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Author: Tulku Tsulo
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985102842
Category :
Languages : en
Pages : 240
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Book Description
BOUNDLESS VISION presents the Dzogchen practices of the Tibetan Northern Treasure tradition of the master Godemchan according to the 19th century master Tulku Tsulo. Tulku Thondrup Rinpoche's translation has been edited by Keith Dowman. Tulku Tsulo's lamrim text begins in Part One with the preliminary Dzogchen practices (ngondro) including the Five Nails, all treated at length. These elementary levels are evidently designed for newcomers to the Nyingma path. Part Two begins with the inner, Dzogchen, preliminaries (rushen) and then treats the trekcho and togal central meditations, providing clear and detailed instruction and metaphorical indication for both meditation phases. The Breakthrough (togal) section emphasizes direct introduction, while the Leap-over (togal) section, thoroughly explicates the four lamps and the four visions. Bardo descriptions as meditation experience in this life conclude this section. Part Three summarizes the result and completes the text. The Northern Treasure (changter) tradition is founded in the termas that Rigzin Godemchan discovered in a treasure cache in Western Tibet in the 14th century, which is collectively known as All-Good Boundless Vision. This treasure cache is universally renowned for its clarity, lucidity and profundity. (The Northern Treasure is to be distinguished from the more prolific Southern Treasure - lhoter - of which Jigmelingpa is a major exponent). Tulku Tsulo (Tsultrim Zangpo, 1884-1957?) of Do Dorje Trak gompa in Kham composed this celebrated lamrim, based on Godemchan's terma, which Tulku Thondrup entitles BOUNDLESS VISION . This textbook of Dzogchen training became a primer for latterday changter practitioners, amongst whom was Tertrul Chimme Rigzin Rinpoche (1922-2002), who received the instruction from Tulku Tsulo himself at the Khordong Gompa in Kham, bringing it to Shantiniketan University in Bengal, India. It has been authoritatively translated by Tulku Thondrup Rinpoche, a primary lineage holder of Chimme Rigzin at Shantiniketan, now teaching in Boston, USA. A vital community in Germany and Poland continues the tradition. Tulku Thondrup has contributed a practical introduction to his translation, along with useful notation elucidating textural cruxes in footnotes and establishing the origin of Tulku Tsulo's quotations in endnotes. Keith Dowman's editing updates the terminology of Dzogchen, bringing it in line with rapidly changing contemporary usage. This seminal Dzogchen text is published here by Dzogchen Now! Books with an understanding of the karmic burden entailed. Our hope and anticipation is that it is treated with the respect that this core text demands, that positive outcome will greatly outweigh any negativity caused by inappropriate motivation, and in this respect we draw the prospective reader's attention to the protecting powers of the Dzogchen Dharma.
Author: Tulku Tsulo
Publisher: Createspace Independent Publishing Platform
ISBN: 9781985102842
Category :
Languages : en
Pages : 240
Get Book Here
Book Description
BOUNDLESS VISION presents the Dzogchen practices of the Tibetan Northern Treasure tradition of the master Godemchan according to the 19th century master Tulku Tsulo. Tulku Thondrup Rinpoche's translation has been edited by Keith Dowman. Tulku Tsulo's lamrim text begins in Part One with the preliminary Dzogchen practices (ngondro) including the Five Nails, all treated at length. These elementary levels are evidently designed for newcomers to the Nyingma path. Part Two begins with the inner, Dzogchen, preliminaries (rushen) and then treats the trekcho and togal central meditations, providing clear and detailed instruction and metaphorical indication for both meditation phases. The Breakthrough (togal) section emphasizes direct introduction, while the Leap-over (togal) section, thoroughly explicates the four lamps and the four visions. Bardo descriptions as meditation experience in this life conclude this section. Part Three summarizes the result and completes the