Author: Emma Gilby
Publisher: Routledge
ISBN: 1351547488
Category : Foreign Language Study
Languages : en
Pages : 171
Book Description
Some of the language we come across, in reading other peoples' works or listening to others speak, moves us profoundly. It requires a response from us; it occupies and involves us. Writers, always readers and listeners as well, are fascinated by this phenomenon, which became the subject of the classical treatise On the Sublime , traditionally attributed to Longinus. Emma Gilby looks at this compelling and complex text in relation to the work of three major seventeenth-century authors: Pierre Corneille, Blaise Pascal and Nicolas Boileau. She offers, in each case, intimate critical readings which spin out into broad interrogations about knowledge and experience in early modern French literature.
Sublime Worlds
Author: Emma Gilby
Publisher: Routledge
ISBN: 1351547488
Category : Foreign Language Study
Languages : en
Pages : 171
Book Description
Some of the language we come across, in reading other peoples' works or listening to others speak, moves us profoundly. It requires a response from us; it occupies and involves us. Writers, always readers and listeners as well, are fascinated by this phenomenon, which became the subject of the classical treatise On the Sublime , traditionally attributed to Longinus. Emma Gilby looks at this compelling and complex text in relation to the work of three major seventeenth-century authors: Pierre Corneille, Blaise Pascal and Nicolas Boileau. She offers, in each case, intimate critical readings which spin out into broad interrogations about knowledge and experience in early modern French literature.
Publisher: Routledge
ISBN: 1351547488
Category : Foreign Language Study
Languages : en
Pages : 171
Book Description
Some of the language we come across, in reading other peoples' works or listening to others speak, moves us profoundly. It requires a response from us; it occupies and involves us. Writers, always readers and listeners as well, are fascinated by this phenomenon, which became the subject of the classical treatise On the Sublime , traditionally attributed to Longinus. Emma Gilby looks at this compelling and complex text in relation to the work of three major seventeenth-century authors: Pierre Corneille, Blaise Pascal and Nicolas Boileau. She offers, in each case, intimate critical readings which spin out into broad interrogations about knowledge and experience in early modern French literature.
Manual of the History of French Literature
Author: Ferdinand Brunetière
Publisher: Ardent Media
ISBN:
Category : French literature
Languages : en
Pages : 560
Book Description
A comprehensive history of French literature from the Middle Ages through to the naturalism of the late 19th century, as represented by the works of Flaubert, Baudelaire & Dumas fils.
Publisher: Ardent Media
ISBN:
Category : French literature
Languages : en
Pages : 560
Book Description
A comprehensive history of French literature from the Middle Ages through to the naturalism of the late 19th century, as represented by the works of Flaubert, Baudelaire & Dumas fils.
Boileau and the Nature of Neoclassicism
Author: Gordon Pocock
Publisher: Cambridge University Press
ISBN: 0521227720
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Boileau has traditionally been regarded as the spokesman of French neo-classicism, but some elements of scholarship have discounted the importance of neo-classical doctrine in general and of Boileau's particular contribution to it. Many critical approaches have stressed instead the liveliness and wit of Boileau's poems, his love of language and his passionate temperament. Mr Pocock uses these critical approaches to demonstrate in detail how Boileau's verve, love of contrasts, and essentially dramatic imagination animate the major poems. But he also argues that such approaches do not in themselves suffice to explain Boileau's special qualities. Neo-classicism was an important element in the intellectual life of Europe in the most critical period of the decline of Christianity and the rise of rationalism and science. Mr Pocock proposes a reformulation of those views which take account not only of modern criticism but also of Boileau's commitment to neo-classicism and his embodiment of it in his work.
Publisher: Cambridge University Press
ISBN: 0521227720
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Boileau has traditionally been regarded as the spokesman of French neo-classicism, but some elements of scholarship have discounted the importance of neo-classical doctrine in general and of Boileau's particular contribution to it. Many critical approaches have stressed instead the liveliness and wit of Boileau's poems, his love of language and his passionate temperament. Mr Pocock uses these critical approaches to demonstrate in detail how Boileau's verve, love of contrasts, and essentially dramatic imagination animate the major poems. But he also argues that such approaches do not in themselves suffice to explain Boileau's special qualities. Neo-classicism was an important element in the intellectual life of Europe in the most critical period of the decline of Christianity and the rise of rationalism and science. Mr Pocock proposes a reformulation of those views which take account not only of modern criticism but also of Boileau's commitment to neo-classicism and his embodiment of it in his work.
