Author: Lawrence M. Zbikowski
Publisher: Oxford University Press
ISBN: 019803217X
Category : Music
Languages : en
Pages : 377
Book Description
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Conceptualizing Music
Author: Lawrence M. Zbikowski
Publisher: Oxford University Press
ISBN: 019803217X
Category : Music
Languages : en
Pages : 377
Book Description
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Publisher: Oxford University Press
ISBN: 019803217X
Category : Music
Languages : en
Pages : 377
Book Description
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
How to Read Braille Music
Author: Bettye Krolick
Publisher:
ISBN: 9781892195050
Category : Braille music-notation
Languages : en
Pages : 44
Book Description
Publisher:
ISBN: 9781892195050
Category : Braille music-notation
Languages : en
Pages : 44
Book Description
Writing Sounds in Carolingian Europe
Author: Susan Rankin
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Introduction to Braille Music Transcription
Author: Mary Turner De Garmo
Publisher:
ISBN:
Category : Braille music notation
Languages : en
Pages : 25
Book Description
Publisher:
ISBN:
Category : Braille music notation
Languages : en
Pages : 25
Book Description
Insights in Sound
Author: David Baker
Publisher: Taylor & Francis
ISBN: 1351969021
Category : Art
Languages : en
Pages : 289
Book Description
Music has long been a way in which visually impaired people could gain financial independence, excel at a highly-valued skill, or simply enjoy musical participation. Yet there has been relatively little sociological research bringing together the views and experiences of visually impaired musicians themselves throughout the life-course. Insights in Sound cuts across a range of contexts - from amateur to professional, classical to popular, performance to composition - aiming to discover, analyse and share a rich range of insights into the lives and learning of these musicians.
Publisher: Taylor & Francis
ISBN: 1351969021
Category : Art
Languages : en
Pages : 289
Book Description
Music has long been a way in which visually impaired people could gain financial independence, excel at a highly-valued skill, or simply enjoy musical participation. Yet there has been relatively little sociological research bringing together the views and experiences of visually impaired musicians themselves throughout the life-course. Insights in Sound cuts across a range of contexts - from amateur to professional, classical to popular, performance to composition - aiming to discover, analyse and share a rich range of insights into the lives and learning of these musicians.
Key to the Braille Music Notation, 1922
Author: Royal National Institute for the Blind. Braille music notation committee
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Learning the Nemeth Braille Code
Author: Ruth H. Craig
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 144
Book Description
The Rules of Unified English Braille
Author: Christine Simpson
Publisher:
ISBN: 9780980706468
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN: 9780980706468
Category :
Languages : en
Pages : 344
Book Description
New International Manual of Braille Music Notation
Author: Braille Music Subcommittee. World Blind Union
Publisher:
ISBN: 9789090092690
Category : Braille music notation
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789090092690
Category : Braille music notation
Languages : en
Pages : 0
Book Description
Key to Braille Music Notation (Classic Reprint)
Author: L. W. Rodenberg
Publisher: Forgotten Books
ISBN: 9780483997240
Category : Music
Languages : en
Pages : 116
Book Description
Excerpt from Key to Braille Music Notation A l Director of the Department of Public Welfare of Illinois, and to Mr. R. W. Woolston, School for the Blind, for liberally supporting the experimental and other preparatory work necessary to this text; To Mr. E. E. Bramlette, Superintendent, and to the Trustees of the American Printing House for the Blind, for generously providing for the printing of this text; To Messrs. Spanner, Watson, and Warrilow, and other officers of the National Institute for the Blind, London, for their exemplary achievements in the science of Braille music notation; To Mrs. Justine B. Ward, author of texts on music, Catholic Education Series, for her valuable contribution to the treatise of Chant, and for other help therewith to Miss Margaret Ring, Organist of Our Saviour's Catholic Church. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780483997240
Category : Music
Languages : en
Pages : 116
Book Description
Excerpt from Key to Braille Music Notation A l Director of the Department of Public Welfare of Illinois, and to Mr. R. W. Woolston, School for the Blind, for liberally supporting the experimental and other preparatory work necessary to this text; To Mr. E. E. Bramlette, Superintendent, and to the Trustees of the American Printing House for the Blind, for generously providing for the printing of this text; To Messrs. Spanner, Watson, and Warrilow, and other officers of the National Institute for the Blind, London, for their exemplary achievements in the science of Braille music notation; To Mrs. Justine B. Ward, author of texts on music, Catholic Education Series, for her valuable contribution to the treatise of Chant, and for other help therewith to Miss Margaret Ring, Organist of Our Saviour's Catholic Church. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.