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Author: H. I. R. Hinzler
Publisher: Springer
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972- 1976, when materials were collected from oral and written sources.
Author: H. I. R. Hinzler
Publisher: Springer
ISBN:
Category : Art
Languages : en
Pages : 412
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Book Description
The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972- 1976, when materials were collected from oral and written sources.
Author: H.I.R. Hinzler
Publisher: BRILL
ISBN: 9004287213
Category : Art
Languages : en
Pages : 404
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Book Description
The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972- 1976, when materials were collected from oral and written sources.
Author: Made Mantle Hood
Publisher: LIT Verlag Münster
ISBN: 3825812308
Category : Music
Languages : en
Pages : 493
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Book Description
This book combines ethnography, philosophy, and musical analysis for an in-depth look into the social context and musical praxis of gamelan gong gede, the largest gamelan orchestra of bronze gongs and percussion on the island of Bali. The Hindu-Balinese notion of three human qualities called triguna serves as an interpretive framework for categorizing the musical repertoire, according to both widespread religious knowledge and more esoteric wisdom. (Series: KlangKulturStudien/SoundCultureStudies - Vol. 2)
Author: Joyce Flueckiger
Publisher: University of Michigan Press
ISBN: 0472901710
Category : Social Science
Languages : en
Pages : 173
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Book Description
When the Mahabharata and Ramayana are performed in South and Southeast Asia, audiences may witness a variety of styles. A single performer may deliver a two-hour recitation, women may meet in informal singing groups, shaddow puppets may host an all-night play, or professional theaters may put on productions lasting thirty nights. Performances often celebrate ritual passages: births, deaths, marriages, and religious observances. The stories live and are transmitted through performance; their characters are well known and well loved. Yet written versions of the Mahabharata and Ramayana have existed in both South and Southeast Asia for hundreds of years. Rarely have these texts been intended for private reading. What is the relationship between written text and oral performance? What do performers and audiences mean when they identify something as “Ramayana” or “Mahabharata”? How do they conceive of texts? What are the boundaries of the texts? By analyzing specific performance traditions, Boundaries of the Text addresses questions of what happens to written texts when they are preformed and how performance traditions are affected when they interact with written texts. The dynamics of this interaction are of particular interest in South and Southeast Asia where oral performance and written traditions share a long, interwoven history. The contributors to Boundaries of the Text show the difficulty of maintaining sharp distinctions between oral and written patterns, as the traditions they consider defy a unidirectional movement from oral to written. The boundaries of epic traditions are in a state of flux, contracting or expanding as South and Southeast Asian societies respond to increasing access to modern education, print technology, and electronic media.
Author: Bernard Arps
Publisher: NUS Press
ISBN: 9814722154
Category : Performing Arts
Languages : en
Pages : 646
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Book Description
Javanese shadow puppetry is a sophisticated dramatic form, often felt to be at the heart of Javanese culture, drawing on classic texts but with important contemporary resonance in fields like religion and politics. How to make sense of the shadow-play as a form of world-making? In Tall Tree, Nest of the Wind, Bernard Arps explores this question by considering an all-night performance of Dewa Ruci, a key play in the repertoire. Thrilling and profound, Dewa Ruci describes the mighty Bratasena’s quest for the ultimate mystical insight. The book presents Dewa Ruci as rendered by the distinguished master puppeteer Ki Anom Soeroto in Amsterdam in 1987. The book’s unusual design presents the performance texts together with descriptions of the sounds and images that would remain obscure in conventional formats of presentation. Copious annotations probe beneath the surface and provide an understanding of the performance's cultural complexity. These annotations explain the meanings of puppet action, music, and shifts in language; how the puppeteer wove together into the drama the circumstances of the performance in Amsterdam, Islamic and other religious ideas, and references to contemporary Indonesian political ideology. Also revealed is the performance’s historical multilayering and the picture it paints of the Javanese past. Tall Tree, Nest of the Wind not only presents an unrivalled insight into the artistic depth of wayang kulit, it exemplifies a new field of study, the philology of performance.
