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Author: Patricia Marks
Publisher: University Press of Kentucky
ISBN: 081315863X
Category : Social Science
Languages : en
Pages : 236
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Book Description
The so-called "New Woman"—that determined and free-wheeling figure in "rational" dress, demanding education, suffrage, and a career-was a frequent target for humorists in the popular press of the late nineteenth century. She invariably stood in contrast to the "womanly woman," a traditional figure bound to domestic concerns and a stereotype away from which many women were inexorably moving. Patricia Marks's book, based on a survey of satires and caricatures drawn from British and American periodicals of the 1880s and 1890s, places the popular view of the New Woman in the context of the age and explores the ways in which humor both reflected and shaped readers' perceptions of women's changing roles. Not all commentators of the period attacked the New Woman; even conservative satirists were more concerned with poverty, prostitution, and inadequate education than with defending so-called "femininity." Yet, as the influx of women into the economic mainstream changed social patterns, the popular press responded with humor ranging from the witty to the vituperative. Many of Marks's sources have never been reprinted and exist only in unindexed periodicals. Her book thus provides a valuable resource for those studying the rise of feminism and the influence of popular culture, as well as literary historians and critics seeking to place more formal genres within a cultural framework. Historians, sociologists, and others with an interest in Victorianism will find in it much to savor.
Author: Patricia Marks
Publisher: University Press of Kentucky
ISBN: 081315863X
Category : Social Science
Languages : en
Pages : 236
Get Book Here
Book Description
The so-called "New Woman"—that determined and free-wheeling figure in "rational" dress, demanding education, suffrage, and a career-was a frequent target for humorists in the popular press of the late nineteenth century. She invariably stood in contrast to the "womanly woman," a traditional figure bound to domestic concerns and a stereotype away from which many women were inexorably moving. Patricia Marks's book, based on a survey of satires and caricatures drawn from British and American periodicals of the 1880s and 1890s, places the popular view of the New Woman in the context of the age and explores the ways in which humor both reflected and shaped readers' perceptions of women's changing roles. Not all commentators of the period attacked the New Woman; even conservative satirists were more concerned with poverty, prostitution, and inadequate education than with defending so-called "femininity." Yet, as the influx of women into the economic mainstream changed social patterns, the popular press responded with humor ranging from the witty to the vituperative. Many of Marks's sources have never been reprinted and exist only in unindexed periodicals. Her book thus provides a valuable resource for those studying the rise of feminism and the influence of popular culture, as well as literary historians and critics seeking to place more formal genres within a cultural framework. Historians, sociologists, and others with an interest in Victorianism will find in it much to savor.
Author: Patricia Marks
Publisher: University Press of Kentucky
ISBN: 9780813132396
Category : Social Science
Languages : en
Pages : 344
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Book Description
The so-called ""New Woman""--That determined and free-wheeling figure in ""rational"" dress, demanding education, suffrage, and a career-was a frequent target for humorists in the popular press of the late nineteenth century. She invariably stood in contrast to the ""womanly woman, "" a traditional figure bound to domestic concerns and a stereotype away from which many women were inexorably moving. Patricia Marks's book, based on a survey of satires and caricatures drawn from British and American periodicals of the 1880's and 1890's, places the popular view of the New Woman in the context of the
Author: Maria Elena Buszek
Publisher: Duke University Press
ISBN: 0822387565
Category : Social Science
Languages : en
Pages : 457
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Book Description
Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published. Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.
Author: Margaretta Frederick Watson
Publisher: Routledge
ISBN: 0429855974
Category : Social Science
Languages : en
Pages : 217
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Book Description
First published in 1997, and written by leading scholars of the day , these fifteen essays examine aspects of the reception and collecting of Pre-Raphaelite Art, the social and cultural context in which the work was favoured and acquired. Two major collections provide the focus for the investigation: that of the Birmingham city Museums and Art Gallery in the United Kingdom, and that of the American Samuel Bancroft Jr, now part of the Delaware Art Museum. The study of these two collections both formed in the late 1890’, places Pre-Raphaelite Art at nexus of contemporary cultural issues that touched the lives of both the city council, intent on establishing a public gallery of national importance, and a wealthy American businessman, indulging a private passion for the work of these artists. The contributors approach the issue in a variety of ways, These include the study of the ambitions and self-perception of collectors of the period, an analysis of the impact of John Ruskin’s campaign to establish Pre-Raphaelite painting as the ‘Art of England’ , and its impact on notions of civic and national identity ; the examination of individual painting in relation to such issues as the portrayal of women, the nude and of religious subjects ; and the study of the Victorian preoccupation with Renaissance Italy and the attempt by Ruskin, Charles Fairfax Murray , advisor to the two collections, and the Grosvenor Gallery, to proclaim the Pre-Raphaelite artists as the true inheritors of the ‘genius’ of Renaissance Italian artists.These essays were first presented at a symposium held at the Delaware Art Museum during the exhibition there of the paintings of Birmingham City Museums and Art Gallery.
