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Author: David Lee Brodbeck
Publisher: U of Nebraska Press
ISBN: 9780803212879
Category : Music
Languages : en
Pages : 268
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Book Description
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.
Author: David Lee Brodbeck
Publisher: U of Nebraska Press
ISBN: 9780803212879
Category : Music
Languages : en
Pages : 268
Get Book Here
Book Description
The eight essays in Brahms Studies 2 provide a rich sampling of contemporary Brahms research. In his examination of editions of Brahms?s music, George Bozarth questions the popular notion that most of the composer?s music already exists in reliable critical editions. Daniel Beller-McKenna reconsiders the younger Brahms?s involvement in musical politics at midcentury. The cantata Rinaldo is the centerpiece of Carol Hess?s consideration of Brahms?s music as autobiographical statement. Heather Platt?s exploration of the twentieth-century reception of Brahms?s Lieder reveals that advocates of Hugo Wolf?s aesthetics have shaped the discourse concerning the composer?s songs and calls for an approach more clearly based on Brahms?s aesthetics. In his examination of the rise of the ?great symphony? as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms?s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms?s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms?s reception of Mendels-sohn?s music.
Author: Brahms Studies
Publisher: U of Nebraska Press
ISBN: 9780803261969
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.
Author: David Brodbeck
Publisher: U of Nebraska Press
ISBN: 9780803212435
Category : Music
Languages : en
Pages : 220
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Book Description
Examines the broad range of current Brahms research, including documentary studies, historical and critical essays, and case studies of individuals works
Author: Heather Anne Platt
Publisher: Routledge
ISBN: 041599456X
Category : Music
Languages : en
Pages : 578
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Book Description
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Michael Musgrave
Publisher: Cambridge University Press
ISBN: 9780521326063
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Half of these twelve original essays by international authorities are critical analyses of Brahm's music, while the remainder discuss influences, the reception of his music and his place in history.
Author: Robert Pascall
Publisher: Cambridge University Press
ISBN: 9780521088367
Category : Music
Languages : en
Pages : 232
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Book Description
This book is a collection of essays on various aspects of the life and work of Brahms. There are three main areas of focus - biographical, documentary and analytical. Some essays concentrate on one element, others blend all three.
Author: Daniel Gregory Mason
Publisher: Good Press
ISBN:
Category : Music
Languages : en
Pages : 130
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Book Description
Daniel Gregory Mason's book 'From Grieg to Brahms: Studies of Some Modern Composers and Their Art' is a comprehensive analysis of the works of Grieg, Brahms, and other modern composers, exploring their artistic styles and influences. Mason's writing is characterized by meticulous research and insightful commentary, making this book a valuable resource for music enthusiasts and scholars alike. By delving into the cultural and historical contexts in which these composers created their masterpieces, Mason offers readers a deeper understanding of the music of the late 19th and early 20th centuries. His discussions of specific compositions provide a nuanced interpretation of the emotions and ideas expressed through the music. Daniel Gregory Mason, a respected musicologist and composer himself, brings a unique perspective to the study of these composers, drawing on his own experiences in the music industry and academic research. In 'From Grieg to Brahms,' Mason's expertise and passion for music shine through, making this book a must-read for anyone interested in the evolution of classical music and the creative processes of renowned composers.
Author: Julian Littlewood
Publisher: Plumbago Books and Arts
ISBN: 0954012348
Category : Variations
Languages : en
Pages : 384
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Book Description
Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.
Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 262
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Book Description
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457424632
Category : Music
Languages : en
Pages : 68
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Book Description
Brahms composed these melodic finger exercises for use in preparation for performing his more challenging piano works. They encompass a great many technical problems found in piano music composed up to and including the Romantic period. Great emphasis is placed on finger independence as well as on the total independence of hands.
