Author: Sandra Jensen Rowland
Publisher: University of North Texas Press
ISBN: 1574418017
Category : Biography & Autobiography
Languages : en
Pages : 365
Book Description
Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year’s stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice’s new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including “happenings” on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and brings to bear professional expertise about his place in regional and American art. Her work includes a useful timeline of Camblin’s exhibitions and major artworks.
Bob Bilyeu Camblin
Bob Bilyeu Camblin
Author: Sandra Jensen Rowland
Publisher:
ISBN: 9781574417890
Category : Art
Languages : en
Pages : 320
Book Description
Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year's stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice's new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including "happenings" on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and brings to bear professional expertise about his place in regional and American art. Her work includes a useful timeline of Camblin's exhibitions and major artworks.
Publisher:
ISBN: 9781574417890
Category : Art
Languages : en
Pages : 320
Book Description
Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year's stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice's new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including "happenings" on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and brings to bear professional expertise about his place in regional and American art. Her work includes a useful timeline of Camblin's exhibitions and major artworks.
Collision
Author: Pete Gershon
Publisher: Texas A&M University Press
ISBN: 1623496330
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Publisher: Texas A&M University Press
ISBN: 1623496330
Category : Art
Languages : en
Pages : 482
Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Art Index
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1034
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1034
Book Description
Index to Artistic Biography
Author: Patricia Pate Havlice
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 976
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 976
Book Description
American Printmakers, 1946-1996
Author: Betty Kelly Bryce
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 616
Book Description
Offers a comprehensive index of prints during this prolific and experimental period in printmaking, providing complete information on published visual images of American prints during the period as well as biocritical information on printmakers. Useful for artists, students, teachers, and researchers of art history and American intellectual history. Bryce is a reference librarian/associate professor and fine arts selector at the University of Alabama Libraries. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 616
Book Description
Offers a comprehensive index of prints during this prolific and experimental period in printmaking, providing complete information on published visual images of American prints during the period as well as biocritical information on printmakers. Useful for artists, students, teachers, and researchers of art history and American intellectual history. Bryce is a reference librarian/associate professor and fine arts selector at the University of Alabama Libraries. Annotation copyrighted by Book News, Inc., Portland, OR
The artists of the world: Master Draughtsman (Sweden) - Painter (Barbados)
Author:
Publisher:
ISBN:
Category : Allgemeines Künstlerlexikon
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category : Allgemeines Künstlerlexikon
Languages : en
Pages : 936
Book Description
American Printmakers of the Twentieth Century
Author: Donald E. Smith
Publisher: Saint Johann Press
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Publisher: Saint Johann Press
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Allgemeines Künstlerlexikon Bio-bibliographischer Index A-Z
Author:
Publisher:
ISBN:
Category : Allgemeines Künstlerlexikon
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category : Allgemeines Künstlerlexikon
Languages : en
Pages : 904
Book Description
Who's who in American Art
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1222
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1222
Book Description