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Author: Colonial Society of Massachusetts
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 316
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Book Description
Author: Colonial Society of Massachusetts
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 316
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Book Description
Author: Walter Muir Whitehill
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Colonial Society of Massachusetts
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 344
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Book Description
Vols. 1,3,5-8,10-14,17-21,74-28,32,34-35,38,42-43,1892-1956 are its Transactions.
Author: Brock Jobe
Publisher:
ISBN: 9780985254384
Category :
Languages : en
Pages : 350
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Book Description
New Perspectives on Boston Furniture gathers together nineteen essays first delivered at the Winterthur Museum’s 2013 Furniture Forum. It amply illustrates how research concerning one of America’s most productive centers of furniture-making has diversified in the forty years since the Colonial Society of Massachusetts published Boston Furniture of the Eighteenth Century (also distributed by Virginia), the proceedings of a similar conference held in 1973. The essays place less emphasis on connoisseurship and instead devote greater attention to techniques of construction and the social uses to which these objects were put. The roster of contributors includes not only some of the best-known names in the field (Edwin S. Cooke Jr., Wendy A. Cooper, J. Ritchie Garrison, Morrison Heckscher, Robert Mussey, and Richard Nylander) but also a number of skilled furniture makers and emerging scholars. Some of the subjects addressed include the construction of turret-top tea and card tables, japaning techniques, how pigeonholes functioned as a record-keeping device for merchants, and the making of Windsor and "elastic" chairs. A particular strength of the volume is that it carries the examination of Boston furniture forward into the understudied nineteenth and early twentieth centuries, with essays on piano making, the Grecian furniture of Isaac Vose, the frames and mirrors of John Doggett, and the furniture making of the east Cambridge firm of Ellis & Davenport, who did so much to satisfy demand for Colonial Revival furniture in the half century following the Philadelphia Centennial Exposition in 1876. Distributed for the Colonial Society of Massachusetts
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 316
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Book Description
Author: Museum of Fine Arts, Boston. Department of American Decorative Arts and Sculpture
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 30
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Book Description
Author: Museum of Fine Arts, Boston. Department of American Decorative Arts and Sculpture
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 30
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Book Description
Author: Museum of Fine Arts, Boston. Department of American Decorative Arts and Sculpture
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 30
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Book Description
Author: Jennifer Van Horn
Publisher: UNC Press Books
ISBN: 1469629577
Category : History
Languages : en
Pages : 457
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Book Description
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.
