Author: Maria Kostakeva
Publisher: Cambridge Scholars Publishing
ISBN: 1036405621
Category : Music
Languages : en
Pages : 210
Book Description
“Irony, a major aesthetic attitude in 20th century music, ceases to be irony if seriously discussed. I play with the myth, inventing it myself and using it only as an object of interpretation.” This thought of the German-Bulgarian composer Bojidar Spassov sounds like a proclamation of the idea of postmodern irony that pervades all his work. Old and new times, cultural and national traditions, and archaic and modern sensibilities emerge like carnival masks through the ironic prism of his multifaceted music. The present book is the first monograph on this artist – a paradoxical multinational and multicultural phenomenon who developed in three geographical areas and three national cultures: Bulgarian, where he grew up; Russian, where his professional personality was formed; and Western European, where he found his own way among the countless aesthetic and compositional trends. This is also the first attempt to shed some light on a culture that is little known to the English reader – the contemporary music of Bulgaria.
Bojidar Spassov's Musical Creation as a Reflection of the Eastern and Western European Traditions
Post-totalitarian Cinema in Eastern European Countries
Author: Nadežda Marinčevska
Publisher:
ISBN: 9789548594790
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789548594790
Category :
Languages : en
Pages :
Book Description
1001 Classical Recordings You Must Hear Before You Die
Author: Matthew Rye
Publisher: Chartwell Books
ISBN: 0785835822
Category : Music
Languages : en
Pages : 963
Book Description
A thick and informative guide to the world of classical music and its stunning recordings, complete with images from CD cases, concert halls, and of the musicians themselves.
Publisher: Chartwell Books
ISBN: 0785835822
Category : Music
Languages : en
Pages : 963
Book Description
A thick and informative guide to the world of classical music and its stunning recordings, complete with images from CD cases, concert halls, and of the musicians themselves.
History of Geoscience
Author: W. Mayer
Publisher: Geological Society of London
ISBN: 1786202697
Category : Science
Languages : en
Pages : 443
Book Description
The study of the Earth’s origin, its composition, the processes that changed and shaped it over time and the fossils preserved in rocks, have occupied enquiring minds from ancient times. The contributions in this volume trace the history of ideas and the research of scholars in a wide range of geological disciplines that have paved the way to our present-day understanding and knowledge of the physical nature of our planet and the diversity of life that inhabited it. To mark the 50th anniversary of the founding of the International Commission on the History of Geology (INHIGEO), the book features contributions that give insights into its establishment and progress. In other sections authors reflect on the value of studying the history of the geosciences and provide accounts of early investigations in fields as diverse as tectonics, volcanology, geomorphology, vertebrate palaeontology and petroleum geology. Other papers discuss the establishment of geological surveys, the contribution of women to geology and biographical sketches of noted scholars in various fields of geoscience.
Publisher: Geological Society of London
ISBN: 1786202697
Category : Science
Languages : en
Pages : 443
Book Description
The study of the Earth’s origin, its composition, the processes that changed and shaped it over time and the fossils preserved in rocks, have occupied enquiring minds from ancient times. The contributions in this volume trace the history of ideas and the research of scholars in a wide range of geological disciplines that have paved the way to our present-day understanding and knowledge of the physical nature of our planet and the diversity of life that inhabited it. To mark the 50th anniversary of the founding of the International Commission on the History of Geology (INHIGEO), the book features contributions that give insights into its establishment and progress. In other sections authors reflect on the value of studying the history of the geosciences and provide accounts of early investigations in fields as diverse as tectonics, volcanology, geomorphology, vertebrate palaeontology and petroleum geology. Other papers discuss the establishment of geological surveys, the contribution of women to geology and biographical sketches of noted scholars in various fields of geoscience.
Four Novellas
Author: Samuel Beckett
Publisher: Calder Publications Limited
ISBN:
Category : Fiction
Languages : en
Pages : 104
Book Description
Publisher: Calder Publications Limited
ISBN:
Category : Fiction
Languages : en
Pages : 104
Book Description
Pragmatic Bioethics
Author: Glenn McGee
Publisher: MIT Press
ISBN: 9780262632720
Category : Medical
Languages : en
Pages : 316
Book Description
Using the perspective of pragmatism to guide the American debate about bioethics.
Publisher: MIT Press
ISBN: 9780262632720
Category : Medical
Languages : en
Pages : 316
Book Description
Using the perspective of pragmatism to guide the American debate about bioethics.
The Apollonian Clockwork
Author: Louis Andriessen
Publisher: Amsterdam University Press
ISBN: 9053568565
Category : Music
Languages : en
Pages : 315
Book Description
The one book about Stravinsky Stravinsky would have liked. Richard Taruskin.
Publisher: Amsterdam University Press
ISBN: 9053568565
Category : Music
Languages : en
Pages : 315
Book Description
The one book about Stravinsky Stravinsky would have liked. Richard Taruskin.
The Trumpet
Author: Edward H. Tarr
Publisher:
ISBN: 9780931340130
Category : Music
Languages : en
Pages : 221
Book Description
Publisher:
ISBN: 9780931340130
Category : Music
Languages : en
Pages : 221
Book Description
Manele in Romania
Author: Margaret Beissinger
Publisher: Rowman & Littlefield
ISBN: 1442267089
Category : Music
Languages : en
Pages : 349
Book Description
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
Publisher: Rowman & Littlefield
ISBN: 1442267089
Category : Music
Languages : en
Pages : 349
Book Description
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
Russian Music Since 1917
Author: Patrick Zuk
Publisher: Proceedings of the British Aca
ISBN: 9780197266151
Category : Music
Languages : en
Pages : 434
Book Description
This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.
Publisher: Proceedings of the British Aca
ISBN: 9780197266151
Category : Music
Languages : en
Pages : 434
Book Description
This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.