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Author: Matthew Edwards
Publisher: Univ. Press of Mississippi
ISBN: 1496844491
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Émilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava’s The Girl Who Knew Too Much (1963) and Dario Argento’s The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this “yellow” cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
Author: Matthew Edwards
Publisher: Univ. Press of Mississippi
ISBN: 1496844491
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Émilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava’s The Girl Who Knew Too Much (1963) and Dario Argento’s The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this “yellow” cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
Author: Matthew Edwards
Publisher: Univ. Press of Mississippi
ISBN: 1496844475
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Émilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava’s The Girl Who Knew Too Much (1963) and Dario Argento’s The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this “yellow” cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
Author: Peter Lalor
Publisher: Allen & Unwin
ISBN: 1741153743
Category : True Crime
Languages : en
Pages : 325
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Book Description
The true story of Katherine Knight, the mother and abattoir worker who became Australia's worst female killer. A must for true crime fans. 'There are murders and there are murders. There are bodies and there are bodies, and then there's what lies waiting behind the front door of the little brick house with its blinds drawn and air conditioner droning on, working against the oppressive Hunter Valley heat. A glimpse into the dark, cockroach corners of the soul. A lot of the blokes at the scene that day will never be the same.' On 29 February 2000, Katherine Knight committed an unspeakable act. A mother of four and a grandmother, she seduced and then stabbed John Price 37 times. A former abattoir worker, she skinned him. A loving partner, she cooked him with vegetables, making a soup with his head. Made gravy. Left him on plates for his family. Why? Pricey was her de facto and he wanted out. She didn't like that. People said that most of the time Katherine Knight seemed normal, until she got angry. She was judged to be legally sane when she committed a crime so horrible that the media shied away from the detail. Journalist Peter Lalor covered the trial and wanted to know what made Knight go way over the borderline. In this unflinching account he uncovers the layers of her dysfunction, opening the door of 84 St Andrews Street and taking us into the lives of Knight's ex-partners, her family and the locals of Aberdeen, NSW. Katherine Knight is currently the only woman serving a life sentence in Australia. She is never to be released.
Author: H. Porter Abbott
Publisher: Cambridge University Press
ISBN: 1108830781
Category : Juvenile Nonfiction
Languages : en
Pages : 297
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Book Description
Helps readers understand what narrative is, how it is constructed, and how it changes when the medium changes.
Author: William Pencak
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : History
Languages : en
Pages : 424
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Book Description
We are not born into a world. We create one from an infinity of possible worlds. The critic of institutions makes us aware of this. The seventeen essays in this volume comprise investigations into religious, philosophical, racial, gendered, literary, legal, federalist, class-based, historical, and scientific worldmaking. They semiotically inquire into the diverse contexts and contents of worldmaking which define the collective adventure of humanity.
Author: Karen Branan
Publisher: Simon and Schuster
ISBN: 1476717206
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
In the tradition of Slaves in the Family, the provocative true account of the hanging of four black people by a white lynch mob in 1912—written by the great-granddaughter of the sheriff charged with protecting them. Harris County, Georgia, 1912. A white man, the beloved nephew of the county sheriff, is shot dead on the porch of a black woman. Days later, the sheriff sanctions the lynching of a black woman and three black men, all of them innocent. For Karen Branan, the great-granddaughter of that sheriff, this isn’t just history, this is family history. Branan spent nearly twenty years combing through diaries and letters, hunting for clues in libraries and archives throughout the United States, and interviewing community elders to piece together the events and motives that led a group of people to murder four of their fellow citizens in such a brutal public display. Her research revealed surprising new insights into the day-to-day reality of race relations in the Jim Crow–era South, but what she ultimately discovered was far more personal. As she dug into the past, Branan was forced to confront her own deep-rooted beliefs surrounding race and family, a process that came to a head when Branan learned a shocking truth: she is related not only to the sheriff, but also to one of the four who were murdered. Both identities—perpetrator and victim—are her inheritance to bear. A gripping story of privilege and power, anger, and atonement, The Family Tree transports readers to a small Southern town steeped in racial tension and bound by powerful family ties. Branan takes us back in time to the Civil War, demonstrating how plantation politics and the Lost Cause movement set the stage for the fiery racial dynamics of the twentieth century, delving into the prevalence of mob rule, the rise of the Ku Klux Klan and the role of miscegenation in an unceasing cycle of bigotry. Through all of this, what emerges is a searing examination of the violence that occurred on that awful day in 1912—the echoes of which still resound today—and the knowledge that it is only through facing our ugliest truths that we can move forward to a place of understanding.
Author: Marcus Peter Rempel
Publisher: FriesenPress
ISBN: 1525510258
Category : Religion
Languages : en
Pages : 308
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Book Description
Our present moment can no longer sustain a stable “us” defined against an alien “them.” So say René Girard and Ivan Illich, radical critics of both Christianity and culture. If they are right, this makes our time an endtime. The end of us against them can deteriorate into the chaos of each against each, or it can open outward into freely chosen communion. It is an expectant—and apocalyptic—time. How does one live in this strange, endtime world? As a wanderer in the odd, cross-culture country Girard and Illich have mapped, the author finds himself in a surprising new place in relation to those who are his other: women, queer folk, refugees, Muslims, atheists, and Indigenous people. In this collection of essays, he blinks, looks around, and makes some field notes.
Author: Clovis Gillham Chappell
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 200
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Book Description
Author: Rakhshan Rizwan
Publisher: Routledge
ISBN: 1000071529
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Kashmiri Life Narratives takes as its central focus writings -- memoirs, non-fictional and fictional Bildungsromane -- published circa 2008 by Kashmiris/Indians living in the Valley of Kashmir, India or in the diaspora. It offers a new perspective on these works by analyzing them within the framework of human rights discourse and advocacy. Literature has been an important medium for promoting the rights of marginalized Kashmiri subjects within Indian-occupied Kashmir, successfully putting Kashmir back on the global map and shifting discussion about Kashmir from the political board rooms to the international English-language book market. In discussing human rights advocacy through literature, this book also effects a radical change of perspective by highlighting positive rights (to enjoy certain things) rather than negative ones (to be spared certain things). Kashmiri life narratives deploy a language of pleasure rather than of physical pain to represent the state of having and losing rights.
Author: Fernando Gabriel Pagnoni Berns
Publisher: Taylor & Francis
ISBN: 1040090044
Category : Social Science
Languages : en
Pages : 246
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Book Description
This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed. Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings. This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
