Author: Giovanni Aloi
Publisher: Cambridge Scholars Publishing
ISBN: 1527519481
Category : Art
Languages : en
Pages : 191
Book Description
Ground-breaking scientific research and new philosophical perspectives currently challenge our anthropocentric cultural assumptions of the vegetal world. As humanity begins to grapple with the urgency imposed by climate change, reconsidering human/plant relationships becomes essential to grant a sustainable future on this planet. It is in this context that a multifaceted approach to plant-life can reveal the importance of ecological interconnectedness and lead to a more nuanced consideration of the variety of living organisms and ecosystems with which we share the planet. In Botanical Speculations, researchers, artists, art historians, and activists collaboratively map the uncharted territories of new forms of botanical knowledge. This book emerges from a symposium held at the School of the Art Institute of Chicago in September 2017, and capitalizes on contemporary art’s ability to productively unhinge scientific theories and certainties in order to help us reconsider unquestioned beliefs about this living world.
Botanical Speculations
Author: Giovanni Aloi
Publisher: Cambridge Scholars Publishing
ISBN: 1527519481
Category : Art
Languages : en
Pages : 191
Book Description
Ground-breaking scientific research and new philosophical perspectives currently challenge our anthropocentric cultural assumptions of the vegetal world. As humanity begins to grapple with the urgency imposed by climate change, reconsidering human/plant relationships becomes essential to grant a sustainable future on this planet. It is in this context that a multifaceted approach to plant-life can reveal the importance of ecological interconnectedness and lead to a more nuanced consideration of the variety of living organisms and ecosystems with which we share the planet. In Botanical Speculations, researchers, artists, art historians, and activists collaboratively map the uncharted territories of new forms of botanical knowledge. This book emerges from a symposium held at the School of the Art Institute of Chicago in September 2017, and capitalizes on contemporary art’s ability to productively unhinge scientific theories and certainties in order to help us reconsider unquestioned beliefs about this living world.
Publisher: Cambridge Scholars Publishing
ISBN: 1527519481
Category : Art
Languages : en
Pages : 191
Book Description
Ground-breaking scientific research and new philosophical perspectives currently challenge our anthropocentric cultural assumptions of the vegetal world. As humanity begins to grapple with the urgency imposed by climate change, reconsidering human/plant relationships becomes essential to grant a sustainable future on this planet. It is in this context that a multifaceted approach to plant-life can reveal the importance of ecological interconnectedness and lead to a more nuanced consideration of the variety of living organisms and ecosystems with which we share the planet. In Botanical Speculations, researchers, artists, art historians, and activists collaboratively map the uncharted territories of new forms of botanical knowledge. This book emerges from a symposium held at the School of the Art Institute of Chicago in September 2017, and capitalizes on contemporary art’s ability to productively unhinge scientific theories and certainties in order to help us reconsider unquestioned beliefs about this living world.
Plants in Science Fiction
Author: Katherine E. Bishop
Publisher: University of Wales Press
ISBN: 1786835606
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This is the first volume of its kind Plants in Science Fiction shows how considerations of plant-life in SF can transform our understanding of institutions and boundaries, erecting – and dismantling – new visions of utopian and dystopian futures. Its original essays argue that plant-life in SF is transforming our attitudes toward morality, politics, economics, and cultural life.
Publisher: University of Wales Press
ISBN: 1786835606
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
This is the first volume of its kind Plants in Science Fiction shows how considerations of plant-life in SF can transform our understanding of institutions and boundaries, erecting – and dismantling – new visions of utopian and dystopian futures. Its original essays argue that plant-life in SF is transforming our attitudes toward morality, politics, economics, and cultural life.
Representing the Exotic and the Familiar
Author: Meenakshi Bharat
Publisher: John Benjamins Publishing Company
ISBN: 9027261903
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
The multicultural world of today is often said to be marked by a certain kind of exoticization: a “fetishizing process”, as Graham Huggan has called it, which separates a “first world” from a “third world”, the Occident from the Orient. The essays collected here re-assess this tendency, not least by focusing on the kinds of intellectual tourism and dilettantism to which it has given rise. The wider context of these analyses is a postcolonial scenario where literatures and languages can move from the “exotic” to the comparatively “familiar” space of contemporary writings; where an exotic mythos can live on into the familiar present; and where certain perceptions and representations of peoples, of literatures, and of languages have turned exoticization and familiarization into global modes of mass-cultural consumption. Especially by exploring the liminalities between different cultures, this collection manages to trace both the history and the politics of exoticist representation and, in so doing, to make a significant critical intervention.
