Author:
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 240
Book Description
Imagination Becomes Reality: Borrowed images
Author:
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 240
Book Description
Borrowed Time
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 120
Book Description
Caroline Vaughan's photographs offer inspired and surprising visions of landscapes, still lifes, and the human form. In Borrowed Time, her images of nature and people, sometimes surreal and often arresting, follow each other to create a visual poem of opposition and likeness, physical beauty and balance. Compelling the viewer's attention with delicate rich tones and meticulous technique, she holds the viewer's gaze even when her subject is difficult. Most highly acclaimed for her psychologically complex but subtle portraits of family, friends, loved ones, and strangers, Vaughan's work, though widely published and displayed, is collected here for the first time.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 120
Book Description
Caroline Vaughan's photographs offer inspired and surprising visions of landscapes, still lifes, and the human form. In Borrowed Time, her images of nature and people, sometimes surreal and often arresting, follow each other to create a visual poem of opposition and likeness, physical beauty and balance. Compelling the viewer's attention with delicate rich tones and meticulous technique, she holds the viewer's gaze even when her subject is difficult. Most highly acclaimed for her psychologically complex but subtle portraits of family, friends, loved ones, and strangers, Vaughan's work, though widely published and displayed, is collected here for the first time.
Mechanistic Images in Geometric Form
Author: Jesper Lützen
Publisher: OUP Oxford
ISBN: 0191524344
Category : Science
Languages : en
Pages : 334
Book Description
This book gives an analysis of Hertz's posthumously published Principles of Mechanics in its philosophical, physical and mathematical context. In a period of heated debates about the true foundation of physical sciences, Hertz's book was conceived and highly regarded as an original and rigorous foundation for a mechanistic research program. Insisting that a law-like account of nature would require hypothetical unobservables, Hertz viewed physical theories as (mental) images of the world rather than the true design behind the phenomena. This paved the way for the modern conception of a model. Rejecting the concept of force as a coherent basic notion of physics he built his mechanics on hidden masses (the ether) and rigid connections, and formulated it as a new differential geometric language. Recently many philosophers have studied Hertz's image theory and historians of physics have discussed his forceless mechanics. The present book shows how these aspects, as well as the hitherto overlooked mathematical aspects, form an integrated whole which is closely connected to the mechanistic world view of the time and which is a natural continuation of Hertz's earlier research on electromagnetism. Therefore it is also a case study of the strong interactions between philosophy, physics and mathematics. Moreover, the book presents an analysis of the genesis of many of the central elements of Hertz's mechanics based on his manuscripts and drafts. Hertz's research program was cut short by the advent of relativity theory but its image theory influenced many philosophers as well as some physicists and mathematicians and its geometric form had a lasting influence on advanced expositions of mechanics.
Publisher: OUP Oxford
ISBN: 0191524344
Category : Science
Languages : en
Pages : 334
Book Description
This book gives an analysis of Hertz's posthumously published Principles of Mechanics in its philosophical, physical and mathematical context. In a period of heated debates about the true foundation of physical sciences, Hertz's book was conceived and highly regarded as an original and rigorous foundation for a mechanistic research program. Insisting that a law-like account of nature would require hypothetical unobservables, Hertz viewed physical theories as (mental) images of the world rather than the true design behind the phenomena. This paved the way for the modern conception of a model. Rejecting the concept of force as a coherent basic notion of physics he built his mechanics on hidden masses (the ether) and rigid connections, and formulated it as a new differential geometric language. Recently many philosophers have studied Hertz's image theory and historians of physics have discussed his forceless mechanics. The present book shows how these aspects, as well as the hitherto overlooked mathematical aspects, form an integrated whole which is closely connected to the mechanistic world view of the time and which is a natural continuation of Hertz's earlier research on electromagnetism. Therefore it is also a case study of the strong interactions between philosophy, physics and mathematics. Moreover, the book presents an analysis of the genesis of many of the central elements of Hertz's mechanics based on his manuscripts and drafts. Hertz's research program was cut short by the advent of relativity theory but its image theory influenced many philosophers as well as some physicists and mathematicians and its geometric form had a lasting influence on advanced expositions of mechanics.
Christian Iconography, Or, The History of Christian Art in the Middle Ages
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 472
Book Description
Borrowed Knowledge
Author: Stephen H. Kellert
Publisher: University of Chicago Press
ISBN: 0226429806
Category : Science
Languages : en
Pages : 303
Book Description
What happens to scientific knowledge when researchers outside the natural sciences bring elements of the latest trend across disciplinary boundaries for their own purposes? Researchers in fields from anthropology to family therapy and traffic planning employ the concepts, methods, and results of chaos theory to harness the disciplinary prestige of the natural sciences, to motivate methodological change or conceptual reorganization within their home discipline, and to justify public policies and aesthetic judgments. Using the recent explosion in the use (and abuse) of chaos theory, Borrowed Knowledge and the Challenge of Learning across Disciplines examines the relationship between science and other disciplines as well as the place of scientific knowledge within our broader culture. Stephen H. Kellert’s detailed investigation of the myriad uses of chaos theory reveals serious problems that can arise in the interchange between science and other knowledge-making pursuits, as well as opportunities for constructive interchange. By engaging with recent debates about interdisciplinary research, Kellert contributes a theoretical vocabulary and a set of critical frameworks for the rigorous examination of borrowing.
