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Author: T. J. Demos
Publisher: Duke University Press
ISBN: 1478012250
Category : Art
Languages : en
Pages : 167
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Book Description
In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
Author: T. J. Demos
Publisher: Duke University Press
ISBN: 1478012250
Category : Art
Languages : en
Pages : 167
Get Book
Book Description
In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
Author: Mercedes Lackey
Publisher: Baen Books
ISBN: 0671319558
Category : Fiction
Languages : en
Pages : 184
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Book Description
An Eric Banyon fantasy.
Author: Edmond Hamilton
Publisher: Jovian Press
ISBN: 153780345X
Category : Fiction
Languages : en
Pages : 149
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Book Description
The pleasant little American city of Middletown is the first target in an atomic war - but instead of blowing Middletown to smithereens, the super-hydrogen bomb blows it right off the map - to somewhere else! First there is the new thin coldness of the air, the blazing corona and dullness of the sun, the visibility of the stars in high daylight. Then comes the inhabitant's terrifying discovery that Middletown is a twentieth-century oasis of paved streets and houses in a desolate brown world without trees, without water, apparently without life, in the unimaginably far-distant future.
Author: William Morris
Publisher: Legare Street Press
ISBN: 9781020632563
Category :
Languages : en
Pages : 0
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Book Description
This classic fantasy novel tells the story of Ralph of Upmeads, a prince who sets out on a journey to find the fabled well at the world's end, hoping to find eternal youth. Written by renowned poet and artist William Morris, this tale is hailed as a landmark of the fantasy genre. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Mercedes Lackey
Publisher: Baen Books
ISBN: 9781416532828
Category : Bards and bardism
Languages : en
Pages : 0
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Book Description
Eric Banyon, a Renaissance Faire musician, must help Korendil, a young elven noble, prevent an evil elven lord from conquering California.
Author: Monica Dickens
Publisher: Bloomsbury Publishing
ISBN: 1448202760
Category : Juvenile Fiction
Languages : en
Pages : 146
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Book Description
Carrie, Tom, Em and Michael Fielding are at the mercy of their rotten Uncle Rudolph after a fire leaves them homeless, with their mother in hospital and their father abroad at sea. Uncle Rudolph and his vain wife Val reluctantly take the children in, but soon let them live alone at World's End, their ramshackle house in the countryside, rather than look after them. So begins a life with no grown-ups where the Fielding children can adopt as many dogs, cats, monkeys and horses as they like. Free at last from interference from their relatives, they begin to fend for themselves, adding to their already sizeable collection of animals – rescuing them from the thoughtless cruelty of adults. The House at World's End is the first adventure in The World's End series.
Author: Rich Burlingham
Publisher: Univ. Press of Mississippi
ISBN: 149683769X
Category : Biography & Autobiography
Languages : en
Pages : 457
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Book Description
Artist, columnist, and poet Gertrude McCarty Smith (1923–2007) of Collins, Mississippi, carried herself as a demure and proper southern lady, yet this was deceiving as she was a prolific, creative trailblazer who had collectors and dedicated readers from coast to coast, and even in Europe. She grew up during the Great Depression with only some vivid storytelling and pictures from the family Bible to inspire and kindle her artistic spirit. However, at the age of ten, her career launched when her grandmother coaxed her with a box of crayons to milk the family cow—her seventy-year love affair with the arts was born. Over the years, she would express her creativity in many forms, resulting in thousands of paintings, sculptures, songs, poems, and newspaper columns and along the way a variety of artful cakes, as she ran a celebrated twenty-five-year cake business. Her art appeared in all shapes, sizes, materials, and “eatability.” For most of her early career, Gertrude dabbled with a variety of styles—with subjects mostly centered around life in rural Mississippi and her spiritual life. But in 1980 at the age of fifty-seven, she attended her first Mississippi Art Colony at Camp Jacob in Utica, Mississippi. Over the next fifteen years, she would make her pilgrimage twice a year to be inspired by celebrated guest instructors from around the nation and connect with fellow artists. The Colony was a major catalyst, exposing her to new styles, giving her encouragement and freedom to experiment. Gertrude said of the Colony, “I never knew anything about abstract art, but it fascinated me to no end. Abstract art to me is like a beautiful melody without words. In mixed media, I am in another world and often am surprised at the piece that evolves from the torn watercolor papers. The effect is a kaleidoscope of colors that makes the retinas dance.” This book features more than 150 images; a dozen poems; insightful essays from New York art dealer Stephen Rosenberg, acclaimed southern cultural scholar and curator Pat Pinson, and artist, curator, and instructor Rick Wilemon; along with a foreword by Tommy King, president of William Carey University; and a chronicle of her life’s journey by her son-in-law, Thomas R. Brooks. As Rosenberg has said, “Gertrude Smith is a remarkable and authentic American woman who teaches us that talent and creativity combined with a humanistic spirit is both a state of mind and a state of grace—at any age.” Book proceeds will benefit the Gertrude McCarty Smith Foundation for the Arts to bring access and passion for literature, performance, and visual arts to children in underserved communities throughout Mississippi.
