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Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 1457443155
Category : Music
Languages : en
Pages : 99
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Book Description
Compiled primarily for intermediate students, this collection contains an appealing selection of 15 works by Brahms. Included is an intriguing history of the composer's life, education and gift as a composer. In addition to a discussion on Brahms' style of composition, performance suggestions are included. Editorial markings have been added for pedaling and fingering.
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 1457443155
Category : Music
Languages : en
Pages : 99
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Book Description
Compiled primarily for intermediate students, this collection contains an appealing selection of 15 works by Brahms. Included is an intriguing history of the composer's life, education and gift as a composer. In addition to a discussion on Brahms' style of composition, performance suggestions are included. Editorial markings have been added for pedaling and fingering.
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457444500
Category : Music
Languages : en
Pages : 132
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Book Description
During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.
Author: Walter Frisch
Publisher: Princeton University Press
ISBN: 1400833620
Category : Music
Languages : en
Pages : 479
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Book Description
Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.
Author: Eric Sams
Publisher: Yale University Press
ISBN: 9780300079623
Category : Music
Languages : en
Pages : 396
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Book Description
"Essential to the composer's method of song-writing was a harmony between musical form and poetic text. Sams takes us right to the heart of that creative method and helps to explain how and why a particular part of the text matches a particular piece of music. He includes a list of the motifs employed by Brahms to help show how the mind of the composer worked when seeking apposite music for the imagery of the poem."--BOOK JACKET.
Author: George S. Bozarth
Publisher: U of Nebraska Press
ISBN: 9780803212381
Category : Music
Languages : en
Pages : 700
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Book Description
For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. Keller’s admiration for the composer's genius was answered by Brahms's affection for Keller’s diligence and musical expertise. The vicissitudes of the publication process from composer’s manuscript to printed score are documented in fascinating detail. This edition includes a transcription of the letters in the original German.
Author: Walter Frisch
Publisher: Yale University Press
ISBN: 9780300099652
Category : Music
Languages : en
Pages : 244
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Book Description
In this title, Walter Frisch provides a sensitive, analytical commentary on Braham's four symphonies as well as a consideration of their place within his oeuvre, within the symphonic repertory of his day, and within the broader musical culture of 19th-century Germany and Austria.
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 1457425076
Category : Music
Languages : en
Pages : 111
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Book Description
Internationally renowned concert pianist Joseph Banowetz presents this definitive collection of original masterworks by Johannes Brahms, featuring a comprehensive preface, composer biography, vintage photographs, and detailed performance notes on the solos. This anthology spans a wide spectrum of Brahms's most-loved piano works that have remained popular over time. Titles: * Scherzo, Op. 4 * Ballade, Op. 10, No. 1 * Waltzes, Op. 39, Nos. 1 (B major), 2 (E major), 3 (G-sharp minor), 5 (E major), 8 (B-flat major), 9 (D minor), and 15 (A-flat major) * Klavierstí_cke, Op. 76, Nos. 2 (Capriccio, B minor), 4 (Intermezzo, B-flat major), and 7 (Intermezzo, A minor) * Fantasien, Op. 116, Nos. 2 (Intermezzo, A minor), 4 (Intermezzo, E major), and 6 (Intemezzo, E major) * Three Intermezzos, Op. 117, No. 1 (Intermezzo, E-flat major) * Klavierstí_cke, Op. 118, No. 2 (Intermezzo, A major) * Klavierstí_cke, Op. 119, No. 3 (Intermezzo, C major) * Hungarian Dances, WoO 1, No. 2 (D minor) * Sarabandes, WoO 5 posth., Nos. 1 (A minor), and 2 (B minor) * and Two Rhapsodies, Op. 79, Nos. 1 (B minor), and 2 (G minor)
Author: Karl Geiringer
Publisher: Legare Street Press
ISBN: 9781019273234
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jacquelyn Sholes
Publisher: Indiana University Press
ISBN: 0253033160
Category : Music
Languages : en
Pages : 276
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Book Description
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Author: Michael Musgrave
Publisher: Cambridge University Press
ISBN: 9780521409957
Category : Music
Languages : en
Pages : 116
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Book Description
A detailed study examining The German Requiem, Brahms's controversial, and his largest, masterpiece.