Publisher: John Benjamins Publishing Company
ISBN: 9027261903
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
The multicultural world of today is often said to be marked by a certain kind of exoticization: a “fetishizing process”, as Graham Huggan has called it, which separates a “first world” from a “third world”, the Occident from the Orient. The essays collected here re-assess this tendency, not least by focusing on the kinds of intellectual tourism and dilettantism to which it has given rise. The wider context of these analyses is a postcolonial scenario where literatures and languages can move from the “exotic” to the comparatively “familiar” space of contemporary writings; where an exotic mythos can live on into the familiar present; and where certain perceptions and representations of peoples, of literatures, and of languages have turned exoticization and familiarization into global modes of mass-cultural consumption. Especially by exploring the liminalities between different cultures, this collection manages to trace both the history and the politics of exoticist representation and, in so doing, to make a significant critical intervention.
In the Herbarium
Author: Maura C. Flannery
Publisher: Yale University Press
ISBN: 0300247915
Category : Science
Languages : en
Pages : 336
Book Description
How herbaria illuminate the past and future of plant science Collections of preserved plant specimens, known as herbaria, have existed for nearly five centuries. These pressed and labeled plants have been essential resources for scientists, allowing them to describe and differentiate species and to document and research plant changes and biodiversity over time--including changes related to climate. Maura C. Flannery tells the history of herbaria, from the earliest collections belonging to such advocates of the technique as sixteenth-century botanist Luca Ghini, to the collections of poets, politicians, and painters, and to the digitization of these precious specimens today. She charts the growth of herbaria during the Age of Exploration, the development of classification systems to organize the collections, and herbaria's indispensable role in the tracking of climate change and molecular evolution. Herbaria also have historical, aesthetic, cultural, and ethnobotanical value--these preserved plants can be linked to the Indigenous peoples who used them, the collectors who sought them out, and the scientists who studied them. This book testifies to the central role of herbaria in the history of plant study and to their continued value, not only to biologists but to entirely new users as well: gardeners, artists, students, and citizen-scientists.
Publisher: Yale University Press
ISBN: 0300247915
Category : Science
Languages : en
Pages : 336
Book Description
How herbaria illuminate the past and future of plant science Collections of preserved plant specimens, known as herbaria, have existed for nearly five centuries. These pressed and labeled plants have been essential resources for scientists, allowing them to describe and differentiate species and to document and research plant changes and biodiversity over time--including changes related to climate. Maura C. Flannery tells the history of herbaria, from the earliest collections belonging to such advocates of the technique as sixteenth-century botanist Luca Ghini, to the collections of poets, politicians, and painters, and to the digitization of these precious specimens today. She charts the growth of herbaria during the Age of Exploration, the development of classification systems to organize the collections, and herbaria's indispensable role in the tracking of climate change and molecular evolution. Herbaria also have historical, aesthetic, cultural, and ethnobotanical value--these preserved plants can be linked to the Indigenous peoples who used them, the collectors who sought them out, and the scientists who studied them. This book testifies to the central role of herbaria in the history of plant study and to their continued value, not only to biologists but to entirely new users as well: gardeners, artists, students, and citizen-scientists.
Living Surfaces
Author: Abelardo Gil-Fournier
Publisher: MIT Press
ISBN: 0262547953
Category : Technology & Engineering
Languages : en
Pages : 325
Book Description
An investigation of aesthetics and visualizations of planetary surfaces from an experimental media theory perspective. What if every vista, every island—indeed, every geographical feature on Earth—could be viewed as an art object? In Living Surfaces, Abelardo Gil-Fournier and Jussi Parikka explore how the surface of the Earth has, over the last two centuries, become known and perceived as an environment of images. Living Surfaces features a range of case studies from eighteenth-century experiments with and observations of vegetal matter, photosynthesis, and plant physiology to twenty-first-century machine vision and AI techniques of calculating agricultural and other landscape surfaces. Mapping these different scales of vegetal images, Gil-Fournier and Parikka help us understand core questions that pertain to the artistic and architectural reference points for the Anthropocene. With 42 black-and-white and full-color illustrations, Living Surfaces is an engaging and unique take on environmental surfaces as they come to occupy a central place in our understanding of planetary change.
