Bracketing Paradox and Direct Compositionality

Bracketing Paradox and Direct Compositionality PDF Author: Kazuhiko Fukushima
Publisher: Rowman & Littlefield
ISBN: 1498588115
Category : Language Arts & Disciplines
Languages : en
Pages : 257

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Book Description
In Bracketing Paradox and Direct Compositionality: Montagovian Morphology for Bound Morphemes, Kazuhiko Fukushima resolves bracketing paradoxes in Japanese—morphological vs. semantic incongruity, which supposedly pose insurmountable obstacles to traditional and simple-minded morphology—within morphology (the lexicon) proper. This resolution is achieved through formal semantic apparatus developed by Richard Montague and his followers, hence the label Montagovian Morphology. More generally and theoretically, this book addresses the issue of the optimal interface between morphology, which deals with minimal units of meaning and their combination within a word, and semantics, which handles increasingly larger units of meaning in the sentence. Fukushima argues that the nature of the interface is directly compositional, requiring no complex syntactic supposition or manipulation other than putting words together as is. The author concludes that a semantically reinforced morphological—that is, lexical—approach is superior to a syntactic one for characterizing the mapping between morphological and semantic domains, and that syntax per se cannot supersede morphology.

Bracketing Paradox and Direct Compositionality

Bracketing Paradox and Direct Compositionality PDF Author: Kazuhiko Fukushima
Publisher: Rowman & Littlefield
ISBN: 1498588115
Category : Language Arts & Disciplines
Languages : en
Pages : 257

Get Book Here

Book Description
In Bracketing Paradox and Direct Compositionality: Montagovian Morphology for Bound Morphemes, Kazuhiko Fukushima resolves bracketing paradoxes in Japanese—morphological vs. semantic incongruity, which supposedly pose insurmountable obstacles to traditional and simple-minded morphology—within morphology (the lexicon) proper. This resolution is achieved through formal semantic apparatus developed by Richard Montague and his followers, hence the label Montagovian Morphology. More generally and theoretically, this book addresses the issue of the optimal interface between morphology, which deals with minimal units of meaning and their combination within a word, and semantics, which handles increasingly larger units of meaning in the sentence. Fukushima argues that the nature of the interface is directly compositional, requiring no complex syntactic supposition or manipulation other than putting words together as is. The author concludes that a semantically reinforced morphological—that is, lexical—approach is superior to a syntactic one for characterizing the mapping between morphological and semantic domains, and that syntax per se cannot supersede morphology.

Journal of Linguistics

Journal of Linguistics PDF Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 820

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Book Description


Semantics - Interfaces

Semantics - Interfaces PDF Author: Claudia Maienborn
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110587297
Category : Language Arts & Disciplines
Languages : en
Pages : 706

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Book Description
Explore the exciting research where semantics meets morphology, syntax and pragmatics. In this book, leading researchers use in-depth articles to explain a wide range of topics at these interfaces, including the semantics of intonation, inflection, compounding, argument structure, type shifting, compositionality, implicature, context dependence, deixis and presupposition. Now in paperback for the first time since its original publication, the highly cited material in this book is an ideal starting point for anyone interested in semantics where it crosses over with other dimensions of grammar.

Semantics. Volume 3

Semantics. Volume 3 PDF Author: Claudia Maienborn
Publisher: Walter de Gruyter
ISBN: 3110253380
Category : Language Arts & Disciplines
Languages : en
Pages : 943

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Book Description
No detailed description available for "SEMANTICS (MAIENBORN ET AL.) BD. 33.3 HSK E-BOOK".

The Grammar of Words

The Grammar of Words PDF Author: G. E. Booij
Publisher: Oxford University Press, USA
ISBN: 0199258473
Category : Language Arts & Disciplines
Languages : en
Pages : 324

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Book Description
Table of contents

The Morphology of Dutch

The Morphology of Dutch PDF Author: Geert Booij
Publisher: Oxford University Press
ISBN: 0192575554
Category : Language Arts & Disciplines
Languages : en
Pages : 297

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Book Description
This volume provides a detailed and comprehensive description of the morphological system of Dutch. Following an introduction to the basic assumptions of morphological theory, separate chapters are devoted to the inflectional system, derivation, and compounding, the interface between morphology and phonology, the interaction between morphology and syntax, and, new to this edition, a more detailed study of the features of separable complex verbs. Geert Booij demonstrates in this book that the morphology of Dutch poses multiple interesting descriptive and theoretical challenges. The volume also contributes to ongoing discussions on the nature and representation of morphological processes, the role of paradigmatic relations between words - and between words and phrases - and the interaction between morphology, phonology, and syntax. This second, fully revised edition has been updated throughout with expanded coverage of Dutch morphological phenomena and results from new research. Alongside a brand new chapter on separable complex verbs, it also includes a more sophisticated analysis of the relation between morphology and syntax, and an introduction to the basic tenets of Construction Morphology.

The Routledge Handbook of Spanish Morphology

The Routledge Handbook of Spanish Morphology PDF Author: Antonio Fábregas
Publisher: Routledge
ISBN: 1000371603
Category : Foreign Language Study
Languages : en
Pages : 857

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Book Description
The Routledge Handbook of Spanish Morphology presents a state-of-the-art, detailed and exhaustive overview of all aspects of Spanish morphology, paying equal attention to the empirical complexities of the morphological system and the theoretical issues that they raise. As such, this handbook is relevant both for those interested in the facts of Spanish morphology and those interested in general morphology that want to explore how the Spanish facts illuminate our understanding of human language and current theories of morphology. This volume is also unique in its extent and coverage. Written by an international team of leading experts in the field, it contains 42 chapters divided into four sections, covering all synchronic and diachronic aspects of Spanish morphology, including inflection; derivation; compounding and other processes of word formation; the interaction of morphology with other modules of grammar and the role of morphology in language acquisition, psycholinguistics and language teaching.

Modelling Human Speech Comprehension

Modelling Human Speech Comprehension PDF Author: E. J. Briscoe
Publisher: Ellis Horwood
ISBN:
Category : Computers
Languages : en
Pages : 292

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Book Description


Combinatory Linguistics

Combinatory Linguistics PDF Author: Cem Bozsahin
Publisher: Walter de Gruyter
ISBN: 311029687X
Category : Language Arts & Disciplines
Languages : en
Pages : 304

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Book Description
The book examines to what extent the mediating relation between constituents and their semantics can arise from combinatory knowledge of words. It traces the roots of Combinatory Categorial Grammar, and uses the theory to promote a Humean question in linguistics and cognitive science: Why do we see limited constituency and dependency in natural languages, despite their diversity and potential infinity? A potential answer is that constituents and dependencies might have arisen from a single resource: adjacency. The combinatory formulation of adjacency constrains possible grammars.

Invisible Colors

Invisible Colors PDF Author: John C. Welchman
Publisher: Yale University Press
ISBN: 9780300065305
Category : Art
Languages : en
Pages : 476

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Book Description
In one of his sparkling aphorisms on the end of 'optical' art, Marcel Duchamp suggested that the title of an artwork was an 'invisible color'. John Welchman now offers the first critical history of how and why modern artworks receive their titles. He shows that titles were seldom produced and can rarely be understood outside of the institutional parameters that made them visible - exhibitions, criticism, catalogues, and even national politics.