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Author: Gloria Steele-Hatten
Publisher: Lulu.com
ISBN: 1329722817
Category : Poetry
Languages : en
Pages : 88
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Book Description
The Word is conceptualized as a Feminine Principle, being a container that is the Womb. The Word, or the Utterance, or even what the Hindu refer to as the "OM" is Creation itself, a Vessel in which to contain or conceive reality. The poems also reference the feminine knowledge of Odu Ifa: everything that ever has or ever will exist or come into being-and even everything that is not, or has not been, all potential for all creation, good and bad, and the transcendence of all duality and plurality.
Author: Gloria Steele-Hatten
Publisher: Lulu.com
ISBN: 1329722817
Category : Poetry
Languages : en
Pages : 88
Get Book Here
Book Description
The Word is conceptualized as a Feminine Principle, being a container that is the Womb. The Word, or the Utterance, or even what the Hindu refer to as the "OM" is Creation itself, a Vessel in which to contain or conceive reality. The poems also reference the feminine knowledge of Odu Ifa: everything that ever has or ever will exist or come into being-and even everything that is not, or has not been, all potential for all creation, good and bad, and the transcendence of all duality and plurality.
Author:
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ISBN:
Category :
Languages : en
Pages : 160
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Book Description
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Author: I. Augustus Durham
Publisher: Duke University Press
ISBN: 1478027657
Category : Social Science
Languages : en
Pages : 193
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Book Description
In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.
Author: Reni Eddo-Lodge
Publisher: Bloomsbury Publishing
ISBN: 1526633922
Category : Political Science
Languages : en
Pages : 272
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Book Description
'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD
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Category : Education
Languages : en
Pages : 668
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Book Description
Author: Yasemin Güniz Sertel
Publisher: AuthorHouse
ISBN: 1496945964
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
This book analyses the cultural and social subordination of women in American society as represented in the American novelistic tradition in the context of sociological, psychological, and historical perspectives peculiar to the period. The selection of the novels has been based on a wide range of different cultural and historical periods, which enables the reader to witness the general outcast position of woman as depicted in the American novel and her subordination in this society by way of some historical and cultural forces. The endeavor has been to illustrate how, from the earliest examples of the American novel depicting colonial life to the contemporary ethnic and minority novels, the persistent negative image as social stereotypes are imposed on women as an unavoidable and unalterable destiny.
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Category : American literature
Languages : en
Pages : 878
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Category : American literature
Languages : en
Pages : 1028
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Book Description
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Category : Education
Languages : en
Pages : 398
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Book Description
Author: Alicia Garza
Publisher: One World
ISBN: 0525509682
Category : Social Science
Languages : en
Pages : 338
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Book Description
An essential guide to building transformative movements to address the challenges of our time, from one of the country’s leading organizers and a co-creator of Black Lives Matter “Excellent and provocative . . . a gateway [to] urgent debates.”—Keeanga-Yamahtta Taylor, The New Yorker NAMED ONE OF THE BEST BOOK OF THE YEAR BY Time • Marie Claire • Kirkus Reviews In 2013, Alicia Garza wrote what she called “a love letter to Black people” on Facebook, in the aftermath of the acquittal of the man who murdered seventeen-year-old Trayvon Martin. Garza wrote: Black people. I love you. I love us. Our lives matter. With the speed and networking capacities of social media, #BlackLivesMatter became the hashtag heard ’round the world. But Garza knew even then that hashtags don’t start movements—people do. Long before #BlackLivesMatter became a rallying cry for this generation, Garza had spent the better part of two decades learning and unlearning some hard lessons about organizing. The lessons she offers are different from the “rules for radicals” that animated earlier generations of activists, and diverge from the charismatic, patriarchal model of the American civil rights movement. She reflects instead on how making room amongst the woke for those who are still awakening can inspire and activate more people to fight for the world we all deserve. This is the story of one woman’s lessons through years of bringing people together to create change. Most of all, it is a new paradigm for change for a new generation of changemakers, from the mind and heart behind one of the most important movements of our time.