Author: Upton Sinclair
Publisher: Open Road Media
ISBN: 1504026454
Category : Fiction
Languages : en
Pages : 620
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Book Description
From the acclaimed author of The Jungle: The first in a Pulitzer Prize–winning historical saga about the son of an American arms dealer during WWI. Lanning “Lanny” Budd spends his first thirteen years in Europe, living at the center of his mother’s glamourous circle of friends on the French Riviera. In 1913, he enters a prestigious Swiss boarding school and befriends Rick, an English boy, and Kurt, a German. The three schoolmates are privileged, happy, and precocious—but their world is about to come to an abrupt and violent end. When the gathering storm clouds of war finally burst, raining chaos and death over the continent, Lanny must put the innocence of youth behind him; his language skills and talent for decoding messages are in high demand. At his father’s side, he meets many important political and military figures, learns about the myriad causes of the conflict, and closely follows the First World War’s progress. When the bloody hostilities eventually conclude, Lanny joins the Paris Peace Conference as the assistant to a geographer asked by President Woodrow Wilson to redraw the map of Europe. Perfect for fans of The Winds of War, World’s End is the magnificent opening chapter of a monumental series that brings the first half of the twentieth century to vivid life. A thrilling mix of history, adventure, and romance, the Lanny Budd Novels are a testament to the breathtaking scope of Upton Sinclair’s vision and his singular talents as a storyteller.
Author: Jens Seeberg
Publisher: UCL Press
ISBN: 1787358232
Category : Social Science
Languages : en
Pages : 228
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Book Description
Biosocial Worlds presents state-of-the-art contributions to anthropological reflections on the porous boundaries between human and non-human life – biosocial worlds. Based on changing understandings of biology and the social, it explores what it means to be human in these worlds. Growing separation of scientific disciplines for more than a century has maintained a separation of the ‘natural’ and the ‘social’ that has created a space for projections between the two. Such projections carry a directional causality and so constitute powerful means to establish discursive authority. While arguing against the separation of the biological and the social in the study of human and non-human life, it remains important to unfold the consequences of their discursive separation. Based on examples from Botswana, Denmark, Mexico, the Netherlands, Uganda, the UK and USA, the volume explores what has been created in the space between ‘the social’ and ‘the natural’, with a view to rethink ‘the biosocial’. Health topics in the book include diabetes, trauma, cancer, HIV, tuberculosis, prevention of neonatal disease and wider issues of epigenetics. Many of the chapters engage with constructions of health and disease in a wide range of environments, and engage with analysis of the concept of ‘environment’. Anthropological reflection and ethnographic case studies explore how ‘health’ and ‘environment’ are entangled in ways that move their relation beyond interdependence to one of inseparability. The subtitle of this volume captures these insights through the concept of ‘health environment’, seeking to move the engagement of anthropology and biology beyond deterministic projections.
Author: Laura A. Ogden
Publisher: Duke University Press
ISBN: 1478021861
Category : Social Science
Languages : en
Pages : 127
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Book Description
In Loss and Wonder at the World's End, Laura A. Ogden brings together animals, people, and things—from beavers, stolen photographs, lichen, American explorers, and birdsong—to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina. Repeated algal blooms have closed fisheries in the archipelago. Glaciers are in retreat. Extractive industries such as commercial forestry, natural gas production, and salmon farming along with the introduction of nonnative species are rapidly transforming assemblages of life. Ogden archives forms of loss—including territory, language, sovereignty, and life itself—as well as forms of wonder, or moments when life continues to flourish even in the ruins of these devastations. Her account draws on long-term ethnographic research with settler and Indigenous communities; archival photographs; explorer journals; and experiments in natural history and performance studies. Loss and Wonder at the World's End frames environmental change as imperialism's shadow, a darkness cast over the earth in the wake of other losses.
