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Author: Ninie Hammon
Publisher: Sterling & Stone LLC
ISBN:
Category : Fiction
Languages : en
Pages : 463
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Book Description
Family loyalties, deadly feuds, and international drug wars are brought to life in Ninie Hammon’s new intergenerational tale inspired by the story of the Cornbread Mafia in rural Kentucky. Nobody knows what started the feud between the Hannackers and the McCluskys, but they’ve been enemies for generations. Now that the cash crop of choice for both is marijuana, the stakes have risen – and Riley Hannacker joins other Vietnam vets from Callison County to form a marijuana-growing co-op called the Cornbread Mafia. But Jackson McClusky harbors a dark secret from the war. It was he, and not the Cong, who fired that rocket into a bunker, killing and maiming his buddies. When Riley begins to remember what happened, Jackson sets out to kill them all. It’s not just Jackson plotting their deaths. They outsmarted Kentucky State Police Detective Booth Graham — now he is out for blood. And a competing Colombian drug cartel is sending a hit squad to wipe out the whole Cornbread Mafia in a hail of gunfire. Will the death plots by the McCluskys and the law succeed? Can they survive the cartel’s attack? And can they pull off an elaborate ruse to prevent future bloodshed by convincing all the South Americans that a handful of former soldiers is really an army of ruthless, blood-thirsty hillbillies? Will the other drug cartels buy the hoax? Will they believe the Cornbread Mafia really is the meanest dog in the junkyard? Blowin’ Up A Storm is the second book in Ninie Hammon’s new Cornbread Mafia series, a fictional story inspired by the real Cornbread Mafia that sprang up in picturesque Marion County, Kentucky, and grew into the largest illegal marijuana-growing operation in U.S. history.
Author: Ninie Hammon
Publisher: Sterling & Stone LLC
ISBN:
Category : Fiction
Languages : en
Pages : 463
Get Book Here
Book Description
Family loyalties, deadly feuds, and international drug wars are brought to life in Ninie Hammon’s new intergenerational tale inspired by the story of the Cornbread Mafia in rural Kentucky. Nobody knows what started the feud between the Hannackers and the McCluskys, but they’ve been enemies for generations. Now that the cash crop of choice for both is marijuana, the stakes have risen – and Riley Hannacker joins other Vietnam vets from Callison County to form a marijuana-growing co-op called the Cornbread Mafia. But Jackson McClusky harbors a dark secret from the war. It was he, and not the Cong, who fired that rocket into a bunker, killing and maiming his buddies. When Riley begins to remember what happened, Jackson sets out to kill them all. It’s not just Jackson plotting their deaths. They outsmarted Kentucky State Police Detective Booth Graham — now he is out for blood. And a competing Colombian drug cartel is sending a hit squad to wipe out the whole Cornbread Mafia in a hail of gunfire. Will the death plots by the McCluskys and the law succeed? Can they survive the cartel’s attack? And can they pull off an elaborate ruse to prevent future bloodshed by convincing all the South Americans that a handful of former soldiers is really an army of ruthless, blood-thirsty hillbillies? Will the other drug cartels buy the hoax? Will they believe the Cornbread Mafia really is the meanest dog in the junkyard? Blowin’ Up A Storm is the second book in Ninie Hammon’s new Cornbread Mafia series, a fictional story inspired by the real Cornbread Mafia that sprang up in picturesque Marion County, Kentucky, and grew into the largest illegal marijuana-growing operation in U.S. history.
Author:
Publisher:
ISBN:
Category : Band music
Languages : en
Pages : 494
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Book Description
Author:
Publisher: Pioneer Drama Service, Inc.