L'art Poetique de Boileau
Author: Victor Delaporte
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Written World
Author: Jeffrey N. Peters
Publisher: Northwestern University Press
ISBN: 0810136996
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
In The Written World: Space, Literature, and the Chorological Imagination in Early Modern France, Jeffrey N. Peters argues that geographic space may be understood as a foundational, originating principle of literary creation. By way of an innovative reading of chora, a concept developed by Plato in the Timaeus and often construed by philosophical tradition as “space,” Peters shows that canonical literary works of the French seventeenth century are guided by what he calls a “chorological” approach to artistic invention. The chorological imagination describes the poetic as a cosmological event that gives location to—or, more accurately, in Plato’s terms, receives—the world as an object of thought. In analyses of well-known authors such as Corneille, Molière, Racine, and Madame de Lafayette, Peters demonstrates that the apparent absence of physical space in seventeenth-century literary depiction indicates a subtle engagement with, rather than a rejection of, evolving principles of cosmological understanding. Space is not absent in these works so much as transformed in keeping with contemporaneous developments in early modern natural philosophy. The Written World will appeal to philosophers of literature and literary theorists as well as scholars of early modern Europe and historians of science and geography
Publisher: Northwestern University Press
ISBN: 0810136996
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
In The Written World: Space, Literature, and the Chorological Imagination in Early Modern France, Jeffrey N. Peters argues that geographic space may be understood as a foundational, originating principle of literary creation. By way of an innovative reading of chora, a concept developed by Plato in the Timaeus and often construed by philosophical tradition as “space,” Peters shows that canonical literary works of the French seventeenth century are guided by what he calls a “chorological” approach to artistic invention. The chorological imagination describes the poetic as a cosmological event that gives location to—or, more accurately, in Plato’s terms, receives—the world as an object of thought. In analyses of well-known authors such as Corneille, Molière, Racine, and Madame de Lafayette, Peters demonstrates that the apparent absence of physical space in seventeenth-century literary depiction indicates a subtle engagement with, rather than a rejection of, evolving principles of cosmological understanding. Space is not absent in these works so much as transformed in keeping with contemporaneous developments in early modern natural philosophy. The Written World will appeal to philosophers of literature and literary theorists as well as scholars of early modern Europe and historians of science and geography
The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century
Author: H. B. Nisbet
Publisher: Cambridge University Press
ISBN: 9780521317207
Category : Literary Criticism
Languages : en
Pages : 978
Book Description
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
Publisher: Cambridge University Press
ISBN: 9780521317207
Category : Literary Criticism
Languages : en
Pages : 978
Book Description
This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.
The Cambridge Companion to John Dryden
Author: Steven N. Zwicker
Publisher: Cambridge University Press
ISBN: 9780521531443
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
John Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden s tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of empire, and most of all as a man intimate with the opportunities of aristocratic patronage as well as the emerging market for literary gossip, slander and polemic. Dryden s works are examined in the context of seventeenth-century politics, publishing and ideas of authorship. A valuable resource for students and scholars, the Companion includes a full chronology of Dryden s life and times and a detailed guide to further reading.
Publisher: Cambridge University Press
ISBN: 9780521531443
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
John Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden s tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of empire, and most of all as a man intimate with the opportunities of aristocratic patronage as well as the emerging market for literary gossip, slander and polemic. Dryden s works are examined in the context of seventeenth-century politics, publishing and ideas of authorship. A valuable resource for students and scholars, the Companion includes a full chronology of Dryden s life and times and a detailed guide to further reading.
A New History of French Literature
Author: Denis Hollier
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
A Critical Bibliography of French Literature
Author: H. Gaston Hall
Publisher: Syracuse University Press
ISBN: 9780815622758
Category : Reference
Languages : en
Pages : 504
Book Description
Richard A. Brooks, general editor, v.
Publisher: Syracuse University Press
ISBN: 9780815622758
Category : Reference
Languages : en
Pages : 504
Book Description
Richard A. Brooks, general editor, v.
Convention, 1500-1750
Author: Lawrence Manley
Publisher: Harvard University Press
ISBN: 9780674170155
Category : History
Languages : en
Pages : 380
Book Description
A major reinterpretation of the development of European literary theory, this wide-ranging study offers a new approach to ways of thinking about man's work in general. This book is a history of the idea of convention, the roles it played in the formative stages of English and Continental literary theory and in the development of modern thought.
Publisher: Harvard University Press
ISBN: 9780674170155
Category : History
Languages : en
Pages : 380
Book Description
A major reinterpretation of the development of European literary theory, this wide-ranging study offers a new approach to ways of thinking about man's work in general. This book is a history of the idea of convention, the roles it played in the formative stages of English and Continental literary theory and in the development of modern thought.