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Author: Katherine A. Brown
Publisher: University Press of Florida
ISBN: 0813065615
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
"A remarkably well-informed and truly innovative study of the way Boccaccio reimagined and rewrote Old French fabliaux in his Decameron."—François Rigolot, Princeton University "Theoretically savvy, and yet jargon-free, philologically impeccable and critically acute, this is a book that shows the author’s unflinching dedication to the highest standards of scholarship."—Simone Marchesi, author of Dante and Augustine "Brown’s attention to codicological contexts coupled with persuasive new interpretations of some of the fabliaux and Decameron stories make this book a pleasure to read for medievalist veterans and novices alike."—Renate Blumenfeld-Kosinski, author of Poets, Saints, and Visionaries of the Great Schism, 1378-1417 Short works known for their humor and ribaldry, the fabliaux were comic or satirical tales told by wandering minstrels in medieval France. Although the fabliaux are widely acknowledged as inspiring Giovanni Boccaccio’s masterpiece, the Decameron, this theory has never been substantiated beyond perceived commonalities in length and theme. This new and provocative interpretation examines the formal similarities between the Decameron’s tales of wit, wisdom, and practical jokes and the popular thirteenth-century fabliaux. Katherine Brown examines these works through a prism of reversal and chiasmus to show that Boccaccio was not only inspired by the content of the fabliaux but also by their fundamental design--where a passage of truth could be read as a lie or a tale of life as a tale of death. Brown reveals close resemblances in rhetoric, literary models, and narrative structure to demonstrate how the Old French manuscripts of the fabliaux were adapted in the organization of the Decameron. Identifying specific examples of fabliaux transformed by Boccaccio for his classic Decameron, Brown shows how Boccaccio refashioned borrowed literary themes and devices, playing with endless possibilities of literary creation through manipulations of his model texts. Katherine A. Brown is a specialist of medieval French and Italian literature.
Author: Katherine A. Brown
Publisher: University Press of Florida
ISBN: 0813065615
Category : Literary Criticism
Languages : en
Pages : 211
Get Book Here
Book Description
"A remarkably well-informed and truly innovative study of the way Boccaccio reimagined and rewrote Old French fabliaux in his Decameron."—François Rigolot, Princeton University "Theoretically savvy, and yet jargon-free, philologically impeccable and critically acute, this is a book that shows the author’s unflinching dedication to the highest standards of scholarship."—Simone Marchesi, author of Dante and Augustine "Brown’s attention to codicological contexts coupled with persuasive new interpretations of some of the fabliaux and Decameron stories make this book a pleasure to read for medievalist veterans and novices alike."—Renate Blumenfeld-Kosinski, author of Poets, Saints, and Visionaries of the Great Schism, 1378-1417 Short works known for their humor and ribaldry, the fabliaux were comic or satirical tales told by wandering minstrels in medieval France. Although the fabliaux are widely acknowledged as inspiring Giovanni Boccaccio’s masterpiece, the Decameron, this theory has never been substantiated beyond perceived commonalities in length and theme. This new and provocative interpretation examines the formal similarities between the Decameron’s tales of wit, wisdom, and practical jokes and the popular thirteenth-century fabliaux. Katherine Brown examines these works through a prism of reversal and chiasmus to show that Boccaccio was not only inspired by the content of the fabliaux but also by their fundamental design--where a passage of truth could be read as a lie or a tale of life as a tale of death. Brown reveals close resemblances in rhetoric, literary models, and narrative structure to demonstrate how the Old French manuscripts of the fabliaux were adapted in the organization of the Decameron. Identifying specific examples of fabliaux transformed by Boccaccio for his classic Decameron, Brown shows how Boccaccio refashioned borrowed literary themes and devices, playing with endless possibilities of literary creation through manipulations of his model texts. Katherine A. Brown is a specialist of medieval French and Italian literature.
