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Author: G.S.Iyer
Publisher: D C Books
ISBN: 9381699240
Category : Drama
Languages : en
Pages : 193
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Book Description
The rediscovery of the 13 plays of Bhasa Mahakavi and their publication in Thiruvananthapuram in 1912 by Mahamahopadhyaya T. Ganapatisastri was as important an event in the recovery of India's cultural and literary history as was the deciphering of the Ashokan edicts in the 19th century in the recovery of India's political history. Bhasa was known from allusions by other poets and fragments stretching from the time of Kalidasa all the way to the 12th century. Inexplicably, he vanished from India's collective memory since then. At the same time, the reverence in which he was held is amply evident from the regularity of references to him and the unanimity of critics and rasikas on the superb quality of his work. The recovered Bhasa has now taken his rightful place in the stage and is presented again and again not only in Sanskrit but in most modern Indian languages too. It is an eloquent demonstration of his enduring power to move an audience, his undiminished relevance and, most important of all, the stunning stage worthiness of his works, the quality that raises him far above every other ancient dramatist of India known to us.
Author: G.S.Iyer
Publisher: D C Books
ISBN: 9381699240
Category : Drama
Languages : en
Pages : 193
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Book Description
The rediscovery of the 13 plays of Bhasa Mahakavi and their publication in Thiruvananthapuram in 1912 by Mahamahopadhyaya T. Ganapatisastri was as important an event in the recovery of India's cultural and literary history as was the deciphering of the Ashokan edicts in the 19th century in the recovery of India's political history. Bhasa was known from allusions by other poets and fragments stretching from the time of Kalidasa all the way to the 12th century. Inexplicably, he vanished from India's collective memory since then. At the same time, the reverence in which he was held is amply evident from the regularity of references to him and the unanimity of critics and rasikas on the superb quality of his work. The recovered Bhasa has now taken his rightful place in the stage and is presented again and again not only in Sanskrit but in most modern Indian languages too. It is an eloquent demonstration of his enduring power to move an audience, his undiminished relevance and, most important of all, the stunning stage worthiness of his works, the quality that raises him far above every other ancient dramatist of India known to us.
Author: A. C. Woolner
Publisher: Motilal Banarsidass
ISBN: 8120809084
Category : Religion
Languages : en
Pages : 396
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Book Description
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.
Author: Bhāsa
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120803336
Category : Drama
Languages : en
Pages : 656
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Book Description
Bhasa the worthy predecessor of Kalidasa was to us a mere name until in the year 1912 the late Mahamahopadhyaya Ganapati Sastri claimed to have discovered thirteen plays written by Bhasa.It was in the nature of things that in the first sensation of this discovery so fraught with the most wide-reaching results for the history of sanskrit drama it should have been hailed by a chorus of applause to which both East and West joined their voices. If however there was an unreasoned and uncritical haste in propounding and supporting the theory there was also not lacking the nerve and the animus of a hot controversy in the arguments urged against the theory by those who declared these dramas to be the work of the later playwrights of Kerala.
Author: K. Ramasubramanian
Publisher: Springer
ISBN: 9386279371
Category : Mathematics
Languages : en
Pages : 624
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Book Description
Author: P. Lal
Publisher: New Directions Publishing
ISBN: 9780811200790
Category : Drama
Languages : en
Pages : 420
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Book Description
Professor Lal has provided an introduction on the history and aesthetic theory of Sanskrit drama, individual prefaces for each play, a phonetic guide to the pronunciation of the Indian names, and a selective bibliography.
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
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Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Author: Biswajit Sinha
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
Author:
Publisher: Penguin UK
ISBN: 8184758936
Category : Juvenile Nonfiction
Languages : en
Pages : 160
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Book Description
A selection of the earliest existing plays by a major dramatist in classical Sanskrit Bhasa is one of the most celebrated names in classical Sanskrit literature. He lived and wrote about two thousand years ago. Though his dates have not been conclusively established, it is certain that Bhasa preceded Kalidasa, the great poet and dramatist of ancient PBI - India, who has praised Bhasa by name in one of his own plays. Bhasa's works were considered lost and it was only in the beginning of the twentieth century that some of his plays were recovered. Six of these, which form the present collection, are based on the Mahabharata, which provides a thematic unity to the plays. Bhasa's strengths were his skilful melding of dialogue, legend and dramatic action. The comparatively short and fast-paced plays in The Shattered Thigh are remarkable in their nearness to modern idiom despite their antiquity. Of the six plays in this collection four—The Middle One, The Envoy, The Message and Karna's Burden—are one-act plays evoking tragic and heroic emotions. Five Nights and The Shattered Thigh have three and two acts respectively. The latter is a tragedy in which the hero dies on stage, an innovation that is very unusual in Sanskrit drama.
Author: Bhāsa
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 204
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Book Description
Author: Uma Pradhan
Publisher: Cambridge University Press
ISBN: 1108851290
Category : Social Science
Languages : en
Pages : 293
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Book Description
The recent socio-political changes in Nepal have brought assimilationist notions of Nepali nationalism under a tight scrutiny and drawn attention to more plural, inclusive, and diverse notions of Nepaliness. However, both assimilationist and pluralist visions continue to remain normative in their approach, and often posit ethnic and national identity in opposition to each other. Drawing on the everyday practices in the two schools, this book illustrates that social actors in minority language education did not necessarily select between minority identity and national identity, but instead made simultaneous claims to more than one social identity by discursively positioning 'ethnic identity' as 'national identity'. It builds on the notion of 'simultaneity' to illustrate that it is through the 'unresolved co-presences' of apparently contradictory ways that people maintain their multi-layered identities. By arguing for an analytical necessity to adopt relational approach, it aims to complicate the neat compartmentalisation of identities.
