Blood on the Stage, 1950-1975

Blood on the Stage, 1950-1975 PDF Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810877848
Category : Performing Arts
Languages : en
Pages : 706

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Book Description
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.

Blood on the Stage, 1950-1975

Blood on the Stage, 1950-1975 PDF Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810877848
Category : Performing Arts
Languages : en
Pages : 706

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Book Description
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.

Blood on the Stage, 1975-2000

Blood on the Stage, 1975-2000 PDF Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810883554
Category : Performing Arts
Languages : en
Pages : 648

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Book Description
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.

Blood on the Stage

Blood on the Stage PDF Author: Amnon Kabatchnik
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 440

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Book Description
Acts of crime and criminal minds have always fascinated the world's authors. During 1900-1925, world stages were full of plays in which transgression and lawbreaking were the common denominators. In Blood on the Stage: Milestone Plays of Crime, Mystery, and Detection, An Annotated Repertoire, 1900 - 1925, Amnon Kabatchnik examines the key representations of transgression drama produced in the 20th century's first quarter. This volume covers 80 plays written and produced between 1900-1925 that had at least one public performance in the English language, with an emphasis on New York and London performances. Each of the entries revolves around murder, theft, chicanery, kidnapping, political intrigue, or espionage. Works by Nobel Prize winners Jacinto Benavente, John Galsworthy, and Eugene O'Neill are examined, along with plays by David Belasco, Earl Derr Biggers, George M. Cohan, Arthur Conan Doyle, Elmer Rice, and Mary Roberts Rinehart. The volume includes standards of the genre such as The Bat, The Cat and the Canary, The Last of Mrs. Cheney, Madame X, and The Scarlet Pimpernel. The emphasis is on manuscripts of enduring importance, pioneering contributions, singular innovations, outstanding success, and representative works by prolific playwrights in the genre. The entries are arranged in chronological order, each consisting of plot summary (often including significant dialogue), production and performance data, opinions by critics and scholars, and other features.

Blood on the Stage, 1800 to 1900

Blood on the Stage, 1800 to 1900 PDF Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 1538106183
Category : Performing Arts
Languages : en
Pages : 736

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Book Description
This volume examines the key representations of transgression drama produced between 1800 and 1900. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.

Blood on the Stage, 1975-2000

Blood on the Stage, 1975-2000 PDF Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 0810883546
Category : Literary Criticism
Languages : en
Pages : 647

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Book Description
Describes more than 80 full-length plays produced in the last quarter of the 20th century, with an emphasis on New York and London performances.

Sherlock Holmes on the Stage

Sherlock Holmes on the Stage PDF Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 1461707226
Category : Performing Arts
Languages : en
Pages : 210

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Book Description
One of the world's most well known fictional characters, Sherlock Holmes first appeared in print in 1887. The detective was featured in four novels and 56 short stories written by his creator, Sir Arthur Conan Doyle. Within a decade of his creation Sherlock Holmes made his theatrical debut, first in a couple of obscure productions and soon in the celebrated play adapted by and starring William Gillette. Through the 20th century and beyond, the fictional detective featured in dozens of plays, not to mention radio programs, films, and television shows. In Sherlock Holmes on Stage, Amnon Kabatchnik cites the many theatrical appearances of the great detective since his debut in a one-act musical satire in November 1893. Divided into three sections, this book focuses on plays written or cowritten by Conan Doyle, one-act productions, and plays written by other authors—either adaptations of the novels and stories or original works. Within these sections, each entry is arranged in chronological order and provides a plot synopsis, production details, and other unique features. Some entries identify principal actors and provide biographical sketches of the playwrights, as well as those actors who made a lasting impression as the fictional sleuth. The book also includes several appendixes that focus on special productions, plays that feature variations of the Holmes character, and a list of acting editions.

Blood on the Stage, 1600 to 1800

Blood on the Stage, 1600 to 1800 PDF Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 1538106167
Category : Performing Arts
Languages : en
Pages : 828

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Book Description
This volume examines the key representations of transgression drama produced between 1600 and 1800. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.

Blood on the Stage, 480 B.C. to 1600 A.D.

Blood on the Stage, 480 B.C. to 1600 A.D. PDF Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 1442235489
Category : Performing Arts
Languages : en
Pages : 403

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Book Description
This volume examines the key representations of transgression drama produced between 480 B.C. and 1600. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features. The plays covered in this volume will include the great ancient Greek and Roman tragedies, fifteenth century Passion plays, and dramas by Christopher Marlowe and William Shakespeare.

The Vampire in Folklore, History, Literature, Film and Television

The Vampire in Folklore, History, Literature, Film and Television PDF Author:
Publisher: McFarland
ISBN: 0786499362
Category : Literary Criticism
Languages : en
Pages : 389

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Book Description
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.

Stage Blood

Stage Blood PDF Author: Michael Blakemore
Publisher: Faber & Faber
ISBN: 0571311237
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.