Author:
Publisher: W. W. Norton & Company
ISBN: 0871406926
Category : Poetry
Languages : en
Pages : 1017
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Book Description
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
Author: Olivia Holmes
Publisher: University of Toronto Press
ISBN: 148751395X
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
Reconsidering Boccaccio highlights the great Florentine writer Giovanni Boccaccio’s remarkable achievements in the fourteenth century as a cultural mediator; his exceptional social, geographic, and intellectual range; and the influence of his legacy on numerous cultural networks. Grounded in Boccaccio’s own writings, Reconsidering Boccaccio brings a variety of methodologies and critical approaches to the works of one of the ‘three crowns’ of Italian literature. Containing essays by scholars not only of Italian literature, but also history, law, classics, and Middle Eastern literature, this collection is part of a vital movement to open up a dialogue among researchers in various areas of study that touch on the works of Boccaccio. The volume highlights the necessity of a technical and historical framework when approaching Boccaccio studies, while also shedding new light on the lives of women and their role in the reception of Boccaccio’s works.
Author: Giuseppe Mazzotta
Publisher: Princeton University Press
ISBN: 1400854180
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Giuseppe Mazzotta provides both a powerful framework for reading the Decameron and an important contribution to medieval and contemporary debates in esthetics. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Erik Hertog
Publisher: Leuven University Press
ISBN: 9789061864622
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
The presence of so many fabliaux in Chaucer's Canterbury Tales is intriguing in its own right, given the fact that there are no real fabliaux in Middle English befor Chaucer. But these stories are also interesting as instances of a concept and practice thas has received little critical attention so far, namely 'analogy', the writing and, above all, recognition of 'similar' stories. How to account for the literary practice that enables us to perceive stories as similar, c.q. analogous? This original study sets out to explore this phenomenon, first tentatively vis-?)vis other terms and practices (Translation, Borrowing, Adaptation, Version) and then, in the major part of the book, in a pragmatic-structuralist analysis of four salient components of narrative--Plot, Character, Thematics, and Genre--each illustrated with examples taken from Chaucer's fabliaux and their analogues in various European languages.In each of the four chapters the key-issue is Categorisation and Hertog traces its evolution and usefulness a a concept from Wittgenstein's family resemblances' and Zadeh's 'fuzzy set theory' to E. Rosch's Prototype theory. The conclusion draws attention to two aspects which set Chaucer's fabliaux very much apart from the other analogues: their contextuality within the polylogue of the Canterbury Tales, and secondly, their explicit intertextuality which invites us to look anew at the assumptions of traditional source-criticism. The study ends with some theoretical reflections on analogy and an attempt at definition.The book will interest not only Chaucerians and other medievalists but also scholars in literarry theory and interpretation.
Author: Olivia Holmes
Publisher: Cambridge University Press
ISBN: 1009224336
Category : History
Languages : en
Pages : 287
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Book Description
Olivia Holmes explores the Decameron's sceptical and sexually permissive contents against the backdrop of medieval religion and didacticism.
Author: R. Edwards
Publisher: Springer
ISBN: 1403907242
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
In the late Middle Ages, Chaucer invents two imaginative domains crucial to his culture and to our understanding of the emergence of selfhood, subjectivity and social arrangements; antiquity and late-medieval modernity. Edwards demonstrates in this study how this was the result of Chaucer's reading and re-writing of the works of Boccaccio, which provide sources and models for portraying the classical past and medieval modernity. In so doing, Edwards provides us with a valuable way of assessing Chaucer's analysis of late medieval culture.
Author: Stephen Knight
Publisher: Routledge
ISBN: 100034018X
Category : History
Languages : en
Pages : 318
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Book Description
Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer’s readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur’, and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism (CS 1099).
Author: N. S. Thompson
Publisher: Oxford University Press, USA
ISBN: 9780198186465
Category : Christian pilgrims and pilgrimages in literature
Languages : en
Pages : 372
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Book Description
Although the Decameron and the Canterbury Tales have often been linked, this is the first ever major study of the two most popular medieval collections of framed narratives to examine the texts as a whole. The present study goes well beyond shared general similarities and the inconclusive search for source or analogue material in order to look at the internal dynamics of each text and the surprising similarities that emerge there in terms of theories of literature, authority and authorship and the particular reader response envisaged by their authors.
Author: Raymond Eichmann
Publisher: Routledge
ISBN: 0429639252
Category : Business & Economics
Languages : en
Pages : 410
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Book Description
Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.
