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Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781450545631
Category : Dance music
Languages : en
Pages : 0
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Book Description
Written by the editor of the world's largest Cuban music website, www.timba.com, and the author of the popular "Tomás Cruz Conga Method", "Beyond Salsa Piano" is a series of method books and historical/discographical guides chronicling the role of the piano in Cuban music. After the 5 introductory volumes, Volume 7 is the second of a series of books on specific Cuban pianists, using note-for-note transcriptions from MIDI files. Iván "Melón" Lewis is one of the greatest timba pianists, having recorded and played with The Issac Delgado Group and Manolín, el Médico de la Salsa.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781450545631
Category : Dance music
Languages : en
Pages : 0
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Book Description
Written by the editor of the world's largest Cuban music website, www.timba.com, and the author of the popular "Tomás Cruz Conga Method", "Beyond Salsa Piano" is a series of method books and historical/discographical guides chronicling the role of the piano in Cuban music. After the 5 introductory volumes, Volume 7 is the second of a series of books on specific Cuban pianists, using note-for-note transcriptions from MIDI files. Iván "Melón" Lewis is one of the greatest timba pianists, having recorded and played with The Issac Delgado Group and Manolín, el Médico de la Salsa.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456343965
Category : Drum
Languages : en
Pages : 0
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Book Description
This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzón, chachachá et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized.To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or "box" notation, full speed audio, slow motion audio, and two speeds using a special "task-by-task" learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment.Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations.One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product.The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there's a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body's natural ability to learn how to play. To put it another way, if you're concentrating on mastering the pattern of a new rhythm, you won't be able to give 100% of your effort to tone production, posture, hand position, and feeling the groove, and you're likely to develop "bad habits" that are hard to unlearn later. But if you've already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you'll be much more likely to succeed, and - just as important - you'll be much more likely to enjoy the process.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781482729368
Category : Bass guitar
Languages : en
Pages : 0
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Book Description
(this page sells the book only - audio files are a separate downloadable purchase - the book also contains a link to a smaller free download of audio files)Beyond Salsa Bass is the companion series to Beyond Salsa Piano, launched in 2009 and now spanning 12 volumes. As of 2013, three bass volumes have been released: Volumes 6 and 7 on Alain Pérez, and this book, Volume 1: For Beginners. Included are bass tumbaos for each of the piano tumbaos (aka, montunos) in Beyond Salsa Piano, Vol. 1, but the bass volume is more than twice as long and contains many additional bass tumbaos and other exercises. The book begins by categorizing the 16 most common Latin bass tumbaos by their rhythms and then proceeds to tell the history of Latin music from a bassist's perspective, with notation for bass tumbaos from each era covered: changüí, rumba, son, danzón, big band and son montuno (a very detailed study of Arsenio Rodríguez). Audio files are not included with the book. Available online are both a smaller free audio download and an extensive paid audio download.
Author: Kevin Moore
Publisher: CreateSpace
ISBN: 9781492375692
Category : Music
Languages : en
Pages : 440
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Book Description
Doubling as a history and music appreciation course, each volume of the Beyond Salsa Bass series is significantly longer than the corresponding volume of Beyond Salsa Piano. At 440 pages, Beyond Salsa Bass Vol. 3 is by far the longest of the 26 Beyond Salsa books and the first to extensively cover New York and Puerto Rican salsa and pre-salsa as well as Latin jazz. Its audio product (separate purchase) has 616 tracks (a generous selection of 60 free audio tracks is also available by download). The book includes a bass tumbao for every piano tumbao in each of Volumes 3 and 4 of the Beyond Salsa Piano series, but it also includes hundreds of bass tumbaos from and historical analyses of areas of Latin music not covered in the piano series: Puerto Rico, New York, Latin Jazz, the Cuban descargas and additional aspects of the Cuban music of 1959-1989, i.e., from the Cuban Revolution to the Fall of the Berlin Wall. In addition to exercises in music notation, the bass series delves far more deeply into history and the biographies and discographies of individual artists than either the piano or percussion series. The bass series could be thought of as a thorough general history of Latin popular music, told from the perspective of the bass student.
Author: Chuck Sher
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101386
Category : Music
Languages : en
Pages : 466
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Book Description
The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc.
Author: Rebeca Mauleon
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101416
Category : Music
Languages : en
Pages : 353
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Book Description
The only complete method book on Salsa ever published. Numerous musical examples of how different Afro-Cuban styles are created, what each instrument does, text explaining the history and structure of the music, etc. "This will be the Salsa Bible for years to come." Sonny Bravo, Tito-Puente's pianist.