Author: Gerald R. Gems
Publisher: Scarecrow Press
ISBN: 9780810836853
Category : Sports & Recreation
Languages : en
Pages : 250
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Book Description
Sports history has emerged as a popular study over the past quarter century, and scholars have fueled this interest by providing a wealth of information on baseball and its role in American culture. Despite this increasing focus on the connection between sports and societal values, football, the sport that emerged in the late nineteenth century and merged the values of winning and commercialization with the culture of higher education, has been left relatively unexplored. This gap in sports history has left many questions unanswered, including football's link to American cultural values. Gerald R. Gems has filled this gap in sports history with his latest title, For Pride, Profit, and Patriarchy: Football and the Incorporation of American Cultural Values. This intriguing resource covers a host of issues including the rise of football, football and feminism, militarism and leadership training, and multiculturalism in football. A broad and comprehensive analysis of the ways in which football addressed the cultural and ideological tensions within American society during its period of development and consolidation after the Civil War, this study is ideal for everyone from the football enthusiast to the general reader.
Author: Gwen Tarbox
Publisher: Routledge
ISBN: 1317776038
Category : History
Languages : en
Pages : 175
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Book Description
The author provides an interdisciplinary cultural study of the evolution of Progressive-era girls' peer groups, their representation in popular girls' fiction, and the influence of these communities, both real and fictional, upon young women's lives during the years leading up to the Second World War. The writers featured in this volume were the first generation of New Women, whose ability to enter traditionally male spaces such as the college campus, the playing field, the wilderness, and the office was facilitated by their membership in women's clubs, political and religious organizations, and athletic teams. Eager to promote the idea that same-sex group activities would lead to female empowerment, these clubwomen targeted young girls as their intended audience and developed an idealized fictional portrait of female cooperation that girls could replicate in their own lives. By adding to our knowledge of girls' cultural history, the author gives voice to a segment of the population that was, and still is, at the center of society's debates concerning the appropriate roles for girls and women. Authors discussed include Louisa May Alcott, Emma Dunham Kelley, Laura Lee Hope (psuedonym for Lilian Garis), Carolyn Keene (pseudonym for Mildred Wirt Benson), and Margaret Sutton.
Author: Anna Bogen
Publisher: Routledge
ISBN: 1317319575
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
The rise of the middle classes brought a sharp increase in the number of young men and women able to attend university. Developing in the wake of this increase, the university novel often centred on male undergraduates at either Oxford or Cambridge. Bogen argues that an analysis of the lesser known female narratives can provide new insights.
Author: L. Fuller
Publisher: Springer
ISBN: 0230600751
Category : Social Science
Languages : en
Pages : 267
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Book Description
Interested in the nexus between sport, gender, and language, Sport, Rhetoric, and Gender: Historical Perspectives and Media Representations contains 21 wide-ranging chapters examining sport vis-à-vis the language surrounding and incorporated by it in the world arena.
Author: Richard Menke
Publisher: Routledge
ISBN: 1315400286
Category : Business & Economics
Languages : en
Pages : 345
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Book Description
From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This collection brings together a range of primary sources on Victorian material and culture. This third volume, ‘Invention and Technology’, will look at a variety of Victorian inventions, both foundational and short-lived.
Author: Marie Krohn
Publisher: American Legacy Media
ISBN: 0979689627
Category : Athletes
Languages : en
Pages : 322
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Book Description
Eager to challenge social norms during the Victorian age, Louise Pound was an iconoclast responsible for challenging America¿s views on women, academics, and sports. Discarding the traditional corset to accommodate her sports activities, her athletic prowess resulted in her being a world-class athlete in both tennis and golf. She became a local legend after winning several matches against her male contemporaries. She is now recognized for having layed the social groundwork for female athletes like ¿Babe¿ Didrikson Zaharias. Unable to get accepted into an American post-graduate program, she battled institutional sexism and obtained her Ph.D. in Germany in less than a year. She soon became a world-renowned philologist, American folklorist and educator, and she was the first academician to advocate the recognition of American English as a distinct language from that spoken in Great Britain. Although she is often known for little more than being the love interest of lesbian author Willa Cather, the author debunks such claims, giving sound evidence that the attraction was not reciprocated.
