Author: Joseph A. Dane
Publisher: University of Pennsylvania Press
ISBN: 0812208692
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."—From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.
Blind Impressions
Author: Joseph A. Dane
Publisher: University of Pennsylvania Press
ISBN: 0812208692
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."—From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.
Publisher: University of Pennsylvania Press
ISBN: 0812208692
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."—From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.
Maternal Impressions
Author: Charles J. Bayer
Publisher:
ISBN:
Category : Mother and child
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Mother and child
Languages : en
Pages : 276
Book Description
Penrose's Annual
Author:
Publisher:
ISBN:
Category : Photoengraving
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category : Photoengraving
Languages : en
Pages : 362
Book Description
Mind
Author:
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 600
Book Description
Issues for 1896-1900 contain papers of the Aristotelian Society.
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 600
Book Description
Issues for 1896-1900 contain papers of the Aristotelian Society.
Theory and Practice of Bookbinding
Author: United States. Government Printing Office
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 264
Book Description
"Process Work" Year Book
Author:
Publisher:
ISBN:
Category : Graphic arts
Languages : en
Pages : 372
Book Description
Publisher:
ISBN:
Category : Graphic arts
Languages : en
Pages : 372
Book Description
The Art of Bookbinding
Author: Joseph William Zaehnsdorf
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 236
Book Description
The Association Review
Author:
Publisher:
ISBN:
Category : Deaf
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category : Deaf
Languages : en
Pages : 604
Book Description
Ottaviano Petrucci
Author: Stanley Boorman
Publisher: Oxford University Press
ISBN: 0195142071
Category : Music
Languages : en
Pages : 1294
Book Description
The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance.This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies.Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.
Publisher: Oxford University Press
ISBN: 0195142071
Category : Music
Languages : en
Pages : 1294
Book Description
The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance.This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies.Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.
Helmholtz, Cohen, and Frege on Progress and Fidelity
Author: Teri Merrick
Publisher: Springer Nature
ISBN: 3030572994
Category : Philosophy
Languages : en
Pages : 288
Book Description
This book examines the views of Hermann Helmholtz, Hermann Cohen and Gottlob Frege in reaction to the epistemic crises induced by rapid changes in 19th century scientific practice. Besides addressing longstanding interpretive puzzles of interest to Frege scholars, the book extracts precepts for rationally responding to paradigm shifts in scientific and religious traditions. Cohen’s work in particular is held up as an example of wisely navigating epistemic and hermeneutical crises in science and religion. The book will appeal to philosophers and historians of science or religion, especially to those concerned with the epistemic challenges posed by Kuhn’s The Structure of Scientific Revolutions.
Publisher: Springer Nature
ISBN: 3030572994
Category : Philosophy
Languages : en
Pages : 288
Book Description
This book examines the views of Hermann Helmholtz, Hermann Cohen and Gottlob Frege in reaction to the epistemic crises induced by rapid changes in 19th century scientific practice. Besides addressing longstanding interpretive puzzles of interest to Frege scholars, the book extracts precepts for rationally responding to paradigm shifts in scientific and religious traditions. Cohen’s work in particular is held up as an example of wisely navigating epistemic and hermeneutical crises in science and religion. The book will appeal to philosophers and historians of science or religion, especially to those concerned with the epistemic challenges posed by Kuhn’s The Structure of Scientific Revolutions.