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Author: Andrew S. McFarland
Publisher: Routledge
ISBN: 1317263014
Category : Political Science
Languages : en
Pages : 184
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Book Description
Boycotts and Dixie Chicks introduces the concept of 'creative political participation', collective political actions which do not use traditional methods and which are innovative, collaborative and creative in character. Andrew S. McFarland discusses creative participation on issues concerning the environment, political corruption, consumer rights, and transnational issues. He draws on specific examples including anti-corruption demonstrations in contemporary rural China, community action in 1890s Wisconsin, consumer boycotts of Shell Oil, ExxonMobil, the Nestle Corporation, and the Dixie Chicks music group, the 'colour revolutions' and transnational fair trade and transparency activism. Written in an engaging, everyday language and using a wide variety of sources and case studies, Boycotts and Dixie Chicks is highly recommended for students of alternative social and political movements and sociology.
Author: Andrew S. McFarland
Publisher: Routledge
ISBN: 1317263014
Category : Political Science
Languages : en
Pages : 184
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Book Description
Boycotts and Dixie Chicks introduces the concept of 'creative political participation', collective political actions which do not use traditional methods and which are innovative, collaborative and creative in character. Andrew S. McFarland discusses creative participation on issues concerning the environment, political corruption, consumer rights, and transnational issues. He draws on specific examples including anti-corruption demonstrations in contemporary rural China, community action in 1890s Wisconsin, consumer boycotts of Shell Oil, ExxonMobil, the Nestle Corporation, and the Dixie Chicks music group, the 'colour revolutions' and transnational fair trade and transparency activism. Written in an engaging, everyday language and using a wide variety of sources and case studies, Boycotts and Dixie Chicks is highly recommended for students of alternative social and political movements and sociology.
Author: Gabriel Rossman
Publisher: Princeton University Press
ISBN: 0691148732
Category : Art
Languages : en
Pages : 198
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Book Description
How songs achieve commercial success on the radio Despite the growth of digital media, traditional FM radio airplay still remains the essential way for musicians to achieve commercial success. Climbing the Charts examines how songs rise, or fail to rise, up the radio airplay charts. Looking at the relationships between record labels, tastemakers, and the public, Gabriel Rossman develops a clear picture of the roles of key players and the gatekeeping mechanisms in the commercial music industry. Along the way, he explores its massive inequalities, debunks many popular misconceptions about radio stations' abilities to dictate hits, and shows how a song diffuses throughout the nation to become a massive success. Contrary to the common belief that Clear Channel sees every sparrow that falls, Rossman demonstrates that corporate radio chains neither micromanage the routine decision of when to start playing a new single nor make top-down decisions to blacklist such politically inconvenient artists as the Dixie Chicks. Neither do stations imitate either ordinary peers or the so-called kingmaker radio stations who are wrongly believed to be able to make or break a single. Instead, Rossman shows that hits spread rapidly across radio because they clearly conform to an identifiable style or genre. Radio stations respond to these songs, and major labels put their money behind them through extensive marketing and promotion efforts, including the illegal yet time-honored practice of payoffs known within the industry as payola. Climbing the Charts provides a fresh take on the music industry and a model for understanding the diffusion of innovation.
Author: Byron Williams
Publisher: Lulu.com
ISBN: 0615187617
Category : Iraq War, 2003-2011
Languages : en
Pages : 179
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Book Description
Author: Laura Ingraham
Publisher: Simon and Schuster
ISBN: 1621571491
Category : Political Science
Languages : en
Pages : 369
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Book Description
Feisty radio sensation Laura Ingraham is tired of the Hollywood Left--and she has all the answers in this pugnacious, funny, and devastating critique of the liberals who hate America.
