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Author: Hans Werner Henze
Publisher:
ISBN: 9780691006833
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
Hans Werner Henze is one of the world's leading composers. His autobiography is frank, impassioned, and alive with memorable images and characters and graphic accounts of the creative process and performances of his music. Henze's unhappy childhood during the onset of Fascism found release in music, which, in spite of the disruption of the war, became the center of his life. He studied composition but began to make a career as a ballet conductor, until his creativity found expression in music that, by the early 1950s, had begun to distance itself from the fashionable but dogmatic rules of serialism in favor of his own individualistic conception of beauty. In both the political and sexual spheres, Hans Werner Henze is an outsider whose utopian dreams of a humane communism have always had to contend with reality. In musical and cultural matters, however, he is one of the best-connected and most influential figures of the postwar era and his autobiography brims with personal stories and observations of such luminaries as Igor Stravinsky, W. H. Auden, Benjamin Britten, Ingeborg Bachmann, Luchino Visconti, and Hans Magnus Enzensberg. A true cosmopolitan, he is happiest living in Italy, where his innate lyricism has found a natural home. "Bohemian fifths" are intervals that were played by Bohemian horn players, and which, according to Baroque and Classical rules, were proscribed. Henze's writing protests the lack of freedom that such a prohibition implies, both in music and in life.
Author: Hans Werner Henze
Publisher:
ISBN: 9780691006833
Category : Biography & Autobiography
Languages : en
Pages : 512
Get Book
Book Description
Hans Werner Henze is one of the world's leading composers. His autobiography is frank, impassioned, and alive with memorable images and characters and graphic accounts of the creative process and performances of his music. Henze's unhappy childhood during the onset of Fascism found release in music, which, in spite of the disruption of the war, became the center of his life. He studied composition but began to make a career as a ballet conductor, until his creativity found expression in music that, by the early 1950s, had begun to distance itself from the fashionable but dogmatic rules of serialism in favor of his own individualistic conception of beauty. In both the political and sexual spheres, Hans Werner Henze is an outsider whose utopian dreams of a humane communism have always had to contend with reality. In musical and cultural matters, however, he is one of the best-connected and most influential figures of the postwar era and his autobiography brims with personal stories and observations of such luminaries as Igor Stravinsky, W. H. Auden, Benjamin Britten, Ingeborg Bachmann, Luchino Visconti, and Hans Magnus Enzensberg. A true cosmopolitan, he is happiest living in Italy, where his innate lyricism has found a natural home. "Bohemian fifths" are intervals that were played by Bohemian horn players, and which, according to Baroque and Classical rules, were proscribed. Henze's writing protests the lack of freedom that such a prohibition implies, both in music and in life.
Author: Stephen Downes
Publisher: Routledge
ISBN: 1351564196
Category : Music
Languages : en
Pages : 157
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Book Description
Hans Werner Henze is a prolific and internationally famous composer of the post-Second World War period. He is amongst the most frequently performed and recorded composers of his generation, and has been the subject of numerous festivals in several continents. But he is also a composer of controversy. His music has stimulated a critical polemic of notable vigour. Tristan (1973), Henze's large-scale work for piano, full orchestra and electronic tape explores Henze's creative stance with regard to Wagner. The work represents a powerful contribution to the 'tradition' of Tristan-alluding twentieth-century works, those by Berg and Messiaen being amongst the best known. Tristan has been heard as a piano concerto and as a symphonic poem, and is a fine example of how a single piece can interrogate the styles, expressions, genres and aesthetics of major, often conflictual, trends in European culture. In this book, Stephen Downes begins by placing Henze's Tristan in its wider context and in the context of Henze's compositional output and writings. He considers Henze's description of the genesis of the work by examining row tables and sketches, draft and annotated parts, and a full score with corrections and conductor's annotations. This analysis of form raises issues of genre, harmony and melody, temporality, unity and intertextuality, and places the work in the formal aesthetics characteristic of romanticism, modernism and 'postmodernism'. Key concepts in the critical legacy of Tristan are discussed and the book concludes by considering Henze's later works, placing the techniques and aesthetics of Tristan in the context of the composer's subsequent developments. The book is accompanied by a CD containing the 1975 DG recording of Tristan conducted by Henze.
