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Author: Eddie Dorman Kay
Publisher:
ISBN: 9781855010581
Category : Motion picture audiences
Languages : en
Pages : 192
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Book Description
Author: Eddie Dorman Kay
Publisher:
ISBN: 9781855010581
Category : Motion picture audiences
Languages : en
Pages : 192
Get Book Here
Book Description
Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 0723344078
Category : Performing Arts
Languages : en
Pages : 76
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Book Description
The list of highest-grossing films is a compilation of movies that generated the most revenue at the box office worldwide. The list has been compiled and updated annually by various sources including the Internet Movie Database (IMDb), Box Office Mojo and Guinness World Records. The popularity and consumption of movies have consistently grown over the years, resulting in a surge of film productions globally. With the advent of technology, filmmakers have been able to create more sophisticated and aesthetically pleasing visual effects, making movies more immersive and appealing to audiences. Movie franchises such as Marvel Cinematic Universe (MCU), Star Wars, and James Bond are prominent in the list of highest-grossing films. The success of these franchises can be attributed to their ability to create a deep connection with the audience through the characters, storyline, and world-building. Their storytelling elements are also coherent and inter-connected, resulting in successful and critically acclaimed movies. In recent years, a shift towards a more diverse and inclusive representation in films has resulted in the success of movies such as Black Panther and Crazy Rich Asians. These films resonated with audiences globally, resulting in high box-office earnings and recognition for their contribution to the film industry.
Author: Dade Hayes
Publisher: Miramax Books
ISBN: 9781401359850
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Opening weekend is a battle for the hearts and minds (and wallets) of American moviegoers. In Open Wide, Dade Hayes and Jonathan Bing expose the blockbuster factory that lies just beyond Hollywood's red carpet. They reveal how movies have become products of instantaneous mass consumption no more enduring than popcorn and soda. They shadow the actors, directors, producers, and studio executives, tracing the trail of blood, sweat, tears, and hundreds of millions at stake in a weekend at the multiplex.
Author: Philip Gillett
Publisher: Berg
ISBN: 184788461X
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
Why are some films regarded as classics, worthy of entry into the canon of film history? Which sorts of films make the cut and why? Movie Greats questions how cinema is ranked and, in doing so, uncovers a history of critical conflict, with different aesthetic positions battling for dominance. The films examined range across the history of cinema: The Battleship Potemkin, The 39 Steps, Modern Times, Citizen Kane, It's a Wonderful Life, Black Narcissus, The Night of the Hunter, Lawrence of Arabia, 8*, 2001: A Space Odyssey, The Godfather, Raging Bull, The Piano and Kill Bill: Vol. 1. Each chapter opens with a brief summary of the film's plot and goes on to discuss the historical context, the key individuals who made the film, and initial and subsequent popular and critical responses. Students studying the history of film, canon formation or film aesthetics will find this book relevant, provocative and absorbing.
Author: Jon Reiss
Publisher: Hybrid Cinema
ISBN: 9780982576205
Category : Business & Economics
Languages : en
Pages : 354
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Book Description
As the digital revolution has democratised film production, a new hybrid model of distribution is the way independent filmmakers can take control of their own distribution. This approach is not just DIY or Web-based - it combines the best techniques from each distribution arena, old and new. In Think Outside the Box Office, Reiss explains audience identification and targeting, negotiating split-rights agreements, the new role of film festivals and more.
Author: Brian Raftery
Publisher: Simon & Schuster
ISBN: 1501175394
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
Author: Cynthia J. Miller
Publisher: Scarecrow Press
ISBN: 0810885182
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
In Too Bold for the Box Office, Cynthia J. Miller has assembled essays by scholars and filmmakers who examine the unique cinematic form of mockumentary. Individually, each of these essays looks at a given instance of mockumentary parody and subversion, examining the ways in which each calls into question our assumptions, pleasures, beliefs, and even our senses. Writing about national film, television, and new media traditions as diverse as their backgrounds, this volume's contributors explore and theorize the workings of mockumentaries, as well as the strategies and motivations of the writers and filmmakers who brought them into being.
Author: Ashok Mittal
Publisher: Indus Publishing
ISBN: 9788173870231
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Study, with particular reference to Kanpur city, Uttar Pradesh and covers the period of the mid-eighties.
Author: Alex Robinson
Publisher: Top Shelf Productions
ISBN: 160309167X
Category : Comics & Graphic Novels
Languages : en
Pages : 611
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Book Description
Winner of the Eisner Award for Talent Deserving Wider Recognition, the International Comics Festival Award for Best Debut Graphic Novel (Angouleme, France), and voted by Wizard Magazine as the best indy graphic novel of all time. "A convincing, absorbing and satisfying fictional portrait of post-college life in New York City."-- Publishers Weekly "A salute to comics, an exploration of the human condition, and a solid, absorbing, and riotously snide tale about at least half of the things that make life important."-- Tasha Robinson, The AV Club "Box Office Poison is a novel complex enough to provoke Book Talk. I even marked panels with post-it notes as I was reading so that I'd remember to show them to my friends."-- Kelly Sue DeConnick, Artbomb.com "The comic book equivalent of the world's best pineapple upside-down cake: layer upon layer of rich dramatic goodness."-- Matthew Craig, Robotfist.com "Box Office Poison is to the comic book culture as Almost Famous is to that of rock and roll."-- Chris Tamarri, The Daily Targum This 608-page epic story of Sherman, Dorothy, Ed, Stephen, Jane, and Mr. Flavor is a true comics masterpiece. Alex Robinson's completely natural and inspiring knack for dialogue makes this story of dreary jobs, comic books, love, sex, messy apartments, girlfriends (and the lack thereof), undisclosed pasts, and crusty old professionals one of the most delightful and whimsical graphic novels to hit the stands in years.
Author: Sheldon Hall
Publisher: Wayne State University Press
ISBN: 0814336973
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
Considers the history of the American blockbuster—the large-scale, high-cost film—as it evolved from the 1890s to today. The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today's blockbuster in the "feature," "special," "superspecial," "roadshow," "epic," and "spectacle" of earlier eras, with special attention to the characteristics of each type of picture. In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like Gone with the Wind, Samson and Deliliah, and Spartacus and continues to evolve today in films like Spider-Man and Pearl Harbor. In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry. Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy Epics, Spectacles, and Blockbusters.
