Author:
Publisher:
ISBN:
Category : Fashion
Languages : en
Pages : 414

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Author: William P. Marchione
Publisher: Arcadia Publishing
ISBN: 1625843550
Category : Photography
Languages : en
Pages : 158

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Before the dawn of the Industrial Revolution and the nineteenth centurys cultural renaissance, a serious rebellion was brewing in the taverns of Boston. Look back to a time when riots raged through the streets of Boston, when Beacon Hill was a neighborhood of beggars and vagabonds, and papal effigies burned on the Boston Common. Meet William Blackstone, the first Bostonian, and John Singleton Copley, portrait artist of the elite. In this compilation by historian William Marchione, discover Boston as it once waswhen customs officials were dragged through the sewers and drinking tea was a highly political act. Even the citys largest and most controversial funeral, held for the infamous Sacco and Vanzetti, ended in a street brawl with police. And yet, with the sprawl of the first American railroads, the dawning of the abolitionist movement and the cultural flourishing in art and architecture, Boston emerged as the nations first cultural, economic, and political hub.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 330

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Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 772

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Author: Horace Elisha Scudder
Publisher:
ISBN: 3752432896
Category :
Languages : en
Pages : 266

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Reproduction of the original: James Russell Lowell, a Biography; vol 2/2 by Horace Elisha Scudder

Author: Horace Elisha Scudder
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 526

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Author:
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ISBN:
Category : Ireland
Languages : en
Pages : 854

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Author: Cynthia Lee Patterson
Publisher: Univ. Press of Mississippi
ISBN: 1604737379
Category : Social Science
Languages : en
Pages : 231

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Book Description
How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print shops, Americans relied on mass-circulated illustrated magazines. One group of magazines in particular, known collectively as the Philadelphia pictorials, circulated fine art engravings of paintings, some produced exclusively for circulation in these monthlies, to an eager middle-class reading audience. These magazines achieved print circulations far exceeding those of other print media (such as illustrated gift books or catalogs from art-union membership organizations). Godey's, Graham's, Peterson's, Miss Leslie's, and Sartain's Union Magazine included two to three fine art engravings monthly, “tipped in” to the fronts of the magazines, and designed for pull-out and display. Featuring the work of a fledgling group of American artists who chose American rather than European themes for their paintings, these magazines were crucial to the distribution of American art beyond the purview of the East Coast elite to a widespread middle-class audience. Contributions to these magazines enabled many American artists and engravers to earn, for the first time in the young nation's history, a modest living through art. Author Cynthia Lee Patterson examines the economics of artistic production, innovative engraving techniques, regional imitators, the textual “illustrations” accompanying engravings, and the principal artists and engravers contributing to these magazines.

Author: Ben Schott
Publisher: Bloomsbury UK
ISBN: 9781408815779
Category : Handbooks, vade-mecums, etc
Languages : en
Pages : 160

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Book Description
Introducing the all-new, indispensable collection of necessary trivia, uncommon knowledge, and vital irrelevance from Schott--the inventor of the Miscellany genre.

Author: Walt Whitman
Publisher: NYU Press
ISBN: 0814794211
Category : Literary Collections
Languages : en
Pages : 422

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Book Description
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. In discussing letter-writing, Whitman made his own views clear. Simplicity and naturalness were his guidelines. “I like my letters to be personal—very personal—and then stop.” The six volumes in The Correspondence comprise nearly 3,000 letters written over a half century, revealing Whitman the person as no other documents can. Volume I includes the poet’s correspondence from Washington, DC, during the Civil War, where he nursed wounded and dying soldiers. In letters to his mother, Whitman describes the suffering and sorrow he encountered in unsanitary hospitals. He wrote to the parents of soldiers and offered hope—or consolation at the loss of an unsung hero. Soldiers who recovered and left the hospitals often wrote to Whitman, and he replied with friendly advice and paternal solicitude. As Whitman himself admitted, rarely was his heart so engaged as in these hospital scenes and war letters, which, like his greatest poems, reflect his characteristic themes—love and death.