Publisher: University of Chicago Press
ISBN: 0226429806
Category : Science
Languages : en
Pages : 303
Book Description
What happens to scientific knowledge when researchers outside the natural sciences bring elements of the latest trend across disciplinary boundaries for their own purposes? Researchers in fields from anthropology to family therapy and traffic planning employ the concepts, methods, and results of chaos theory to harness the disciplinary prestige of the natural sciences, to motivate methodological change or conceptual reorganization within their home discipline, and to justify public policies and aesthetic judgments. Using the recent explosion in the use (and abuse) of chaos theory, Borrowed Knowledge and the Challenge of Learning across Disciplines examines the relationship between science and other disciplines as well as the place of scientific knowledge within our broader culture. Stephen H. Kellert’s detailed investigation of the myriad uses of chaos theory reveals serious problems that can arise in the interchange between science and other knowledge-making pursuits, as well as opportunities for constructive interchange. By engaging with recent debates about interdisciplinary research, Kellert contributes a theoretical vocabulary and a set of critical frameworks for the rigorous examination of borrowing.
Crafts and Images in Contact
Author: Claudia E. Suter
Publisher: Saint-Paul
ISBN: 9783525530047
Category : History
Languages : en
Pages : 504
Book Description
Art objects and pictures of the first millennium BC Chr. From the Middle East and the Eastern Mediterranean are viewed here from a perspective that sees art as a symbolic data carrier. Art conveys culturally shaped statements and thereby allows conclusions to be drawn about the culture, world view and religion of a people. In this book, it is examined in its triple function as an artifact, visual medium and reflection of cultural ideas.
Publisher: Saint-Paul
ISBN: 9783525530047
Category : History
Languages : en
Pages : 504
Book Description
Art objects and pictures of the first millennium BC Chr. From the Middle East and the Eastern Mediterranean are viewed here from a perspective that sees art as a symbolic data carrier. Art conveys culturally shaped statements and thereby allows conclusions to be drawn about the culture, world view and religion of a people. In this book, it is examined in its triple function as an artifact, visual medium and reflection of cultural ideas.
New Digital Cinema
Author: Holly Willis
Publisher: Columbia University Press
ISBN: 023150277X
Category : Performing Arts
Languages : en
Pages : 147
Book Description
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.
Publisher: Columbia University Press
ISBN: 023150277X
Category : Performing Arts
Languages : en
Pages : 147
Book Description
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.
Image Making
Author: Heidi Marie Soneson
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Africa, West
Languages : en
Pages : 436
Book Description
Good on Paper
Author: Rachel Cantor
Publisher: Melville House
ISBN: 1612194702
Category : Fiction
Languages : en
Pages : 322
Book Description
Is a new life possible? Shira is a permanent temp with a few short stories published in minor literary magazines and a PhD on Dante's Vita Nuova that she abandoned halfway. Her life has some happy certainties, though: she lives with her friend Ahmad, and her daughter, Andi, on the Upper West Side. They're an unconventional family, but a real one, with Friday night dinner rituals, private jokes and the shared joys and strains of any other family. A deft, funny, and big-hearted novel about second chances, Good On Paper is a grand story of family, friendship and possibility.
Publisher: Melville House
ISBN: 1612194702
Category : Fiction
Languages : en
Pages : 322
Book Description
Is a new life possible? Shira is a permanent temp with a few short stories published in minor literary magazines and a PhD on Dante's Vita Nuova that she abandoned halfway. Her life has some happy certainties, though: she lives with her friend Ahmad, and her daughter, Andi, on the Upper West Side. They're an unconventional family, but a real one, with Friday night dinner rituals, private jokes and the shared joys and strains of any other family. A deft, funny, and big-hearted novel about second chances, Good On Paper is a grand story of family, friendship and possibility.
True Colors
Author: Anthony Haden-Guest
Publisher: Atlantic Monthly Press
ISBN: 9780871137258
Category : Art
Languages : en
Pages : 404
Book Description
The Colors covers the past three decades of the American art scene, a period during which the prevailing artistic fashion has shifted as often as the focus of the Whitney Biennial, when art and money, talent and celebrity have often been confused. During this period, figures such as Julian Schnabel, Jeff Koons, and Keith Haring have crossed over from the rarefied world of high art into popular culture, and art dealers, like Hollywood power agents, have often claimed as much attention as those they represented. Anthony Haden-Guest has moved within this world, known the players, and delivers here an authoritative and deliciously inside account.Focusing on the lives and personalities of the art world's main players, and with a sure critical component, Haden-Guest gives us vivid portraits of the period's key artists as they strive to fulfill their ambitions. He does justice as well to the machinations of those who have come to control the larger drama -- the dealers, collectors, and museum curators. Filled with incredible anecdotes, dramatically told stories, and subtle critical assessments, True Colors tells the story of the art world that we have never heard before.
Publisher: Atlantic Monthly Press
ISBN: 9780871137258
Category : Art
Languages : en
Pages : 404
Book Description
The Colors covers the past three decades of the American art scene, a period during which the prevailing artistic fashion has shifted as often as the focus of the Whitney Biennial, when art and money, talent and celebrity have often been confused. During this period, figures such as Julian Schnabel, Jeff Koons, and Keith Haring have crossed over from the rarefied world of high art into popular culture, and art dealers, like Hollywood power agents, have often claimed as much attention as those they represented. Anthony Haden-Guest has moved within this world, known the players, and delivers here an authoritative and deliciously inside account.Focusing on the lives and personalities of the art world's main players, and with a sure critical component, Haden-Guest gives us vivid portraits of the period's key artists as they strive to fulfill their ambitions. He does justice as well to the machinations of those who have come to control the larger drama -- the dealers, collectors, and museum curators. Filled with incredible anecdotes, dramatically told stories, and subtle critical assessments, True Colors tells the story of the art world that we have never heard before.