Author: United States. War Finance Division
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 100

Get Book Here

Book Description

Author: Matt Sherman
Publisher:
ISBN:
Category :
Languages : en
Pages : 135

Get Book Here

Book Description
Author Matt Sherman, on of the world's top Bond experts, draws from a lifetime of James Bond knowledge and intimate friendships with many of the Bond cast and crew. Enjoy his playful patter about Bond's games, insider stories and games between the games. Let's play!

Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 9780521016759
Category : Drama
Languages : en
Pages : 604

Get Book Here

Book Description
Publisher Description

Author: D. Keith Peacock
Publisher: Bloomsbury Publishing USA
ISBN: 0313031770
Category : Social Science
Languages : en
Pages : 244

Get Book Here

Book Description
The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.

Author: Nicole Boireau
Publisher: Springer
ISBN: 1349254436
Category : Literary Criticism
Languages : en
Pages : 266

Get Book Here

Book Description
This book gives an in-depth and invigorating analysis of reflexivity in recent British drama - the way drama comments on drama. The interplay of dramatic forms, the cross-fertilization of historical traditions are explored in relation to major contemporary authors and theatrical practices. When drama takes itself as its own object of study it paradoxically highlights the most vital issues of its time. Key questions are raised about the nature of theatricality in play-writing and performance in this the first full-length treatment of the subject.

Author: Edward Bond
Publisher: A&C Black
ISBN: 140817281X
Category : Drama
Languages : en
Pages : 139

Get Book Here

Book Description
'I am nothing. Nobody. One day I could forget what I have done. Then I am nothing with no past. My knife is to tell me who I am. It is my passport to myself.' The Chair Plays are three one-act plays that Edward Bond has combined into one continuous drama on the state of society towards the end of the present century. Faced with ecological disaster and economic chaos, governments have become authoritarian and repressive. Domestic family life struggles to survive in a world of fleeing refugees, mass suicides, ruined and deserted suburbs, and soldiers patrolling the streets. Authority decrees even the exact placing of furniture in rooms. There is a knock at the door - but it is not the secret police. It is something even more disturbing. In this broken world sheer human goodness and vision asserts itself in stubborn and radiant ways. A master dramatist creates a range of extraordinary characters, vivid situations and radical theatrical devices to stage the central problem of modern life.

Author: Lynne Bradley
Publisher: Routledge
ISBN: 1317185439
Category : Literary Criticism
Languages : en
Pages : 305

Get Book Here

Book Description
Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.

Author: Sally Miller Brash
Publisher:
ISBN:
Category : Savings stamps
Languages : en
Pages : 12

Get Book Here

Book Description

Author: Michael Patterson
Publisher: Cambridge University Press
ISBN: 1139434993
Category : Drama
Languages : en
Pages : 252

Get Book Here

Book Description
This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.

Author: Mark Thornton Burnett
Publisher: Edinburgh University Press
ISBN: 0748635246
Category : Literary Criticism
Languages : en
Pages : 601

Get Book Here

Book Description
Explores the place of Shakespeare in relation to artistic practices and activities, past and presentThis substantial reference work explores the place of Shakespeare in relation to cultural processes that take in publishing, exhibiting, performing, reconstructing and disseminating.The 30 newly commissioned chapters are divided into 6 sections: * Shakespeare and the Book* Shakespeare and Music* Shakespeare on Stage and in Performance* Shakespeare and Youth Culture* Shakespeare, Visual and Material Culture* Shakespeare, Media and Culture. Each chapter provides both a synthesis and a discussion of a topic, informed by current thinking and theoretical reflection.