Brancusi Vs. United States, the Historic Trial, 1928 PDF Download
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Author: Margit Rowell
Publisher: Vilo Publishing
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
When Marcel Duchamp arrived in New York in October 1926 with a consignment of Brancusi sculptures for a one-man exhibition of the sculptor's work, a series of events began which resulted in a new definition of art in America. The American Customs authorities denied Brancusi's sculptures the duty-free entry which normally applied to works of art, on the grounds that the works did not appear to be sculpture. Duchamp appealed on Brancusi's behalf, and the resulting trial, Brancusi vs. United States, became famous as the moment at which the legal definition ora work of art changed to embrace the modern. The trial focussed around the 1923 work, Bird in Space. Slender, tapered and bronze in color, with a mirror-like surface, to the authorities it appeared to be some kind of industrial object, certainly not one with the characteristics of art: Q: Why do you regard Exhibit I as not a work of art? A: It is too abstract and a misuse of the form of sculpture... I don't think it has the sense of beauty. Q: ... If it had been given a head to it would that have aroused that sense of beauty in you to designate it as art? Now, for the first time, the complete minutes of the trial are available -- reprinted from the original transcript preserved in the Museum of Modern Art Library, New York.
Author: Margit Rowell
Publisher: Vilo Publishing
ISBN:
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
When Marcel Duchamp arrived in New York in October 1926 with a consignment of Brancusi sculptures for a one-man exhibition of the sculptor's work, a series of events began which resulted in a new definition of art in America. The American Customs authorities denied Brancusi's sculptures the duty-free entry which normally applied to works of art, on the grounds that the works did not appear to be sculpture. Duchamp appealed on Brancusi's behalf, and the resulting trial, Brancusi vs. United States, became famous as the moment at which the legal definition ora work of art changed to embrace the modern. The trial focussed around the 1923 work, Bird in Space. Slender, tapered and bronze in color, with a mirror-like surface, to the authorities it appeared to be some kind of industrial object, certainly not one with the characteristics of art: Q: Why do you regard Exhibit I as not a work of art? A: It is too abstract and a misuse of the form of sculpture... I don't think it has the sense of beauty. Q: ... If it had been given a head to it would that have aroused that sense of beauty in you to designate it as art? Now, for the first time, the complete minutes of the trial are available -- reprinted from the original transcript preserved in the Museum of Modern Art Library, New York.
Author:
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 144
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Book Description
Author: Martha Buskirk
Publisher: University of California Press
ISBN: 0520344596
Category : Art
Languages : en
Pages : 301
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Book Description
If you have tattoos, who owns the rights to the imagery inked on your body? What about the photos you just shared on Instagram? And what if you are an artist, responding to the surrounding landscape of preexisting cultural forms? Most people go about their days without thinking much about intellectual property, but it shapes all aspects of contemporary life. It is a constantly moving target, articulated through a web of laws that are different from country to country, sometimes contradictory, often contested. Some protections are necessary—not only to benefit creators and inventors but also to support activities that contribute to the culture at large—yet overly broad ownership rights stifle innovation. Is It Ours? takes a fresh look at issues of artistic expression and creative protection as they relate to contemporary law. Exploring intellectual property, particularly copyrights, Martha Buskirk draws connections between current challenges and early debates about how something intangible could be defined as property. She examines bonds between artist and artwork, including the ways that artists or their heirs retain control over time. The text engages with fundamental questions about the interplay between authorship and ownership and the degree to which all expressions and inventions develop in response to innovations by others. Most importantly, this book argues for the necessity of sustaining a vital cultural commons.
Author: Joan Kee
Publisher: University of California Press
ISBN: 0520299388
Category : Art
Languages : en
Pages : 320
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Book Description
Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.
Author: Anthony Hughes
Publisher: Reaktion Books
ISBN: 9781861890023
Category : Sculpture
Languages : en
Pages : 222
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Book Description
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
Author: John E. Semonche
Publisher: Rowman & Littlefield Publishers
ISBN: 0742572757
Category : History
Languages : en
Pages : 309
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Book Description
In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up to the present. He covers the various forms of American media—books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. The tale is varied and interesting, replete with a stock of colorful characters such as Anthony Comstock, Mae West, Theodore Dreiser, Marcel Duchamp, Opie and Anthony, Judy Blume, Jerry Falwell, Alfred Kinsey, Hugh Hefner, and the Guerilla Girls. Covering the history of censorship of sexual ideas and images is one way of telling the story of modern America, and Semonche tells that tale with insight and flair. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. Censorship, whether undertaken to ward off government regulation, to help preserve the social order, or to protect the weak and vulnerable, proceeds on the assumption that the censor knows best and that limiting the choices of media consumers is justified. At various times all of the following groups were perceived as needing protection from sexually explicit materials: children, women, the lower classes, and foreigners. As social and political conditions changed, however, the simple fact that someone was a woman or a day laborer did not support stereotyping that person as weak or impressionable. What would remain as the only acceptable rationale for censorship of sexual materials was the protection of children and unconsenting adults. For each mode of media, Semonche explains via abundant examples how and why censorship took place in America. Censoring Sex also traces the story of how the cultural territory contested by those advocating and opposing censorship has diminished over the course of the last two centuries. Yet, Semonche argues, the censorship of sexual materials that continues in the United States poses a challenge to the free speech that is part of the foundation upon which the nation is built. Indeed, in an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U. S. Constitution.