Publisher: MIT Press
ISBN: 0262547953
Category : Technology & Engineering
Languages : en
Pages : 325
Book Description
An investigation of aesthetics and visualizations of planetary surfaces from an experimental media theory perspective. What if every vista, every island—indeed, every geographical feature on Earth—could be viewed as an art object? In Living Surfaces, Abelardo Gil-Fournier and Jussi Parikka explore how the surface of the Earth has, over the last two centuries, become known and perceived as an environment of images. Living Surfaces features a range of case studies from eighteenth-century experiments with and observations of vegetal matter, photosynthesis, and plant physiology to twenty-first-century machine vision and AI techniques of calculating agricultural and other landscape surfaces. Mapping these different scales of vegetal images, Gil-Fournier and Parikka help us understand core questions that pertain to the artistic and architectural reference points for the Anthropocene. With 42 black-and-white and full-color illustrations, Living Surfaces is an engaging and unique take on environmental surfaces as they come to occupy a central place in our understanding of planetary change.
Cartographies of Postcolonial Vegetal Politics
Author: Abhisek Ghosal
Publisher: Rowman & Littlefield
ISBN: 1666953016
Category : Philosophy
Languages : en
Pages : 135
Book Description
Cartographies of Postcolonial Vegetal Politics takes a deep dive into the stratified and rigidly segmented territorialities of Plant Humanities or Critical Plant Studies. It strikes up an epistemic departure from the arboreal structures of “plant-thinking” and subsequently lays out “plant-becoming” in terms of ontophytological thinking revised in alignment with rhizomatics so as to critically design the discursive edifices of postcolonial vegetal politics—the differential grammatology of which stands wedded to the production of the “new” and thus is understood to be able to position vegetality as event-in-(dis)order. Abhisek Ghosal emphasizes the profound importance of Deleuzo-Guattarian grammatologies in pulling up “plant-becoming” from being subjected to a set of rigidly structured models of vegetality. It is by working out aleatory eventualities of postcolonial haecceities, that the rigid “structures” of vegetality constituting the intellectual terrain of Critical Plant Studies are tenably discarded to foreground “n-1” becomings of vegetality—the multiplicities of which can well be sensed by means of reckoning vegetality as deterritorial vector that can facilitate scholars to map the eventual unfolding of postcolonial vegetal politics afresh.
Publisher: Rowman & Littlefield
ISBN: 1666953016
Category : Philosophy
Languages : en
Pages : 135
Book Description
Cartographies of Postcolonial Vegetal Politics takes a deep dive into the stratified and rigidly segmented territorialities of Plant Humanities or Critical Plant Studies. It strikes up an epistemic departure from the arboreal structures of “plant-thinking” and subsequently lays out “plant-becoming” in terms of ontophytological thinking revised in alignment with rhizomatics so as to critically design the discursive edifices of postcolonial vegetal politics—the differential grammatology of which stands wedded to the production of the “new” and thus is understood to be able to position vegetality as event-in-(dis)order. Abhisek Ghosal emphasizes the profound importance of Deleuzo-Guattarian grammatologies in pulling up “plant-becoming” from being subjected to a set of rigidly structured models of vegetality. It is by working out aleatory eventualities of postcolonial haecceities, that the rigid “structures” of vegetality constituting the intellectual terrain of Critical Plant Studies are tenably discarded to foreground “n-1” becomings of vegetality—the multiplicities of which can well be sensed by means of reckoning vegetality as deterritorial vector that can facilitate scholars to map the eventual unfolding of postcolonial vegetal politics afresh.
Midland Druggist and the Pharmaceutical Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1082
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1082
Book Description
The Midland Druggist and Pharmaceutical Review
Author:
Publisher:
ISBN:
Category : Pharmacy
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Pharmacy
Languages : en
Pages : 564
Book Description
Ambiguous Territory
Author: Cathryn Dwyre
Publisher: Actar D, Inc.
