Author: Malcolm Quainton
Publisher: Routledge
ISBN: 1351954946
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orléans, Jean Bouchet, Pierre de Ronsard and Louise Labé. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other.
Book and Text in France, 1400–1600
Author: Malcolm Quainton
Publisher: Routledge
ISBN: 1351954946
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orléans, Jean Bouchet, Pierre de Ronsard and Louise Labé. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other.
Publisher: Routledge
ISBN: 1351954946
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In recent years, literary scholars have come increasingly to acknowledge that an adequate understanding of texts requires the study of books, the material objects through which the meanings of texts are constructed. Focusing on French poetry in the period 1400-1600, contributors to this volume analyze layout, illustration, graphology, paratext, typography, anthologization, and other such elements in works by a variety of writers, among them Charles d'Orléans, Jean Bouchet, Pierre de Ronsard and Louise Labé. They demonstrate how those elements play a crucial role in shaping the relationships between authors, texts, contexts, and readers, and how these relationships change as the nature of the book evolves. An introduction to the volume outlines the methodological implications of studying the materiality of literature in this period; situates the various papers in relation to each other and to the field as a whole; and indicates possible future directions of research in the field. By engaging with issues of major current methodological concern, this volume appeals to all scholars interested in the materiality of the literary text, including the burgeoning field of text-image studies, not only in French but also in other national literatures. In addition, it enables fruitful connections to be made between late-medieval and Renaissance literature, areas still often studied in isolation from each other.
Book and Text in France, 1400-1600
Author: Adrian Armstrong
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655909
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This volume contributes to the fast-developing field of mise en livre studies by examining a range of book-text relationships in late medieval and early modern France. By focusing on the period 1400-1600, it covers not only the introduction and early development of French printing but also two crucial cultural phases.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655909
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
This volume contributes to the fast-developing field of mise en livre studies by examining a range of book-text relationships in late medieval and early modern France. By focusing on the period 1400-1600, it covers not only the introduction and early development of French printing but also two crucial cultural phases.
French Books of Hours
Author: Virginia Reinburg
Publisher: Cambridge University Press
ISBN: 1107007216
Category : Art
Languages : en
Pages : 313
Book Description
How was the Book of Hours created and used as a book and what did it mean to its owners?
Publisher: Cambridge University Press
ISBN: 1107007216
Category : Art
Languages : en
Pages : 313
Book Description
How was the Book of Hours created and used as a book and what did it mean to its owners?
Writers in Conflict in Sixteenth-century France
Author: Malcolm Quainton
Publisher: Durham Modern Languages
ISBN: 9780907310693
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
Text in English with some contributions in French.
Publisher: Durham Modern Languages
ISBN: 9780907310693
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
Text in English with some contributions in French.
Poetry, Knowledge and Community in Late Medieval France
Author: Rebecca Dixon
Publisher: Boydell & Brewer Ltd
ISBN: 1843841770
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
The role of poetry in the transmission and shaping of knowledge in late medieval France.
Publisher: Boydell & Brewer Ltd
ISBN: 1843841770
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
The role of poetry in the transmission and shaping of knowledge in late medieval France.
Medieval Texts in Context
Author: Graham D. Caie
Publisher: Routledge
ISBN: 1134238452
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
This collection of essays by leading experts in manuscript studies sheds new light on ways to approach medieval texts in their manuscript context. Each contribution provides groundbreaking insight into the field of medieval textual culture, demonstrating the various interconnections between medieval material and literary traditions. The contributors’ work aids reconstruction of the period’s writing practices, as contextual factors surrounding the texts provide clues to the ‘manuscript experience’. Topics such as scribal practice and textual providence, glosses, rubrics, page lay-out, and even page ruling, are addressed in a manner illustrative and suggestive of textual practice of the time, while the volume further considers the interface between the manuscript and early textual communities. Looking at medieval inventories of books no longer extant, and addressing questions such as ownership, reading practices and textual production, Medieval Texts in Context addresses the fundamental interpretative issue of how scribe-editors worked with an eye to their intended audience. An understanding of the world inhabited by the scribal community is made use of to illuminate the rationale behind the manufacture of devotional texts. The combination of approaches to the medieval vernacular manuscript presented in this volume is unique, marking a major, innovative contribution to manuscript studies.