Author: Siyuan Liu
Publisher: Routledge
ISBN: 1317278852
Category : Performing Arts
Languages : en
Pages : 875
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Book Description
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Author: Peter Worsley
Publisher: BRILL
ISBN: 9004253017
Category : Literary Criticism
Languages : en
Pages : 732
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Book Description
Mpu Monaguṇa's early thirteenth century epic poem Sumanasāntaka is a vernacular rendering of Kālidāsa's story of Prince Aja and Princess Indumatī told in the Raghuvaṃśa. In it the poet exploits his source narrative to describe and comment on the Javanese world of his times. In Mpu Monaguṇa's Sumanasāntaka the authors offer an edited text and translation of Mpu Monaguṇa's epic kakawin and extensive commentary on the editing of the manuscripts and history of the poem and its story, the relationship between the Old Javanese poem and Kālidāsa's Raghuvaṃśa, the way in which the poem imagines the lived environment of ancient Java in the early thirteenth century and Balinese painted representations of the story of Prince Aja and Princess Indumatī.
Author: Sumarsam
Publisher: Wesleyan University Press
ISBN: 0819501271
Category : Music
Languages : en
Pages : 289
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Book Description
This book is the first comprehensive overview of Javanese performing arts from their origins to their dynamic present. Renowned scholar and musician Sumarsam draws from a lifetime of immersion in both wayang and gamelan to guide readers through the concept of the "in-between," revealing how the interplay of dualisms—myth and history, sacred and secular, personal and cultural—forms the bedrock of Javanese performance. Rigorously researched historical case studies reveal the intricate relationship between histories and mythologies in Java. Wayang, accompanied by gamelan, is a multimedia performance imbued with rich historical, aesthetic, religious, and emotional associations. Sumarsam delves into this intricate, profound, and ever-evolving art form, exploring its diverse manifestations and venues, from courtly village entertainment-cum-ritual to palace-based aesthetic expressions of cultural proficiency; from coastal mercantile entrepots to the verdant wet rice terraces of Java; from colonial plantation and textile factory cultures to communities centered around contemporary industrial estates and creative economy initiatives. An essential resource for scholars, musicians, and enthusiasts of wayang and gamelan, The In-Between in Javanese Performing Arts offers an unparalleled immersion into the heart of traditional Javanese performing arts, revealing their profound impact on Javanese culture, identity, and artistic expression.
Author: Sampa Ghosh
Publisher: Abhinav Publications
ISBN: 817017435X
Category : Crafts & Hobbies
Languages : en
Pages : 729
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Book Description
Puppetry Originated In India And Travelled Across The Seven Seas To The Eastern And Western World As Vouched By Many Scholars. Puppets Dated Back To A Period Well Before Bharata S Natya Shastra And Have Continued Unabated Throughout The Centuries In Almost All Indian States. Puppetry Is One Enduring Form, Which Has Entertained Masses And Educated People. The Famous Puppeteers Of Rajasthan Are Really Acrobats, Who Only Put On Puppet Shows When They Move Out Of Villages. These And A Thousand Other Scintillating Facts Come Out Of This Exciting Book For The Reader S Entertainment And Elucidation. Puppets Are By No Means For Only Children, -- As The Puppeteers Of Orissa Sing And Dance About The Romantic Love Of Radha And Krishna, And Keralan Puppets Narrate Kathakali Stories In The Same Make-Up And Costumes.The Book Aims At Giving A Connected Account Of The Indian Puppets: Their Variety, Their Multiple Functions, Their Craft, Their Animation And Their Connections With Other Related Arts In Five Separate Parts. The Book Also Contains For The First Time In Any Book On Puppetry -- Four Important Appendices: Museums In India Containing Puppets, Directory Of Indian Puppeteers, Global Bibliography On Puppets And A Relevant Glossary. The World Of Indian Puppets Is Seen In Vivid Colours With Scores Of Coloured Photographs And Many Line-Drawings And Half-Tone Pictures --- In Their Many-Sided Splendour: Variety Of The Glove, Rod, String, Shadow, And Human Puppets And A Myriad Background Stories Of The Puppet-Masters And Their Imaginative Landscape Of Free Creativity.
