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Author: Annika Bautz
Publisher: Routledge
ISBN: 1000692655
Category : Art
Languages : en
Pages : 212
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Book Description
This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen’s national and international reputation; her critical reception; creative appropriations of her writings; and Austen’s afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen’s novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women’s Writing.
Author: Annika Bautz
Publisher: Routledge
ISBN: 1000692655
Category : Art
Languages : en
Pages : 212
Get Book Here
Book Description
This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen’s national and international reputation; her critical reception; creative appropriations of her writings; and Austen’s afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen’s novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women’s Writing.
Author: Alison Garden
Publisher:
ISBN: 178962181X
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This book explores the literary and cultural afterlives ofIreland's most enigmatic, shape-shifting and controversial son: Roger Casement.Drawing upon atransnational selection of modern and contemporary texts, alongside significantarchival research, this book positions Casement as a vital and fascinating figure in the compromised and contradictory terrainof Anglo-Irish history.
Author: Andrew McInnes
Publisher: Taylor & Francis
ISBN: 104009886X
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.
Author: Janine Barchas
Publisher: Johns Hopkins University Press
ISBN: 1421431599
Category : Biography & Autobiography
Languages : en
Pages : 303
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Book Description
Hardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity—and in changing the larger book world itself. Gold Winner of the 2019 Foreword INDIES Award for History by FOREWORD Reviews In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. Packed with nearly 100 full-color photographs of dazzling, sometimes gaudy, sometimes tasteless covers, The Lost Books of Jane Austen is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers. Informed by the author's years of unconventional book hunting, The Lost Books of Jane Austen will surprise even the most ardent Janeite with glimpses of scruffy survivors that challenge the prevailing story of the author's steady and genteel rise. Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.
Author: Marina Cano
Publisher: Springer Nature
ISBN: 3030256898
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.
Author: Juliette Wells
Publisher: Bloomsbury Publishing
ISBN: 1350012068
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen's novels originated and developed in America, and how American readers contributed to the rise of Austen's international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book's varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen's family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.
Author: Joanne Ella Parsons
Publisher: Routledge
ISBN: 1000598233
Category : Literary Criticism
Languages : en
Pages : 156
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Book Description
This book explores how women writers create and question men and masculinity. As men have written women so have women written men. Debate about how men have represented women in literature has a long and distinguished history; however, there has been much less examination of the ways in which women writers depict male characters. This is clearly a notable absence given the recent rise in interest in the field of 18th- and 19th-century masculinities. Women writers were in a unique position to be able to deconstruct and examine cultural norms from a position away from the centre. This enabled women to ‘look aslant’ at masculinity using their female gaze to expose the ruptures and cracks inherent within the rigid formation of the manly ideal. This collection focuses on women’s representations of men and masculinity as they negotiate issues of class, gender, race, and sexuality. Women Writing Men: 1689 to 1869 will be of interest to academics, researchers, and advanced students of Literature, Gender Studies, Critical Theory, and Cultural Studies. The chapters in this book were originally published as a special issue of Women’s Writing.
Author: June Hannam
Publisher: Routledge
ISBN: 1000672840
Category : Language Arts & Disciplines
Languages : en
Pages : 137
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Book Description
This volume examines different types of women’s creative writing in support of the demand for the parliamentary vote, including autobiographies, memoirs, letters, diaries, novels, and drama. The women’s suffrage movement became far more visible in the Edwardian period. Large demonstrations and militant actions such as destruction of property were widely reported in the press and reached a wide audience. Eager to get their message across, suffrage campaigners not only took collective action but also used women’s creative talents—whether as artists, musicians, or writers—to win hearts and minds for the cause. Through a close reading of contemporary texts, the chapters in this book reveal the diverse nature of the suffrage movement and its ideas, and the complex relationship between the personal and the political. The contributors also highlight the significance of women’s writing as a means to advance the suffrage cause and as a key element of suffrage propaganda. This book was originally published as a special issue of Women’s Writing.
Author: Catherine Butler
Publisher: Routledge
ISBN: 1000681408
Category : Drama
Languages : en
Pages : 152
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Book Description
In this collection the multidimensional story of children’s literature in the formative period of the long nineteenth century is illuminated, questioned, and, in some respects, rewritten. Children’s literature might be characterised as the love-child of the Enlightenment and the Romantic movements, and much of its history over the long nineteenth century shows it being defined, shaped, and co-opted by a variety of agents, each of whom has their own ambitions for it and for its child readership. Is children’s literature primarily a way of educating children in the principles of reason and morality? A celebration of the Rousseauesque child? A source of pleasure and entertainment? Women, both as writers and as nurturers involved at an intimate and daily level with the raising of children, recognised early and often very explicitly the multiple capacities of literature to provide entertainment, useful information, moral education and social training, and the occasionally conflicting nature of these functions. This book was originally published as a special issue of Women’s Writing.
Author: Carol Margaret Davison
Publisher: Routledge
ISBN: 1000733971
Category : History
Languages : en
Pages : 235
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Book Description
This collection reappraises and retheorizes Marie Corelli’s diverse fictional writings and locates them in their contemporary literary and social context. Marie Corelli (1855-1924) was a fabulously popular novelist in the late-nineteenth and early-twentieth centuries. Yet, in her day, critics railed against her taste for sentimentality, melodrama, supernatural worlds, and overt didacticism. Many critics are still ambivalent about her writing. However, in their reappraisal, the contributors to this volume largely circumvent the earlier critics and engage afresh with Corelli’s writing strategies; genre choices; representations of social issues; and ideas about science, metaphysics, and morality. Moving beyond the now outdated project of "recovery", the volume also discusses Corelli’s literary market place, analysing both her publishing successes and her decline in popularity. An important theme throughout is Corelli’s troubled relationship with an emerging literary Modernism and an ever-widening gulf between high and popular culture. The contributors interrogate the critical templates, assumptions, and biases of a literary establishment (past and present) centred on Modernist tropes and structures. As a result, the Corelli they unearth is not a defective Modernist but an innovative and original writer who eschewed the dictates of a movement with which she had no empathy. This book was originally published as a special issue of Women’s Writing.
