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Author: Andrew J. Fenady
Publisher: Pinnacle Books
ISBN: 0786034742
Category : Fiction
Languages : en
Pages : 278
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Book Description
A showdown between saints and sinners—the basis for the TV moviefrom the Owen Wister Award-winning author of the classic western Chisum starring John Wayne. When their wagon breaks down in the desert, Reverend Jon Keyes and his ailing wife Lorna find themselves at the mercy of blistering heat, punishing thirst, and circling buzzards. On the brink of death, they are rescued by Caleb Hobbs and his beguiling daughter Deliverance, who take them to their home in San Melas. It’s a strange little town, built to resemble the New England village they left behind. Everyone in the community is convinced that Jon’s been sent from heaven—that he’s capable of healing their sick and saving their flock. But can he save these God-fearing folk from the gunslinger Moon who descends on the town like a blood-thirsty vulture? Can he explain the robed figures who gather and chant after midnight? And finally, can a good man wage war with evil itself . . . without losing his life . . . or his soul? Praise for the novels of Andrew J. Fenaday “Crackling with the fury of a desert storm.”—True West on The Rebel: Johnny Yuma “A good, rousing story with well-defined, involving characters and plenty of action.”—Variety on Tom Horn and the Apache Kid “A satisfying variation of a familiar theme in an unfamiliar locale.”—True West on Double Eagles
Author: Andrew J. Fenady
Publisher: Pinnacle Books
ISBN: 0786034742
Category : Fiction
Languages : en
Pages : 278
Get Book Here
Book Description
A showdown between saints and sinners—the basis for the TV moviefrom the Owen Wister Award-winning author of the classic western Chisum starring John Wayne. When their wagon breaks down in the desert, Reverend Jon Keyes and his ailing wife Lorna find themselves at the mercy of blistering heat, punishing thirst, and circling buzzards. On the brink of death, they are rescued by Caleb Hobbs and his beguiling daughter Deliverance, who take them to their home in San Melas. It’s a strange little town, built to resemble the New England village they left behind. Everyone in the community is convinced that Jon’s been sent from heaven—that he’s capable of healing their sick and saving their flock. But can he save these God-fearing folk from the gunslinger Moon who descends on the town like a blood-thirsty vulture? Can he explain the robed figures who gather and chant after midnight? And finally, can a good man wage war with evil itself . . . without losing his life . . . or his soul? Praise for the novels of Andrew J. Fenaday “Crackling with the fury of a desert storm.”—True West on The Rebel: Johnny Yuma “A good, rousing story with well-defined, involving characters and plenty of action.”—Variety on Tom Horn and the Apache Kid “A satisfying variation of a familiar theme in an unfamiliar locale.”—True West on Double Eagles
Author: Art Garner
Publisher: Macmillan
ISBN: 1250017785
Category : Sports & Recreation
Languages : en
Pages : 353
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Book Description
Winner of the 2014 Dean Batchelor Award, Motor Press Guild "Book of the Year" Short-listed for 2015 PEN / ESPN Literary Award for Sports Writing Before noon on May 30th, 1964, the Indy 500 was stopped for the first time in history by an accident. Seven cars had crashed in a fiery wreck, killing two drivers, and threatening the very future of the 500. Black Noon chronicles one of the darkest and most important days in auto-racing history. As rookie Dave MacDonald came out of the fourth turn and onto the front stretch at the end of the second lap, he found his rear-engine car lifted by the turbulence kicked up from two cars he was attempting to pass. With limited steering input, MacDonald lost control of his car and careened off the inside wall of the track, exploding into a huge fireball and sliding back into oncoming traffic. Closing fast was affable fan favorite Eddie Sachs. "The Clown Prince of Racing" hit MacDonald's sliding car broadside, setting off a second explosion that killed Sachs instantly. MacDonald, pulled from the wreckage, died two hours later. After the track was cleared and the race restarted, it was legend A. J. Foyt who raced to a decisive, if hollow, victory. Torn between elation and horror, Foyt, along with others, championed stricter safety regulations, including mandatory pit stops, limiting the amount a fuel a car could carry, and minimum-weight standards. In this tight, fast-paced narrative, Art Garner brings to life the bygone era when drivers lived hard, raced hard, and at times died hard. Drawing from interviews, Garner expertly reconstructs the fateful events and decisions leading up to the sport's blackest day, and the incriminating aftermath that forever altered the sport. Black Noon remembers the race that changed everything and the men that paved the way for the Golden Age of Indy car racing.
Author: Art Garner
Publisher: Macmillan
ISBN: 1250017777
Category : Sports & Recreation
Languages : en
Pages : 353
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Book Description
"Just before high noon on May 30th, 1964, the Indy 500 stopped for the first time in history. Seven cars had crashed in a fiery accident, killing two drivers, and threatening the very future of the 500. In this tight, fast-paced narrative, Art Garner expertly reconstructs the events, circumstances, and fatal decisions leading up to the sport's blackest day. Recalling a bygone era when drivers lived hard, raced hard, and at times died hard, Black Noon takes readers back to the last race won by a front-engined roadster, to before the switch from gasoline to methanol, to tell one of the great untold stories in sports. Informed by his extensive interviews including six of the seven surviving drivers, Garner brings to life the greatest names in racing - A.J. Foyt, Dan Gurney, Parnelli Jones, Bobby Unser, and Johnny Rutherford - focusing on Eddie Sachs and Dave MacDonald, the two very different drivers whose lives accelerated toward the same catastrophic end that day. Publishing for the 50th anniversary of this iconic event, Black Noon remembers the race that changed everything and the men that heralded the Golden Age of Indy car racing"--
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
ISBN: 1620409488
Category : History
Languages : en
Pages : 417
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Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Author: Arthur Koestler
Publisher:
ISBN:
Category : Moscow Trials, Moscow, Russia, 1936-1937
Languages : en
Pages : 198
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Book Description
Author: South Australia
Publisher:
ISBN:
Category : Gazettes
Languages : en
Pages : 1358
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Book Description
Author: Paul Green
Publisher: McFarland
ISBN: 147662402X
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
From automatons to zombies, many elements of fantasy and science fiction have been cross-pollinated with the Western movie genre. In its second edition, this encyclopedia of the Weird Western includes many new entries covering film, television, animation, novels, pulp fiction, short stories, comic books, graphic novels and video and role-playing games. Categories include Weird, Weird Menace, Science Fiction, Space, Steampunk and Romance Westerns.
Author: David Deal
Publisher: McFarland
ISBN: 0786455144
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them--especially during the 1970s--and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don't Be Afraid of the Dark to the better-forgotten Look What's Happened to Rosemary's Baby, it's a trustworthy and entertaining guide to the golden age of the televised horror movie.
Author: Heather Greene
Publisher: McFarland
ISBN: 1476632065
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.
Author: Wes D. Gehring
Publisher: Bloomsbury Publishing USA
ISBN: 031300353X
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.