ISBN: 1638408300
Category : Architecture
Languages : en
Pages : 321
Book Description
The writers and designers in this collection are among the most thoughtful architects, artists, landscape architects, and theorists working today. The editors organized these essays and works of art and design around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. Ambiguous Territory emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. The conversations that arise in this book are inquisitive and critically engaged. They pressure assumptions we routinely make about what constitutes meaningful and principled perspectives in architecture, landscape architecture, and art. Both the texts and the work take on some of the trickiest issues of our time. -- Excerpt from a foreword to the book by Catherine Ingraham Professor, Graduate Architecture and Urban Design, Pratt Institute The works in Ambiguous Territory exist in a creative space, in the moody realm of possibilities. It’s a sphere of design in which solutions (or lack thereof) have yet to settle. That should be a familiar feeling for all creative people, whose daily life may include exploring a way out of a problem without being able to nail down an exact answer. This volume belongs in that territory of ambiguity and curiosity, a place where there is room for musings, laughter, and despair. The projects convey, in different ways, a hope for a better future, but also a sense of not knowing if that future is at all possible. -- Excerpt from an afterword to the book by Peder Anker Professor, the Gallatin School of Individualized Study, New York University With Contributions of Ellie Abrons, Paula Gaetano Adi, amid.cero9, Amy Balkin, Philip Beesley, Ursula Biemann, The Bittertang Farm, Edward Burtynsky, Bradley Cantrell, Gustavo Crembil, Brian Davis, Design Earth, Mark Dion, Formlessfinder, Lindsey french, Adam Fure, Futureforms, Michael Geffel, Rania Ghosn, David Gissen, El Hadi Jazairy, Harrison Atelier, Cornelia Hesse-Honegger, Lisa Hirmer, Catherine Ingraham, Lydia Kallipoliti, Perry Kulper, Sean Lally, Landing Studio, Lateral Office, LCLA, Mark Lindquist, LiquidFactory, Ariane Lourie-Harrison, Meredith Miller, Thom Moran, Ricardo de Ostos, NaJa & deOstos, Nemestudio, Mark Nystrom, OMG / O’Donnell Miller Group, The Open Workshop, Ricardo de Ostos, oOR / Office of Outdoor Research, Jennifer Peeples, pneumastudio, Alessandra Ponte, Office for Political Innovation, Rachele Riley, RVTR, Smout Allen, smudge studio, Neil Spiller, Terreform ONE, Andreas Theodoridis, Unknown Fields, Liam Young, Marina Zurkow
Publisher: Actar D, Inc.
ISBN: 1638408300
Category : Architecture
Languages : en
Pages : 321
Book Description
The writers and designers in this collection are among the most thoughtful architects, artists, landscape architects, and theorists working today. The editors organized these essays and works of art and design around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. Ambiguous Territory emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. The conversations that arise in this book are inquisitive and critically engaged. They pressure assumptions we routinely make about what constitutes meaningful and principled perspectives in architecture, landscape architecture, and art. Both the texts and the work take on some of the trickiest issues of our time. -- Excerpt from a foreword to the book by Catherine Ingraham Professor, Graduate Architecture and Urban Design, Pratt Institute The works in Ambiguous Territory exist in a creative space, in the moody realm of possibilities. It’s a sphere of design in which solutions (or lack thereof) have yet to settle. That should be a familiar feeling for all creative people, whose daily life may include exploring a way out of a problem without being able to nail down an exact answer. This volume belongs in that territory of ambiguity and curiosity, a place where there is room for musings, laughter, and despair. The projects convey, in different ways, a hope for a better future, but also a sense of not knowing if that future is at all possible. -- Excerpt from an afterword to the book by Peder Anker Professor, the Gallatin School of Individualized Study, New York University With Contributions of Ellie Abrons, Paula Gaetano Adi, amid.cero9, Amy Balkin, Philip Beesley, Ursula Biemann, The Bittertang Farm, Edward Burtynsky, Bradley Cantrell, Gustavo Crembil, Brian Davis, Design Earth, Mark Dion, Formlessfinder, Lindsey french, Adam Fure, Futureforms, Michael Geffel, Rania Ghosn, David Gissen, El Hadi Jazairy, Harrison Atelier, Cornelia Hesse-Honegger, Lisa Hirmer, Catherine Ingraham, Lydia Kallipoliti, Perry Kulper, Sean Lally, Landing Studio, Lateral Office, LCLA, Mark Lindquist, LiquidFactory, Ariane Lourie-Harrison, Meredith Miller, Thom Moran, Ricardo de Ostos, NaJa & deOstos, Nemestudio, Mark Nystrom, OMG / O’Donnell Miller Group, The Open Workshop, Ricardo de Ostos, oOR / Office of Outdoor Research, Jennifer Peeples, pneumastudio, Alessandra Ponte, Office for Political Innovation, Rachele Riley, RVTR, Smout Allen, smudge studio, Neil Spiller, Terreform ONE, Andreas Theodoridis, Unknown Fields, Liam Young, Marina Zurkow
