmonic characteristics of samba, bossa nova, and choro styles followed by practical applications on the guitar. The practical applications break each of the styles down to their historic and regional roots combined with examples that capture the essence of each style. The next section takes you to the northeast of Brazil with the rhythm figures of baio, toada, xote, afox, frevo, Marcha, and Marcha Rancho. Over 60 examples, written in standard notation and tablature, are demonstrated on the included CD.
Author: Alexander Dent
Publisher: Duke University Press
ISBN: 0822391090
Category : Social Science
Languages : en
Pages : 314
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Book Description
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
Author: Ahmed El-Salamouny
Publisher:
ISBN: 9783869473369
Category :
Languages : de
Pages : 60
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Book Description
Author: John Zaradin
Publisher: Music Sales
ISBN: 9780711968431
Category : Music
Languages : en
Pages : 0
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Book Description
(Music Sales America). A collection of popular Brazilian music edited and arranged by John Zaradin for solo guitar. Suitable for intermediate guitarists and arranged in standard and guitar tab notation with chord symbols.
Author: Stephen Guerra
Publisher: Mel Bay Publications
ISBN: 1513459376
Category : Music
Languages : en
Pages : 56
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Book Description
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.