Author: Alastair Williams
Publisher: Cambridge University Press
ISBN: 0521877598
Category : History
Languages : en
Pages : 293
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Book Description
Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.
Author: Irene Morra
Publisher: Routledge
ISBN: 1317005856
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.
Author: Stephen Downes
Publisher: Cambridge University Press
ISBN: 1107008719
Category : Biography & Autobiography
Languages : en
Pages : 291
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Book Description
The music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of this aspect of Mahler's music to the output of Benjamin Britten, Kurt Weill and Hans Werner Henze. Their initial admiration was notably dissonant with the prevailing Zeitgeist - Britten in 1930s England, Weill in 1920s Germany and Henze in 1950s Germany and Italy. Downes argues that Mahler's music struck a profound chord with them because of the powerful manner in which it raises and intensifies dystopian and utopian complexes and probes the question of fulfilment or redemption, an ambition manifest in ambiguous tonal, temporal and formal processes. Comparisons of the ways in which this topic is evoked facilitate new interpretative insights into the music of these four major composers.
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199796009
Category : Music
Languages : en
Pages : 610
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Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author: Theodore Ziolkowski
Publisher: Cambridge University Press
ISBN: 1139481746
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
New plays and operas have often tried to upset the status quo or disturb the assumptions of theatre audiences. Yet, as this study explores, the reactions of the audience or of the authorities are often more extreme than the creators had envisaged, to include outrage, riots, protests or censorship. Scandal on Stage looks at ten famous theater scandals of the past two centuries in Germany and France as symptoms of contemporary social, political, ethical, and aesthetic upheavals. The writers and composers concerned, including Schiller, Stravinsky, Strauss, Brecht and Weil, portrayed new artistic and ideological ideas that came into conflict with the expectations of their audiences. In a comparative perspective, Theodore Ziolkowski shows how theatrical scandals reflect or challenge cultural and ethical assumptions and asks whether theatre can still be, as Schiller wrote, a moral institution: one that successfully makes its audience think differently about social, political and ethical questions.
Author: Claude J. Summers
Publisher: Cleis Press
ISBN: 1573441988
Category : Music
Languages : en
Pages : 299
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Book Description
This unique encyclopedia showcases the contribution of gay, lesbian, bisexual, transgender, and queer people to music, dance, and musical theater.
Author: Swedish Olympic Committee
Publisher:
ISBN:
Category : Olympic Games
Languages : en
Pages : 1472
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Book Description
Author: Barbaralee Diamonstein-Spielvogel
Publisher: State University of New York Press
ISBN: 1438437714
Category : Architecture
Languages : en
Pages : 762
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Book Description
As the definitive resource on the architectural history of New York City, The Landmarks of New York, Fifth Edition documents and illustrates the 1,276 individual landmarks and 102 historic districts that have been accorded landmark status by the New York City Landmarks Preservation Commission since its establishment in 1965. Arranged chronologically, by date of construction, the book offers a sequential overview of the city's architectural history and richness, presenting a broad range of styles and building types: colonial farmhouses, Gilded Age mansions, churches, schools, libraries, museums, and the great twentieth-century skyscrapers that are recognized throughout the world. That so many of these structures have endured is due, in large measure, to the efforts of the New York City Landmarks Preservation Commission. Since the establishment of the commission, New York City has become the leader of the preservation movement in the United States, with more buildings and districts designated and protected than in any other city. Included here are such iconic structures as Grand Central Station, the Chrysler Building, the Metropolitan Museum of Art, and Carnegie Hall, as well as those that may be less well known but are of significant historical and architectural value: the Pieter Claesen Wyckoff House in Brooklyn, the oldest structure in New York City; the Bowne House in Queens, the birthplace of American religious freedom; the Watchtower in Marcus Garvey Park in Harlem; the New York Botanical Garden in The Bronx; and Sailors Snug Harbor on Staten Island. In addition to completely updated maps and descriptions of each landmark and historic district included in the previous editions, the fifth edition adds 183 new individual landmarks and 39 new historic district maps.