Radical Botany
Author: Natania Meeker
Publisher: Fordham University Press
ISBN: 0823286649
Category : Science
Languages : en
Pages : 261
Book Description
“Succeeds beautifully in discovering and entwining an entire tradition of speculative botany that will reshape plant studies and posthumanist theory.” —Stacy Alaimo, author of Exposed: Environmental Politics and Pleasures in Posthuman Times Science Fiction & Technoculture Studies Book Prize Winner Radical Botany excavates a tradition in which plants participate in the effort to imagine new worlds and envision new futures. Modernity, the book claims, is defined by the idea of all life as vegetal. Meeker and Szabari argue that the recognition of plants’ liveliness and animation, as a result of scientific discoveries from the seventeenth century to today, has mobilized speculative creation in fiction, cinema, and art. Plants complement and challenge notions of human life. Radical Botany traces the implications of the speculative mobilization of plants for feminism, queer studies, and posthumanist thought. If, as Michael Foucault has argued, the notion of the human was born at a particular historical moment and is now nearing its end, Radical Botany reveals that this origin and endpoint are deeply informed by vegetality as a form of pre- and posthuman subjectivity. The trajectory of speculative fiction which this book traces offers insights into the human relationship to animate matter and the technological mediations through which we enter into contact with the material world. Plants profoundly shape human experience, from early modern absolutist societies to late capitalism’s manipulations of life and the onset of climate change and attendant mass extinction. A major intervention in critical plant studies, Radical Botany reveals the centuries-long history by which science and the arts have combined to posit plants as the model for all animate life and thereby envision a different future for the cosmos.
Publisher: Fordham University Press
ISBN: 0823286649
Category : Science
Languages : en
Pages : 261
Book Description
“Succeeds beautifully in discovering and entwining an entire tradition of speculative botany that will reshape plant studies and posthumanist theory.” —Stacy Alaimo, author of Exposed: Environmental Politics and Pleasures in Posthuman Times Science Fiction & Technoculture Studies Book Prize Winner Radical Botany excavates a tradition in which plants participate in the effort to imagine new worlds and envision new futures. Modernity, the book claims, is defined by the idea of all life as vegetal. Meeker and Szabari argue that the recognition of plants’ liveliness and animation, as a result of scientific discoveries from the seventeenth century to today, has mobilized speculative creation in fiction, cinema, and art. Plants complement and challenge notions of human life. Radical Botany traces the implications of the speculative mobilization of plants for feminism, queer studies, and posthumanist thought. If, as Michael Foucault has argued, the notion of the human was born at a particular historical moment and is now nearing its end, Radical Botany reveals that this origin and endpoint are deeply informed by vegetality as a form of pre- and posthuman subjectivity. The trajectory of speculative fiction which this book traces offers insights into the human relationship to animate matter and the technological mediations through which we enter into contact with the material world. Plants profoundly shape human experience, from early modern absolutist societies to late capitalism’s manipulations of life and the onset of climate change and attendant mass extinction. A major intervention in critical plant studies, Radical Botany reveals the centuries-long history by which science and the arts have combined to posit plants as the model for all animate life and thereby envision a different future for the cosmos.