ISBN:
Category :
Languages : en
Pages : 72
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Book Description
Author: Whitney Balliett
Publisher: Macmillan
ISBN: 9780312270087
Category : Music
Languages : en
Pages : 892
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Book Description
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 786
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Book Description
Author: Myung Mi Kim
Publisher: The University at Buffalo Robert Creeley Lectures in Poetry and Poetics
ISBN: 1438470002
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
At a time when wars, acts of terrorism, and ecological degradation have intensified and isolationism, misogyny, and ethnic divisiveness have been given distinctively more powerful voice in public discourse, language itself often seems to have failed. The poets and critics in this book argue that language has the potential to address this increasing level of discord and precarity, and they negotiate ways to understand poetics, or the role of the poetic, in relation to language, the body politic, the human body, breath, the bodies of the natural environment, and the body of form. Poetry makes urgent issues audible and poetics helps to theorize those issues into critical consciousness. Poetry also functions as a cry to protest late capitalist imperialism, misogyny, racism, climate change, and all the debilitating conditions of everyday life. Hubs of concern merge and diverge; precarity takes differently gendered, historied, embodied, geopolitical manifestations. The contributors articulate a poetics that renders what has not yet been crystallized as discourse into fields of force. They also acknowledge the beauties of sound, poetry, and music, and celebrate the power of community, marking the surge of energy that can occur at a particular place at a particular moment. Ultimately, Poetics and Precarity fosters further conversations that will imagine the concerns of poetics as a continuously emerging field.
Author: Max Decharne
Publisher: Crown
ISBN: 0767910990
Category : Humor
Languages : en
Pages : 208
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Book Description
Righteous jive for all you weedheads, moochers, b-girls, gassers, bandrats, triggermen, grifters, snowbirds, and long-gone daddies. Much of the slang popularly associated with the hippie generation of the 1960s actually dates back to before World War II, hijacked in the main from jazz and blues street expressions, mostly relating to drugs, sex, and drinking. Why talk when you can beat your chops, why eat when you can line your flue, and why snore when you can call some hogs? You’re not drunk–you’re just plumb full of stagger juice, and your skin isn’t pasty, it’s just caf? sunburn. Need a black coffee? That’s a shot of java, nix on the moo juice. Containing thousands of examples of hipster slang drawn from pulp novels, classic noir and exploitation films, blues, country, and rock ’n’ roll lyrics, and other related sources from the 1920s to the 1960s, Straight from the Fridge, Dad is the perfect guide for all hep cats and kittens. Think of it as a sort of Thirty Days to a More Powerful Vocabulary for the beret-wearing, bongo-banging set. Solid, Jackson.
Author: Gary Earl Ross
Publisher: iUniverse
ISBN: 0595259626
Category : Ghost stories
Languages : en
Pages : 246
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Book Description
Author: Elmer Kelton
Publisher: Macmillan + ORM
ISBN: 1250768969
Category : Fiction
Languages : en
Pages : 208
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Book Description
No one writes the old west like Seven-time Spur Award-winning author Elmer Kelton. In The Cowboy Way, Kelton captures the action, adventure, brotherhood and betrayal of the old west, chronicling the highs and lows of cowboy life in these sixteen stories, collected together for the first time. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Connie Willis
Publisher: Spectra
ISBN: 0345519647
Category : Fiction
Languages : en
Pages : 513
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Book Description
Oxford in 2060 is a chaotic place, with scores of time-traveling historians being sent into the past. Michael Davies is prepping to go to Pearl Harbor. Merope Ward is coping with a bunch of bratty 1940 evacuees and trying to talk her thesis adviser into letting her go to VE-Day. Polly Churchill’s next assignment will be as a shopgirl in the middle of London’s Blitz. But now the time-travel lab is suddenly canceling assignments and switching around everyone’s schedules. And when Michael, Merope, and Polly finally get to World War II, things just get worse. For there they face air raids, blackouts, and dive-bombing Stukas—to say nothing of a growing feeling that not only their assignments but the war and history itself are spiraling out of control. Because suddenly the once-reliable mechanisms of time travel are showing significant glitches, and our heroes are beginning to question their most firmly held belief: that no historian can possibly change the past.