Author: Mary V. Dearborn
Publisher: HMH
ISBN: 0547523769
Category : Biography & Autobiography
Languages : en
Pages : 417
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Book Description
The life story of the bohemian socialite who rebelled against her famous family and became a renowned art collector. Peggy Guggenheim was the ultimate self-invented woman, a cultural mover and shaker who broke away from her poor-little-rich-girl origins to shape a life for herself as the enfant terrible of the art world. Her visionary Art of This Century gallery in New York, which brought together the European surrealist artists with the American abstract expressionists, was an epoch-shaking “happening” at the center of its time. In Mistress of Modernism, Mary V. Dearborn draws upon her unprecedented access to the Guggenheim family, friends, and papers to craft a “thorough biography . . . [that] will appeal to art lovers interested in more than the paint” (Publishers Weekly). “With drive and clarity, Dearborn charts Guggenheim’s peripatetic life,” offering rich insight into Peggy’s traumatic childhood in German-Jewish “Our Crowd” New York, her self-education in the ways of art and artists, her caustic battles with other art-collecting Guggenheims, and her legendary sexual appetites (her lovers included Max Ernst, Samuel Beckett, and Marcel Duchamp, to name just a few) (Booklist). Here too is a poignant portrait of Peggy’s last years as l’ultima dogaressa—the last (female) doge—in her palazzo in Venice, where her collection still draws thousands of visitors every year. Mistress of Modernism is the first definitive biography of Peggy Guggenheim, whose wit, passion, and provocative legacy Dearborn brings compellingly to life.
Author: Frederik Swennen
Publisher: ASP / VUBPRESS / UPA
ISBN: 9054878967
Category : Cultural property
Languages : en
Pages : 89
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Book Description
Report of the seminar: 'public private partnerships on cultural heritage' on 21 december 2010 in Antwerp, in the form of an essay. With reflections on the basis of the introductions and interventions by the participants. With the economic and legal aspects of cultural heritage; the possible fields of application of public private partnerships on cultural heritage and the legal and tax techniques.
Author: David Lapoujade
Publisher: U of Minnesota Press
ISBN: 1452966818
Category : Philosophy
Languages : en
Pages : 132
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Book Description
On the complex aesthetics and ontology at work in Étienne Souriau’s unique oeuvre In this concise but expansive exegesis of the philosophical aesthetics of Étienne Souriau, philosopher David Lapoujade provides a lucid introduction to many of the key concepts underpinning Souriau’s existential pluralism. Among the various modes of existence that populate a world, Souriau grants particular importance to virtual beings—the lesserexistences. Always taking the form of a sketch or an outline, the perfection of such existences lies precisely in the incompletion with which they imbue all reality. They exist with a problematizing force, posing questions and inviting the establishment of an “art” that would make them more real. And yet, for this to happen, another existence must first see them—must be capable of hearing their appeals—and must be willing to defend their right to exist. Through discussions of modern art ranging from the dispossessed characters of Kafka and Beckett to the grids of Agnes Martin and the protographies of Oscar Muñoz, Lapoujade leads the reader into a complex philosophical world, brimming with modal existences and animated by a unique conception of creative processes, where the philosopher as artist or artist as philosopher becomes an advocate, defending the right of certain realities to gain in existence. For Souriau, nothing is given in advance, everything is a work in the making: such is the instaurative practice that grounds his entire oeuvre.
Author: Caroline Levine
Publisher: Princeton University Press
ISBN: 1400852609
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
A radically new way of thinking about form and context in literature, politics, and beyond Forms offers a powerful new answer to one of the most pressing problems facing literary, critical, and cultural studies today—how to connect form to political, social, and historical context. Caroline Levine argues that forms organize not only works of art but also political life—and our attempts to know both art and politics. Inescapable and frequently troubling, forms shape every aspect of our experience. Yet, forms don't impose their order in any simple way. Multiple shapes, patterns, and arrangements, overlapping and colliding, generate complex and unpredictable social landscapes that challenge and unsettle conventional analytic models in literary and cultural studies. Borrowing the concept of "affordances" from design theory, this book investigates the specific ways that four major forms—wholes, rhythms, hierarchies, and networks—have structured culture, politics, and scholarly knowledge across periods, and it proposes exciting new ways of linking formalism to historicism and literature to politics. Levine rereads both formalist and antiformalist theorists, including Cleanth Brooks, Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, and she offers engaging accounts of a wide range of objects, from medieval convents and modern theme parks to Sophocles's Antigone and the television series The Wire. The result is a radically new way of thinking about form for the next generation and essential reading for scholars and students across the humanities who must wrestle with the problem of form and context.
