Black Screens, White Frames PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Black Screens, White Frames PDF full book. Access full book title Black Screens, White Frames by Tanya Shilina-Conte. Download full books in PDF and EPUB format.
Author: Tanya Shilina-Conte
Publisher: Oxford University Press
ISBN: 0197511325
Category : Art
Languages : en
Pages : 329
Get Book Here
Book Description
Black Screens, White Frames offers a new understanding of blank screens in cinema. Drawing on Gilles Deleuze's film philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, author Tanya Shilina-Conte shows how absence can be a productive mode that alters the way we study film.
Author: Tanya Shilina-Conte
Publisher: Oxford University Press
ISBN: 0197511325
Category : Art
Languages : en
Pages : 329
Get Book Here
Book Description
Black Screens, White Frames offers a new understanding of blank screens in cinema. Drawing on Gilles Deleuze's film philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, author Tanya Shilina-Conte shows how absence can be a productive mode that alters the way we study film.
Author: Beugnet Martine Beugnet
Publisher: Edinburgh University Press
ISBN: 1474407137
Category : Performing Arts
Languages : en
Pages : 384
Get Book Here
Book Description
Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can record better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.
Author: Alexandra-Ecaterina Irimia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111150585
Category : Literary Criticism
Languages : en
Pages : 226
Get Book Here
Book Description
Although post-structuralism has highlighted the importance of what is offstage, lost, forgotten, hidden or discarded, silent or silenced, the poetics and politics of absence (much like its ethics and aesthetics) have rarely been discussed across media or disciplines. The book conceptualizes 'radical absence' to describe a certain tradition of resistance to ontology, predication, and representation, contesting their reliance on a metaphysics of presence. Apophatic speech, empty signifiers, and figural voids are some of the figures through which radical absence becomes apparent, with unprecedented intensity, in 20th-century theory, literature, film, and the arts. Phantasmatic and outrageous, such figures play with creative strategies of de-materialization, irony, and other forms of discursive undoing. Therefore, absence becomes more than a simple theme; it reflects back on the medium and the meaning-making conditions under which it operates. Elusive and imprecise as an object of study, absence is in need of more subtle and flexible epistemological frameworks. The author proposes to think it not only as a counter-concept for presence, but also - perhaps more productively - as infinite spacing, deferral, fragmentation, and displacement.
Author:
Publisher:
ISBN:
Category : Pilot guides
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Marina L. Gavrilova
Publisher: Springer
ISBN: 3662437902
Category : Computers
Languages : en
Pages : 238
Get Book Here
Book Description
This, the 23rd issue of the Transactions on Computational Science journal, guest edited by Xiaoyang Mao and Lichan Hong, is devoted to the topic of security in virtual worlds. It contains extended versions of the best papers selected from those presented at the International Conference on Cyberworlds 2013, held at Keio University, Yokohama, Japan, October 21-23, 2013. The 11 papers in the volume have been organized into topical sections on modeling, rendering, motion, virtual environments and affective computing.
Author: U.S. Coast and Geodetic Survey
Publisher:
ISBN:
Category : Pilot guides
Languages : en
Pages : 236
Get Book Here
Book Description
Author: Sunil Kumar Srivastava
Publisher: Techsar Pvt. Ltd.
ISBN: 9381141665
Category : Computers
Languages : en
Pages : 420
Get Book Here
Book Description
The book, design for the undergraduate and postgraduate semester courses on Computer Aided Design (CAD) in Mechanical, Civil and Computer Science and Engineering provides introduction and basics of CAD systems, hardware and software requirements, mathematical background on 2D primitives, 2D & 3D geometric transformations, parallel and non-parallel projections, planar and space curves, and 3D graphics. Supported by sufficient number of systematically solved examples with line sketches, it will inculcate better understanding and interest in CAD among the common engineering students.
Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319
Get Book Here
Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
Author: U.S. Coast and Geodetic Survey
Publisher:
ISBN:
Category : Pilot guides
Languages : en
Pages : 180
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Get Book Here
Book Description
