Author: Art Garner
Publisher: Macmillan
ISBN: 1250017785
Category : Sports & Recreation
Languages : en
Pages : 353
Book Description
Winner of the 2014 Dean Batchelor Award, Motor Press Guild "Book of the Year" Short-listed for 2015 PEN / ESPN Literary Award for Sports Writing Before noon on May 30th, 1964, the Indy 500 was stopped for the first time in history by an accident. Seven cars had crashed in a fiery wreck, killing two drivers, and threatening the very future of the 500. Black Noon chronicles one of the darkest and most important days in auto-racing history. As rookie Dave MacDonald came out of the fourth turn and onto the front stretch at the end of the second lap, he found his rear-engine car lifted by the turbulence kicked up from two cars he was attempting to pass. With limited steering input, MacDonald lost control of his car and careened off the inside wall of the track, exploding into a huge fireball and sliding back into oncoming traffic. Closing fast was affable fan favorite Eddie Sachs. "The Clown Prince of Racing" hit MacDonald's sliding car broadside, setting off a second explosion that killed Sachs instantly. MacDonald, pulled from the wreckage, died two hours later. After the track was cleared and the race restarted, it was legend A. J. Foyt who raced to a decisive, if hollow, victory. Torn between elation and horror, Foyt, along with others, championed stricter safety regulations, including mandatory pit stops, limiting the amount a fuel a car could carry, and minimum-weight standards. In this tight, fast-paced narrative, Art Garner brings to life the bygone era when drivers lived hard, raced hard, and at times died hard. Drawing from interviews, Garner expertly reconstructs the fateful events and decisions leading up to the sport's blackest day, and the incriminating aftermath that forever altered the sport. Black Noon remembers the race that changed everything and the men that paved the way for the Golden Age of Indy car racing.
Black Noon: The Year They Stopped the Indy 500
Author: Art Garner
Publisher: Macmillan
ISBN: 1250017785
Category : Sports & Recreation
Languages : en
Pages : 353
Book Description
Winner of the 2014 Dean Batchelor Award, Motor Press Guild "Book of the Year" Short-listed for 2015 PEN / ESPN Literary Award for Sports Writing Before noon on May 30th, 1964, the Indy 500 was stopped for the first time in history by an accident. Seven cars had crashed in a fiery wreck, killing two drivers, and threatening the very future of the 500. Black Noon chronicles one of the darkest and most important days in auto-racing history. As rookie Dave MacDonald came out of the fourth turn and onto the front stretch at the end of the second lap, he found his rear-engine car lifted by the turbulence kicked up from two cars he was attempting to pass. With limited steering input, MacDonald lost control of his car and careened off the inside wall of the track, exploding into a huge fireball and sliding back into oncoming traffic. Closing fast was affable fan favorite Eddie Sachs. "The Clown Prince of Racing" hit MacDonald's sliding car broadside, setting off a second explosion that killed Sachs instantly. MacDonald, pulled from the wreckage, died two hours later. After the track was cleared and the race restarted, it was legend A. J. Foyt who raced to a decisive, if hollow, victory. Torn between elation and horror, Foyt, along with others, championed stricter safety regulations, including mandatory pit stops, limiting the amount a fuel a car could carry, and minimum-weight standards. In this tight, fast-paced narrative, Art Garner brings to life the bygone era when drivers lived hard, raced hard, and at times died hard. Drawing from interviews, Garner expertly reconstructs the fateful events and decisions leading up to the sport's blackest day, and the incriminating aftermath that forever altered the sport. Black Noon remembers the race that changed everything and the men that paved the way for the Golden Age of Indy car racing.
Publisher: Macmillan
ISBN: 1250017785
Category : Sports & Recreation
Languages : en
Pages : 353
Book Description
Winner of the 2014 Dean Batchelor Award, Motor Press Guild "Book of the Year" Short-listed for 2015 PEN / ESPN Literary Award for Sports Writing Before noon on May 30th, 1964, the Indy 500 was stopped for the first time in history by an accident. Seven cars had crashed in a fiery wreck, killing two drivers, and threatening the very future of the 500. Black Noon chronicles one of the darkest and most important days in auto-racing history. As rookie Dave MacDonald came out of the fourth turn and onto the front stretch at the end of the second lap, he found his rear-engine car lifted by the turbulence kicked up from two cars he was attempting to pass. With limited steering input, MacDonald lost control of his car and careened off the inside wall of the track, exploding into a huge fireball and sliding back into oncoming traffic. Closing fast was affable fan favorite Eddie Sachs. "The Clown Prince of Racing" hit MacDonald's sliding car broadside, setting off a second explosion that killed Sachs instantly. MacDonald, pulled from the wreckage, died two hours later. After the track was cleared and the race restarted, it was legend A. J. Foyt who raced to a decisive, if hollow, victory. Torn between elation and horror, Foyt, along with others, championed stricter safety regulations, including mandatory pit stops, limiting the amount a fuel a car could carry, and minimum-weight standards. In this tight, fast-paced narrative, Art Garner brings to life the bygone era when drivers lived hard, raced hard, and at times died hard. Drawing from interviews, Garner expertly reconstructs the fateful events and decisions leading up to the sport's blackest day, and the incriminating aftermath that forever altered the sport. Black Noon remembers the race that changed everything and the men that paved the way for the Golden Age of Indy car racing.