Author: Victor M. Fic
Publisher: Abhinav Publications
ISBN: 817017404X
Category : History
Languages : en
Pages : 384
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Book Description
The Central Thesis Of This Book Maintains That The Need To Preserve Pluralism In Indonesia, And The High Price Paid By Its People Anytime Pluralism Had Been Trampled Upon In The Past, Are The Two Essential Aspects Of Their Historical Experience. This Thesis Is Particularly Relevant For The People Of Indonesia Today As They Are Grappling With The Problems Of National Unity And Transition To A Modem Pluralistic Democracy. Two Parts Of This Book Articulate This Thesis. Part I Explains The Origin Of The Hindu-Buddhist Dualism During The Srivijaya And Sailendra Periods In The Viii- Ix Centuries Ad. The Process Of Javanization Then Extended This Dualism By Incorporating Into The New Synthesis The Indigenous Ancestral And The Rsi Cults During The Majapahit Period, Particularly Under King Wuruki'Ls Rule From 1350 To 1389. This New Pluralism Was Further Extended By Absorbing Elements Of The Kalang/Palang Culture And The Bhima Cult, Culminating In The Grand Synthesis Of The Core Values Of The Hindu-Javanese Culture As Expressed By The Iconography Of Candi Sukuh Erected In 1437. Two Factors Are Identified As Contributing To The Decline And Then Demise Of Majapahit In 1527. First, Attempts By China To Build Its Own System Of Dependencies In Southeast Asia By Detaching From Majapahit Its Overseas Territories, And Then Its Intervention In The Dynastic Rivalries In Java During The Paregreg Civil War From 1400 To 1406. Second, The Penetration Of Islam From The Coastal Areas Of Majapahit Into Its Heartland, And The Gradual Establishment Of Its Hegemony Over The Core Values Of The Hindu-Javanese Civilization. Part Ii Of The Book Explores The Interaction Of Islam With The Deeply Rooted Substratum Of The Hindu-Javanese Values, And Then The Absorption Of Islam Into A New Synthesis And A Higher Form Of Pluralism Forged During The Long Process Of The Islamization Of Java And The Javanization Of Islam. This New Pluralism Was Further Enriched By Incorporating Various Strands Of Christianity During The Colonial Period. In Its Fmal Form This Pluralism Provided The Social Cohesion And The National Ethos And Consciousness Which Propelled Indonesia Towards Its Statehood And Independence In 1945, Leading To The Establish- Ment Of A Secular State To Accommodate The Imperatives Of This Higher Pluralism Under The State Doctrine Of The Pancasila. The Book Then Surveys The Post-Independence Period To Show How This Pluralism Fared Under The Successive Regimes Of Sukamo, Suharto, Habibie, Abdurrahman Wahid, And How It Fares Under Megawati Sukamoputri Today. The Survey Con- Cludes On A Sobering Note That Most Of The Problems Experi- Enced By These Regimes Had Their Roots In The Violation Of The Pluralistic Nature Of The Indonesian Society. In This Context There Is Little Doubt That The Continued Attempts Of Some Islamic Groups, Mostly Incited From Abroad, To Wage A Jihad For The Replacement Of The Existing Secular State By An Islamic One, Would Plunge The Country Into A Civil War Of The Paregreg Type. These Attempts Might Not Succeed Given The Rnilitaryns Staunch Commitment To The Pancasila And The Secular State. However The Cost Of Thwarting Them Would Be Very High.