Author: Stephanie Schäfer
Publisher: diplom.de
ISBN: 3842823010
Category : Music
Languages : en
Pages : 117
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Book Description
Inhaltsangabe:Introduction: All American music reflects the landscape from which it springs and as that landscape changes, chewed up by the developments and industry and environmental disasters, as the air we heave in and out of our lungs is filled with new particles, as the water we drink gets its fluoride levels regulated and mineral content tweaked, it makes perfect sense that American music becomes slicker, more machinated, less like reality. We are all subject to our environs, fashioned and chiseled and sanded into shapes We have highways for arteries and clouds for brains and sticks for bones, The sounds we make are Americana. As one of the first musical expressions of the United States, country music represents the values and ideals on which the nation was founded. Country music can be seen as the epitome of the American Dream. It has its origins in the 19th century, when cowboys were working in the fields and riding through the lonely prairie, an image that has been romanticized by numerous Hollywood movies. This thesis focuses on country music as a genre as well as the identity which it represents and by which audience and performers are linked. Country music can be regarded as the music of Southern working class Americans. Since before the Civil War, the South has always been looked down upon as being primitive, simple-minded, and extremely religious. Having its roots in the South, country music has had to face substantial criticism in terms of unsophistication and over-sentimentalization. Due to a shift in national economic power, the United States have become increasingly Southernized, both culturally and musically. Southern culture and identity have become desirable. This phenomenon allowed country music to shed its dubious reputation and gain popularity across the country. This paper will shine a light on the American South as a cultural region that has more to offer than what meets the eye. Southern working class culture and its core values are going to be described and put in context with country music as a form of cultural expression. Central themes in American country music are family, love, heartbreak, work, friends, religion, and patriotism. Characteristic for the country music genre are its narrative structures, which by telling a story, enhance its ability to form a collective identity as well as a connection between the narrator, the performer, and the audience. However, country musicians are not solely messengers of the [...]
Author: Jeffrey M. Berry
Publisher: Oxford University Press, USA
ISBN: 0199928975
Category : Language Arts & Disciplines
Languages : en
Pages : 286
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Book Description
A stimulating expose on how the roots of today's partisan rage lie in the "outrage industry" - deregulated, commodified media markets that will do anything for money and attention.
Author: Charles K. Wolfe
Publisher: University Press of Kentucky
ISBN: 0813187508
Category : Music
Languages : en
Pages : 357
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Book Description
"Listening to the Beat of the Bomb" UPK author Charles Wolfe discusses his work and his new book Country Music Goes to War in the NEW YORK TIMES. While Toby Keith suggests that Americans should unite in support of the president, the Dixie Chicks assert their right to criticize the current administration and its military pursuits. Country songs about war are nearly as old as the genre itself, and the first gold record in country music went to the 1942 war song "There's a Star Spangled Banner Waving Somewhere" by Elton Britt. The essays in Country Music Goes to War demonstrate that country musicians' engagement with significant political and military issues is not strictly a twenty-first-century phenomenon. The contributors examine the output of country musicians responding to America's large-scale confrontation in recent history: World War II, the Korean War, Vietnam, the cold war, September 11, and both conflicts in the Persian Gulf. They address the ways in which country songs and artists have energized public discourse, captured hearts, and inspired millions of minds. Charles K. Wolfe, professor of English and folklore at Middle Tennessee State University, is the author of numerous books and articles on music. James E. Akenson, professor of curriculum and instruction at Tennessee Technological University, is the founder of the International Country Music Conference. Together they have edited the collections The Women of Country Music, Country Music Annual 2000, Country Music Annual 2001, and Country Music Annual 2002.
Author: Kay Lehman Schlozman
Publisher: Princeton University Press
ISBN: 0691159866
Category : Political Science
Languages : en
Pages : 725
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Book Description
Examining the current state of democracy in the United States, 'The Unheavenly Chorus' looks at the political participation of individual citizens - alongside the political advocacy of thousands of organized interests - in order to demonstrate that American democracy is marred by ingrained and persistent class-based inequality.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Travis D. Stimeling
Publisher: Oxford University Press
ISBN: 0190248181
Category : Music
Languages : en
Pages : 593
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Book Description
Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.