High Noon
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
ISBN: 1620409488
Category : History
Languages : en
Pages : 417
Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Publisher: Bloomsbury Publishing USA
ISBN: 1620409488
Category : History
Languages : en
Pages : 417
Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Television Fright Films of the 1970s
Author: David Deal
Publisher: McFarland
ISBN: 0786455144
Category : Performing Arts
Languages : en
Pages : 231
Book Description
If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them--especially during the 1970s--and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don't Be Afraid of the Dark to the better-forgotten Look What's Happened to Rosemary's Baby, it's a trustworthy and entertaining guide to the golden age of the televised horror movie.
Publisher: McFarland
ISBN: 0786455144
Category : Performing Arts
Languages : en
Pages : 231
Book Description
If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them--especially during the 1970s--and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don't Be Afraid of the Dark to the better-forgotten Look What's Happened to Rosemary's Baby, it's a trustworthy and entertaining guide to the golden age of the televised horror movie.
Darkness at Noon
Author: Arthur Koestler
Publisher:
ISBN:
Category : Moscow Trials, Moscow, Russia, 1936-1937
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Moscow Trials, Moscow, Russia, 1936-1937
Languages : en
Pages : 198
Book Description
Noon in Paris, Eight in Chicago
Author: Douglas Cowie
Publisher: Myriad Editions
ISBN: 0956792677
Category : Fiction
Languages : en
Pages : 268
Book Description
Sharp and intimate, Douglas Cowie's reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France's feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating months spent together in Paris and Chicago. But in between are long, anguished periods apart filled with competing desires lovers old and new, writing, politi, gambling which ultimately expose the fragility of their unconventional marriage and put their devotion to the test.
Publisher: Myriad Editions
ISBN: 0956792677
Category : Fiction
Languages : en
Pages : 268
Book Description
Sharp and intimate, Douglas Cowie's reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France's feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating months spent together in Paris and Chicago. But in between are long, anguished periods apart filled with competing desires lovers old and new, writing, politi, gambling which ultimately expose the fragility of their unconventional marriage and put their devotion to the test.
A Russell Hoban Omnibus
Author: Russell Hoban
Publisher: Indiana University Press
ISBN: 9780253335869
Category : English literature
Languages : en
Pages : 842
Book Description
A Russell Hoban Omnibus presents four of Hoban's novels: the haunting The Lion of Boaz-Jachin and Jachin-Boaz; the popular Turtle Diary (which was made into a movie starring Glenda Jackson and Ben Kingsley); Pilgermann; and his newest work, Mr Rinyo-Clacton's Offer, a brilliant Faustian comedy published here for the first time in the United States. Book jacket.
Publisher: Indiana University Press
ISBN: 9780253335869
Category : English literature
Languages : en
Pages : 842
Book Description
A Russell Hoban Omnibus presents four of Hoban's novels: the haunting The Lion of Boaz-Jachin and Jachin-Boaz; the popular Turtle Diary (which was made into a movie starring Glenda Jackson and Ben Kingsley); Pilgermann; and his newest work, Mr Rinyo-Clacton's Offer, a brilliant Faustian comedy published here for the first time in the United States. Book jacket.
The South Australian Government Gazette
Author: South Australia
Publisher:
ISBN:
Category : Gazettes
Languages : en
Pages : 1358
Book Description
Publisher:
ISBN:
Category : Gazettes
Languages : en
Pages : 1358
Book Description
The Handbook of Jamaica for ...
Author:
Publisher:
ISBN:
Category : Jamaica
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Jamaica
Languages : en
Pages : 516
Book Description
Vital Statistics of the United States
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 596
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 596
Book Description
Spinegrinder
Author: Clive Davies
Publisher: SCB Distributors
ISBN: 1909394068
Category : Performing Arts
Languages : en
Pages : 1368
Book Description
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
Publisher: SCB Distributors
ISBN: 1909394068
Category : Performing Arts
Languages : en
Pages : 1368
Book Description
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.