Publisher: Routledge
ISBN: 1134238452
Category : Literary Criticism
Languages : en
Pages : 425
Book Description
This collection of essays by leading experts in manuscript studies sheds new light on ways to approach medieval texts in their manuscript context. Each contribution provides groundbreaking insight into the field of medieval textual culture, demonstrating the various interconnections between medieval material and literary traditions. The contributors’ work aids reconstruction of the period’s writing practices, as contextual factors surrounding the texts provide clues to the ‘manuscript experience’. Topics such as scribal practice and textual providence, glosses, rubrics, page lay-out, and even page ruling, are addressed in a manner illustrative and suggestive of textual practice of the time, while the volume further considers the interface between the manuscript and early textual communities. Looking at medieval inventories of books no longer extant, and addressing questions such as ownership, reading practices and textual production, Medieval Texts in Context addresses the fundamental interpretative issue of how scribe-editors worked with an eye to their intended audience. An understanding of the world inhabited by the scribal community is made use of to illuminate the rationale behind the manufacture of devotional texts. The combination of approaches to the medieval vernacular manuscript presented in this volume is unique, marking a major, innovative contribution to manuscript studies.
The Saint Between Manuscript and Print
Author: Alison Knowles Frazier
Publisher:
ISBN: 9780772721815
Category : Christian saints
Languages : en
Pages :
Book Description
"The essays in this volume examine the impact of printing on the expression, representation, and reproduction of sanctity on the Italian peninsula between 1400 and 1600 and how the imperatives of cult were expressed in various media, both old and new. In so doing, they advance a fuller and more nuanced understanding of both cult and media, and mark the nexus of cult and media as a site of cultural production and innovation. They are thus initial steps in a new area and an invitation to further study of saints of all sorts--canonized, popularly recognized, or self-proclaimed--in the fluid media environment of early modernity."--
Publisher:
ISBN: 9780772721815
Category : Christian saints
Languages : en
Pages :
Book Description
"The essays in this volume examine the impact of printing on the expression, representation, and reproduction of sanctity on the Italian peninsula between 1400 and 1600 and how the imperatives of cult were expressed in various media, both old and new. In so doing, they advance a fuller and more nuanced understanding of both cult and media, and mark the nexus of cult and media as a site of cultural production and innovation. They are thus initial steps in a new area and an invitation to further study of saints of all sorts--canonized, popularly recognized, or self-proclaimed--in the fluid media environment of early modernity."--
The Making and Marketing of Tottel’s Miscellany, 1557
Author: J. Christopher Warner
Publisher: Routledge
ISBN: 1317024966
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.
Publisher: Routledge
ISBN: 1317024966
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.
Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance
Author: Hilmar Pabel
Publisher: BRILL
ISBN: 9047442237
Category : Literary Criticism
Languages : en
Pages : 410
Book Description
The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.
Publisher: BRILL
ISBN: 9047442237
Category : Literary Criticism
Languages : en
Pages : 410
Book Description
The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.
Sacred Fictions of Medieval France
Author: Maureen Barry McCann Boulton
Publisher: Boydell & Brewer
ISBN: 1843844141
Category : Literary Criticism
Languages : en
Pages : 396
Book Description
A study of the immensely popular "lives" of Christ and the Virgin in medieval France.
Publisher: Boydell & Brewer
ISBN: 1843844141
Category : Literary Criticism
Languages : en
Pages : 396
Book Description
A study of the immensely popular "lives" of Christ and the Virgin in medieval France.