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Author: Eric A. Eliason
Publisher: Univ. Press of Mississippi
ISBN: 1604737956
Category : Art
Languages : en
Pages : 155
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Book Description
Jesus, matadors, panthers, bandits, Native Americans, movie stars, waifs, and, of course, Elvis are recognized icons of the oft-despised, uber-kitsch art form of black velvet painting. In Black Velvet Art author Eric A. Eliason and photographer Scott Squire present a comprehensive overview of this covertly loved and overtly reviled tradition. In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, this book draws from the largest survey of velvet painting ever undertaken. The book traces velvet's historical development as a folk art shaped by both Indigenous traditions as well as Western consumer expectations in such markets as the South Pacific, Southeast Asia, and particularly the US-Mexico border and the black velvet capital of Tijuana. In black velvet, class and taste challenge art as a consumer phenomenon, democratic spirit faces down elitism, reproduction questions originality, and sexuality seduces and provokes religiosity. What is most significant about black velvet art to many Americans is its signaling of the nadir of bad taste. Black velvet is the “anti-art” in many ways. Eliason seeks to explore how and why black velvet serves this function and to examine ways it deserves a glowing redemption.
Author: Eric A. Eliason
Publisher: Univ. Press of Mississippi
ISBN: 1604737956
Category : Art
Languages : en
Pages : 155
Get Book Here
Book Description
Jesus, matadors, panthers, bandits, Native Americans, movie stars, waifs, and, of course, Elvis are recognized icons of the oft-despised, uber-kitsch art form of black velvet painting. In Black Velvet Art author Eric A. Eliason and photographer Scott Squire present a comprehensive overview of this covertly loved and overtly reviled tradition. In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, this book draws from the largest survey of velvet painting ever undertaken. The book traces velvet's historical development as a folk art shaped by both Indigenous traditions as well as Western consumer expectations in such markets as the South Pacific, Southeast Asia, and particularly the US-Mexico border and the black velvet capital of Tijuana. In black velvet, class and taste challenge art as a consumer phenomenon, democratic spirit faces down elitism, reproduction questions originality, and sexuality seduces and provokes religiosity. What is most significant about black velvet art to many Americans is its signaling of the nadir of bad taste. Black velvet is the “anti-art” in many ways. Eliason seeks to explore how and why black velvet serves this function and to examine ways it deserves a glowing redemption.
Author: Carl Baldwin
Publisher: Chronicle Books
ISBN: 9780811862073
Category : Art
Languages : en
Pages : 200
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Book Description
This book contains 275 reproductions of black velvet paintings. It traces the roots of the art form from ancient China and Japan through to Victorian England, the Pacific, Southeast Asia and the Americas.
Author: John F. Turner
Publisher: Last Gasp
ISBN: 0867194898
Category : Velvet painting
Languages : en
Pages : 104
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Book Description
A lush tropical setting, exotic models and legendary drinking bouts serve as the backdrop to the larger than life story of Edgar Leeteg. Often referred to as the American Gauguin for his idyllic rendering of the Tahitian people in the 30s, 40s and 50s, Leeteg is best known for his rediscovery and mastery of old technique of painting on velevet.
Author: Barbara Kane
Publisher:
ISBN: 9781591742593
Category : Handicraft
Languages : en
Pages : 0
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Book Description
Directions to make a fuzzy photo frame, a tactile maze, a wall hanging, and other feel-good projects. Finally, velvet art with the caliber of imagination, inspiration, and artwork such a cool format deserves.
Author: C. J. Cook
Publisher:
ISBN: 9780998422459
Category :
Languages : en
Pages : 256
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Book Description
LEETEG,BABES, BARS, BEACHES, and BLACK VELVET ART The sensational story of Leeteg, black velvet artist and party man of Tahiti, who painted nude vahines in his tropical paradise Villa Velour on the Island of Moorea, 1933-1953. The "American Gauguin", Edgar Leeteg, left California in 1933, with oil paints and a few paint brushes, bound for the South Pacific. He was the original "Tiki Man" who started the black velvet painting craze linked to South Pacific themed restaurants. His home in Tahiti allowed him to paint nudes, drink, and party with sensual babes at Quinn's Bar in Papeete, Tahiti. He described himself as a "fornicating, gin-soaked, dope-head" and all the artists and writers of the South Pacific knew of him. He took on the Hawaiian art establishment's, Honolulu Academy of Arts and author James Michener labeled him "Leeteg the Legend" in his book Rascals in Paradise (1957). His many artist and author friends included: Charles Marek, Henry Christian, Robert Lee Eskridge, Willis Shook, Robert Dean Frisbie, Don Blanding, and Mutiny on the Bounty authors, James Hall and Charles Nordhoff helped secure his special place in history. He became one of the wealthiest and most famous artists in the first half of the 20th century. He was the Father of Black Velvet Art and the genesis of a genre which has continued today with Polynesian Pop Art and the Tiki Revolution. This is a story of a most memorable rascal from the South Pacific.
Author: Steven Henry
Publisher: Clickworks Press
ISBN: 1943383340
Category : Fiction
Languages : en
Pages : 187
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Book Description
Erin learned a lot from her partner: stay alert, follow your nose, and once you've got your teeth in them, never let go. It’s tough working nights with the NYPD. The crime rate is high, the hours are terrible, and forget about a personal life. So when Officer O’Reilly and her K-9 Rolf switch over to the day shift, things are looking up. She’s even able to find time for a new boyfriend. But when the theft of a priceless painting from the Queens Museum leaves a fellow police officer dead, Erin and her four-legged partner find themselves dealing with dangerous criminals, sleazy art dealers, and obstructive detectives in a race to capture the killers...and just maybe bring closure to a 75-year-old crime.
Author:
Publisher: National Geographic Books
ISBN: 1950968162
Category :
Languages : en
Pages : 0
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Book Description
Author: Simon Williams
Publisher: Batsford Books
ISBN: 1849943885
Category : Art
Languages : en
Pages : 291
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Book Description
A practical guide to using gouache in botanical painting, by a leading botanical painter. Gouache is an opaque water-based medium, often called body colour, that produces crisp and vibrant paintings, and is becoming increasingly popular in botanical painting. Leading botanical painter, Simon Williams, specializes in painting in gouache and this is his first book. Botanical Painting in Gouache is full of practical advice on all aspects of using the exciting medium of gouache and contains many step-by-step demonstration paintings. In addition to the sumptuous flower paintings there are also sections on painting butterflies, birds and exotic and unusual plants from the rainforest.
Author: Victoria Finlay
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
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Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Author: Jonathan Stephenson
Publisher:
ISBN: 9780500295052
Category : Artists' materials
Languages : en
Pages : 0
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Book Description
In this innovative approach to Impressionism and its methods, Jonathan Stephenson's instruction enables amateurs the world over to paint like the Impressionists. Vibrantly illustrated in colour throughout, both with well-known works of art and step-by-step examples, the book shows how the masters achieved their diverse effects and how their ideas and styles can be adapted to today's tastes. Sections on the artists provide fascinating insights into individual techniques: learn how Monet produced his oil colour sketches, or how Sisley created his atmospheric landscapes. With an introduction providing the historical background to Impressionism, and a comprehensive section on artists' materials, this is a highly practical book that will appeal both to beginners and more experienced artists, as well as to the many thousands of of people inspired by the brilliance and beauty of Impressionist painting.