Author: T.D. Jakes
Publisher: Simon and Schuster
ISBN: 1416547339
Category : Art
Languages : en
Pages : 263
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Book Description
Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.
Author: Andrés Espinoza Agurto
Publisher: MSU Press
ISBN: 1628954434
Category : Music
Languages : en
Pages : 297
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Book Description
This volume explores the significations and developments of the Salsa consciente movement, a Latino musico-poetic and political discourse that exploded in the 1970s but then dwindled in momentum into the early 1990s. This movement is largely linked to the development of Nuyolatino popular music brought about in part by the mass Latino migration to New York City beginning in the 1950s and the subsequent social movements that were tied to the shifting political landscapes. Defined by its lyrical content alongside specific sonic markers and political and social issues facing U.S. Latinos and Latin Americans, Salsa consciente evokes the overarching cultural-nationalist idea of Latinidad (Latin-ness). Through the analysis of over 120 different Salsa songs from lyrical and musical perspectives that span a period of over sixty years, the author makes the argument that the urban Latino identity expressed in Salsa consciente was constructed largely from diasporic, deterritorialized, and at times imagined cultural memory, and furthermore proposes that the Latino/Latin American identity is in part based on African and Indigenous experience, especially as it relates to Spanish colonialism. A unique study on the intersection of Salsa and Latino and Latin American identity, this volume will be especially interesting to scholars of ethnic studies and musicology alike.
Author: Cindy García
Publisher: Duke University Press
ISBN: 0822378299
Category : Social Science
Languages : en
Pages : 308
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Book Description
In Los Angeles, night after night, the city's salsa clubs become social arenas where hierarchies of gender, race, and class, and of nationality, citizenship, and belonging are enacted on and off the dance floor. In an ethnography filled with dramatic narratives, Cindy García describes how local salseras/os gain social status by performing an exoticized L.A.–style salsa that distances them from club practices associated with Mexicanness. Many Latinos in Los Angeles try to avoid "dancing like a Mexican," attempting to rid their dancing of techniques that might suggest that they are migrants, poor, working-class, Mexican, or undocumented. In L.A. salsa clubs, social belonging and mobility depend on subtleties of technique and movement. With a well-timed dance-floor exit or the lift of a properly tweezed eyebrow, a dancer signals affiliation not only with a distinctive salsa style but also with a particular conceptualization of latinidad.
Author: Viviana Carballo
Publisher: Simon and Schuster
ISBN: 0743293460
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
With more than seventy mouthwatering recipes, this vibrant memoir by food writer Viviana Carballo shares the Havana of her childhood -- warm nights, pounding surf, energetic music, and the memorable meals that both nourished and delighted her and her family throughout the years. In the 1940s and 1950s, at the height of government corruption, Havana was a nonstop party. Food and music defined the culture, and the pervading sensuality -- the physical beauty of the city itself with its frisson of danger -- made it a magnet for tourists, gangsters, and the world's most glamorous celebrities. This was the Cuba of Viviana Carballo's magical childhood and adventurous adolescence. Born in 1939, she was the only child of a stylish and spirited woman and a handsome astrologer and writer, whose passion for food ignited Carballo's own taste for the exotic, eclectic cuisine for which Havana had become known. By the time she reached her teenage years, sultry nights dancing at the Tropicana and rubbing elbows with the likes of Ernest Hemingway, Meyer Lansky, and Guillermo Cabrera Infante nourished her hunger for the rhythm and creativity pulsating throughout her beloved city. But all of that changed in 1959, when Fidel Castro took command of this rollicking paradise, turning it into a country marked by extreme poverty, food shortages, power outages, and daily water stoppages. In 1961, Carballo left her beloved country with the clothes on her back and no idea when she would ever see her husband, family, or friends again. It is only through her memories that she has ever returned to the place that defined her. Havana Salsa is a collection of stories about her large, extended family, a rather eccentric group who conducted their lives against the extraordinary backdrop of Havana, and of her own experiences amid the city's former delicious decadence. It also showcases the food and recipes Carballo associates with each delightful family memory, beginning with her childhood in the forties (calabaza fritters, sweet plantain tortillas, and oxtail stew), through the sensual fifties (roast shoulder of lamb, Cuban bouillabaisse), and then the first eighteen months of Castro's revolution (mango pie, pollito en cazuela, and papas with chorizo). Havana Salsa tells the history of Carballo's Havana as only she can -- through the intimate and unifying experience of food, family, and friends.