text. The Northern Treasure (changter) tradition is founded in the termas that Rigzin Godemchan discovered in a treasure cache in Western Tibet in the 14th century, which is collectively known as All-Good Boundless Vision. This treasure cache is universally renowned for its clarity, lucidity and profundity. (The Northern Treasure is to be distinguished from the more prolific Southern Treasure - lhoter - of which Jigmelingpa is a major exponent). Tulku Tsulo (Tsultrim Zangpo, 1884-1957?) of Do Dorje Trak gompa in Kham composed this celebrated lamrim, based on Godemchan's terma, which Tulku Thondrup entitles BOUNDLESS VISION . This textbook of Dzogchen training became a primer for latterday changter practitioners, amongst whom was Tertrul Chimme Rigzin Rinpoche (1922-2002), who received the instruction from Tulku Tsulo himself at the Khordong Gompa in Kham, bringing it to Shantiniketan University in Bengal, India. It has been authoritatively translated by Tulku Thondrup Rinpoche, a primary lineage holder of Chimme Rigzin at Shantiniketan, now teaching in Boston, USA. A vital community in Germany and Poland continues the tradition. Tulku Thondrup has contributed a practical introduction to his translation, along with useful notation elucidating textural cruxes in footnotes and establishing the origin of Tulku Tsulo's quotations in endnotes. Keith Dowman's editing updates the terminology of Dzogchen, bringing it in line with rapidly changing contemporary usage. This seminal Dzogchen text is published here by Dzogchen Now! Books with an understanding of the karmic burden entailed. Our hope and anticipation is that it is treated with the respect that this core text demands, that positive outcome will greatly outweigh any negativity caused by inappropriate motivation, and in this respect we draw the prospective reader's attention to the protecting powers of the Dzogchen Dharma.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: Panagiōtēs Tzamalikos
Publisher: BRILL
ISBN: 9004156488
Category : Religion
Languages : en
Pages : 517
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Book Description
Against claims that Origen causes History to evaporate into barren idealism, his theology is shown to have no other source and aim than historical occurences. Fronting assertions that he has no eschatological ideas, this Eschatology is explicated in all its clarity. Light is cast upon the Aristotelian character of Origen's doctrine of "apokatastasis," proving this based on "ontological" necessity, not a "historical" one.
Author: Leonidas Lent Hamline
Publisher:
ISBN:
Category : Methodist Church
Languages : en
Pages : 448
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Book Description
Author: Ashok Nayar
Publisher: Orangebooks Publication
ISBN:
Category : Religion
Languages : en
Pages : 70
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Book Description
This is uniquely compiled and described Gita The divine discourse of Gita Yog Knowledge conferred by God Incarnate Shri Krishn on the great warrior Arjun in electrifying and inspirational dialogues, The nectar of holy spirituality for body, mind and soul, The Sovereign Moral Science ", - " The bridge of inter religious faiths in this chaotic, materialistic worldly sea of ignorant, misguided people and guided missiles for the blissful devotional meditative contemplation, faithful practice, enlightenment and blessed salvation of virtuous, wise seekers of eternal truth as Gita Yog Practitioners.
Author: Charles Pettit McIlvaine
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
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Book Description
Author: Liz Greene
Publisher: Weiser Books
ISBN: 1609253841
Category : Body, Mind & Spirit
Languages : en
Pages : 532
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Book Description
The longing for redemption is a many-headed daimon that dwells within the most earthbound and prosaic of souls. Neptune is the astrological symbol that describes this energy. Liz Greene, an internationally known astrologer, has given us the most complete and accessible book about Neptune ever written! She explores Neptune themes in literature, myth, politics, religion, fashion, and art to show how this energy manifests.
