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Author: Geoffrey V. Davis
Publisher: Routledge
ISBN: 1000150135
Category : Social Science
Languages : en
Pages : 264
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Book Description
This book provides the reader with a comprehensive view of Matsemela Manaka's plays, namely, Egoli, Pula, Children of Asazi, Toro, and Goree and discusses three of his essays: 'Theatre of the dispossessed', 'The Babalaz people', and 'Theatre as a physical word'.
Author: Geoffrey V. Davis
Publisher: Routledge
ISBN: 1000150135
Category : Social Science
Languages : en
Pages : 264
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Book Description
This book provides the reader with a comprehensive view of Matsemela Manaka's plays, namely, Egoli, Pula, Children of Asazi, Toro, and Goree and discusses three of his essays: 'Theatre of the dispossessed', 'The Babalaz people', and 'Theatre as a physical word'.
Author: Matsemela Manaka
Publisher: Routledge
ISBN: 1134406657
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
First Published in 2004. This volume presents a representative selection from the work of one of the most innovative of the younger generation of South African dramatists, Matsemela Manaka, who productions have been acclaimed not inly in is home country but also tour in Europe and America. Includes are the Egoli, Pula and Children of Asazi, Toro and Goree. Each play has been edited with the particular needs of readers outside South Africa in mind; unfamiliar references have been annotated and African-language passages in the texts provides with English translation. To facilitate a comprehensive view of Manaka's work a number of his essays on the practice of 'theatre for social reconstruction' have been reprinted along with a long introduction by Geoffrey V. Davies.
Author: Goeffrey V. Davis
Publisher: Harwood Academic Publishers
ISBN: 9783718655960
Category :
Languages : en
Pages : 160
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Book Description
Author: Geoffrey V. Davis
Publisher: Harwood Academic Publishers
ISBN: 9783718656028
Category : South African drama (English)
Languages : en
Pages : 160
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Book Description
Author: Anne Fuchs
Publisher: BRILL
ISBN: 9004485244
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The relationship between Johannesburg’s Market Theatre and the economic and political forces of South Africa's apartheid regime was both complex and somewhat ambiguous. The theatre's two founders, Mannie Manim and Barney Simon, however, from idealistic beginnings managed to steer their experimental enterprise around pitfalls ranging from censorship, boycotts and recuperation by big business to the difficulties encountered in finding black authors, let alone black audiences. If the place occupied by the Market institution in apartheid society is emphasized throughout the present study, its contribution to the aesthetic of resistance is also underlined through detailed criticism of the plays and authors dominating the theatre. Pieter-Dirk Uys, Barney Simon's workshop plays and, among others, Black Consciousness plays are subjected to various methods of theatre performance analysis. The reckoning that had to come in the early 1990s revealed itself as globally positive; the reasons for this may be found in the updated concluding part of Playing the Market, which is composed of more general essays (including one on the vibrant Junction Avenue Theatre Company) on how the theatre scene in contemporary South Africa started to change. A postscript reveals more specific aspects of the Market situation in the late 1990s when its hegemony in the New South Africa was already being questioned.
Author: Martin Banham
Publisher: Indiana University Press
ISBN: 9780253215390
Category : African drama
Languages : en
Pages : 198
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Book Description
The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men.
Author: Ian Watson
Publisher: Routledge
ISBN: 1134432135
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
Performer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in countries such as Poland, Australia, Germany, and the United States, subsequent studies survey: · Some of Asia's traditional training methods and recent experiments in performer training · Eugenio Barba's training methods · Jerzy Grotowski's most recent investigations · The Japanese American NOHO companies attempts at integrating Kyogen into the works of Samuel Beckett · Descriptions of the training methods developed by Tadashi Suzuki and Anne Bogart at their Saratoga International Theatre Institute · Recent efforts to re-examine the role and scope of training, like Britain's International Workshop Festival and the European League of Institutes of Arts masterclasses · The reformulation of the use of emotions in performer training known as Alba Emoting.
Author: Gha-Makhulu Diniso
Publisher: African Books Collective
ISBN: 1990922449
Category : Drama
Languages : en
Pages : 56
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Book Description
Ikasi and other Plays by Gha-Makhulu Diniso is a collection of three one person plays; the first two, Ikasi and Igazi, were written and performed by him in the early 1990s; the third, Ekbog, is a product of the more recent period. As critic Adrienne Sichel notes, his theatre is best described as a theatre of defiance for many of the evils he satirizes relate to both the Apartheid regime and to the New South Africa: governmental and corporate arrogance and corruption facilitating a morass of greed and individualism at both a personal and public level. The language and techniques used are popular and surreal in equal measure; importantly Diniso has remained true to his native community, Sharpeville, a highly politisized township co-habiting uneasily with Vereeniging, well known as a conservative white town some hundred kilometers south of Johannesburg.
Author: Anthony Howell
Publisher: Psychology Press
ISBN: 9789057551239
Category : Belgrade
Languages : en
Pages : 156
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Book Description
In this account, Anthony Howell, a frequent visitor to Serbia, describes the intellectual life which continued to flourish in Belgrade (at least until his last visit in the Spring of 1997), lectures by Victor Burgin and by the British Ambassador, exhibitions, theatre festivals and events by Serb artists, his own performances and how they were received, his excursions to historical sites and his intimate relationship with a young woman in Belgrade which revitalised his existence after the death of his mother. The journal is thus a contemporary 'sentimental journey' and concerned with describing the self as well as the environment. An afterword charts the author's reaction to the Kosovo conflict of 1999.
Author: Nick Kaye
Publisher: Routledge
ISBN: 1134370466
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion. Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text". Nick Kaye's introductory essay to the volume offers a useful context for the reader and each interview is preceded by an informative biographical sketch.