Author: Andrew H. Plaks
Publisher: Princeton University Press
ISBN: 1400870720
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Surprisingly little has been written in Western languages about the eighteenth- century Chinese novel Dream of the Red Chamber, perhaps the supreme masterpiece of its entire tradition. In this study, Andrew H. Plaks has used the conceptual tools of comparative literature to focus on the novel's allegorical elements and narrative structure. He thereby succeeds in accounting for the work's greatness in terms that do justice to its own narrative tradition and as well to recent advances in general literary theory. A close textual reading of the novel leads to discussion of a wide range of topics: ancient Chinese mythology, Chinese garden aesthetics, and the logic of alternation and recurrence. The detailed study of European allegorical texts clarifies the directions taken by comparable works of Chinese literature, and the critical tool of the literary archetype helps to locate the novel within the Chinese narrative tradition from ancient mythology to the more recent "novel" form. Professor Plaks' innovative use of traditional criticism suggests the levels of meaning the eighteenth-century author might have expected to convey to his immediate audience. This book provides not only an illuminating analysis of this important novel, but also a significant demonstration that critical concepts derived primarily from Western literary models may be fruitfully applied to Chinese narrative works. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Sebastian Veg
Publisher: Hong Kong University Press
ISBN: 9888390767
Category : History
Languages : en
Pages : 257
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Book Description
The present volume provides an overview of new forms of popular memory, in particular critical memory, of the Mao era. Focusing on the processes of private production, public dissemination, and social sanctioning of narratives of the past in contemporary China, it examines the relation between popular memories and their social construction as historical knowledge. The three parts of the book are devoted to the shifting boundary between private and public in the press and media, the reconfiguration of elite and popular discourses in cultural productions (film, visual art, and literature), and the emergence of new discourses of knowledge through innovative readings of unofficial sources. Popular memories pose a challenge to the existing historiography of the first thirty years of the People’s Republic of China. Despite the recent backlash, these more critical reflections are beginning to transform the mainstream narrative of the Mao era in China. Public discussions of key episodes in the history of the People’s Republic, in particular the Anti-Rightist Movement of 1957, the Great Famine of 1959–1961, and the Cultural Revolution, have proliferated in the last fifteen years. These discussions are qualitatively different from previous expressions of traumatic or nostalgic memories of Mao in the 1980s and the 1990s respectively. They reflect a growing dissatisfaction with the authoritarian control over history exercised by the Chinese state, and often they make use of the new spaces provided for counter-hegemonic narratives by social media and the growing private economy in the 2000s. Unofficial or independent journals, self-published books, social media groups, independent documentary films, private museums, oral history projects, and archival research by amateur historians, all of which analyzed in this collection, have contributed to these embryonic public or semi-public dialogues. “An excellent guide to the independent journalism, cultural production, and amateur histories that are transforming the mainstream narrative of the Mao era in China. Rich in detail and sound in analysis, these studies document the emergence of critical memory in Chinese society. A valuable resource for students and scholars.” —Timothy Cheek, University of British Columbia; author of The Intellectual in Modern Chinese History “Popular memories of the Mao era are signposts of contemporary politics and culture. This volume features exciting new research by distinguished scholars. Extremely rich and readable, the chapters in this collection illuminate both China’s past and present. A timely and important contribution.” —Guobin Yang, University of Pennsylvania; author of The Red Guard Generation and Political Activism in China
Author: Geoff Hamilton
Publisher: University of Virginia Press
ISBN: 0813942462
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Beginning with the writings of Samson Occom, and extending through a range of fiction and nonfiction works by William Apess, Sarah Winnemucca, Zitkala-Ša, N. Scott Momaday, Gerald Vizenor, and Louise Erdrich, Geoff Hamilton sketches a movement of gradual but resolute ascent in Native American literature. The history of this rich tradition of storytellers begins with desperate early efforts pitted against the historical realities of genocide and cultural annihilation. It moves to attempts to preserve any sense of self and community, and finally toward expressions of a resurgent autonomy that affirm new, indigenous models of what Hamilton labels as eunomia, a fertile blending of human and natural orders. The first book to chart autonomy’s conceptual growth in Native American literature from the late eighteenth to the early twenty-first century, A New Continent of Liberty examines, against the backdrop of Euro-American Literature, how Native American authors have sought to reclaim and redefine distinctive versions of an ideal of self-rule grounded in the natural world.
