Author: Jacob Kẹhinde Olupona
Publisher: Psychology Press
ISBN: 9780415273206
Category : Electronic books
Languages : en
Pages : 372
Book Description
At a time when local traditions across the world are forcibly colliding with global culture, Beyond Primitivism explores the future of indigenous religions as they encounter modernity and globalisation.
Beyond Primitivism
Author: Jacob Kẹhinde Olupona
Publisher: Psychology Press
ISBN: 9780415273206
Category : Electronic books
Languages : en
Pages : 372
Book Description
At a time when local traditions across the world are forcibly colliding with global culture, Beyond Primitivism explores the future of indigenous religions as they encounter modernity and globalisation.
Publisher: Psychology Press
ISBN: 9780415273206
Category : Electronic books
Languages : en
Pages : 372
Book Description
At a time when local traditions across the world are forcibly colliding with global culture, Beyond Primitivism explores the future of indigenous religions as they encounter modernity and globalisation.
Beyond Primitivism
Author: Jacob K. Olupona
Publisher: Routledge
ISBN: 1134481985
Category : Religion
Languages : en
Pages : 374
Book Description
What role do indigenous religions play in today's world? Beyond Primitivism is a complete appraisal of indigenous religions - faiths integrally connected to the cultures in which they originate, as distinct from global religions of conversion - as practised across America, Africa, Asia and the Pacific today. At a time when local traditions across the world are colliding with global culture, it explores the future of indigenous faiths as they encounter modernity and globalization. Beyond Primitivism argues that indigenous religions are not irrelevant in modern society, but are dynamic, progressive forces of continuing vitality and influence. Including essays on Haitian vodou, Korean shamanism and the Sri Lankan 'Wild Man', the contributors reveal the relevance of native religions to millions of believers worldwide, challenging the perception that indigenous faiths are vanishing from the face of the globe.
Publisher: Routledge
ISBN: 1134481985
Category : Religion
Languages : en
Pages : 374
Book Description
What role do indigenous religions play in today's world? Beyond Primitivism is a complete appraisal of indigenous religions - faiths integrally connected to the cultures in which they originate, as distinct from global religions of conversion - as practised across America, Africa, Asia and the Pacific today. At a time when local traditions across the world are colliding with global culture, it explores the future of indigenous faiths as they encounter modernity and globalization. Beyond Primitivism argues that indigenous religions are not irrelevant in modern society, but are dynamic, progressive forces of continuing vitality and influence. Including essays on Haitian vodou, Korean shamanism and the Sri Lankan 'Wild Man', the contributors reveal the relevance of native religions to millions of believers worldwide, challenging the perception that indigenous faiths are vanishing from the face of the globe.
Beyond Primitivism
Author: Byron Douglas Mason
Publisher:
ISBN:
Category : African American authors
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : African American authors
Languages : en
Pages : 360
Book Description
Jewish Primitivism
Author: Samuel J. Spinner
Publisher: Stanford University Press
ISBN: 1503628280
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
Publisher: Stanford University Press
ISBN: 1503628280
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
Religion beyond its Private Role in Modern Society
Author: Wim Hofstee
Publisher: BRILL
ISBN: 9004257853
Category : Religion
Languages : en
Pages : 290
Book Description
The volume Religion beyond its Private Role in Modern Society aims at contributing to the debate on the distinction between public and private spheres with regard to the role of religion in modern societies. This issue which is inherent to many conceptions regarding social order, modernity, freedom of conscience, and the changing role and function of religion is discussed not only from a social scientific but also from a historical and philosophical point of view. The articles dwell on several aspects of the role of religion in different societies in modern times, and the overall theme is explored from the perspective of various religious traditions and groups, both institutional and non-institutional. It turns out that the distinction made is difficult to maintain. Contributors include: Bart Labuschagne, Linda Woodhead, Niek Brunsveld, Dick Douwes, Mohammed Ghaly, Heleen Murre-van den Berg, David Novak, Alexandros Sakellariou, Matthew Tennant, Bruno Verbeek, Ernestine G.E. van der Wall, William Arfman, Stef Aupers, Jeroen Boekhoven, Meerten B. ter Borg, and Kees de Groot.
Publisher: BRILL
ISBN: 9004257853
Category : Religion
Languages : en
Pages : 290
Book Description
The volume Religion beyond its Private Role in Modern Society aims at contributing to the debate on the distinction between public and private spheres with regard to the role of religion in modern societies. This issue which is inherent to many conceptions regarding social order, modernity, freedom of conscience, and the changing role and function of religion is discussed not only from a social scientific but also from a historical and philosophical point of view. The articles dwell on several aspects of the role of religion in different societies in modern times, and the overall theme is explored from the perspective of various religious traditions and groups, both institutional and non-institutional. It turns out that the distinction made is difficult to maintain. Contributors include: Bart Labuschagne, Linda Woodhead, Niek Brunsveld, Dick Douwes, Mohammed Ghaly, Heleen Murre-van den Berg, David Novak, Alexandros Sakellariou, Matthew Tennant, Bruno Verbeek, Ernestine G.E. van der Wall, William Arfman, Stef Aupers, Jeroen Boekhoven, Meerten B. ter Borg, and Kees de Groot.
From Primitive to Indigenous
Author: James Leland Cox
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655695
Category : Religion
Languages : en
Pages : 220
Book Description
The academic study of Indigenous Religions developed historically from missiological and anthropological sources. Evaluating this assumption in the light of case studies drawn from Zimbabwe, Alaska and shamanic traditions, and in view of debates over 'primitivism', this work mounts a defence for the use of the category 'Indigenous Religions'.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655695
Category : Religion
Languages : en
Pages : 220
Book Description
The academic study of Indigenous Religions developed historically from missiological and anthropological sources. Evaluating this assumption in the light of case studies drawn from Zimbabwe, Alaska and shamanic traditions, and in view of debates over 'primitivism', this work mounts a defence for the use of the category 'Indigenous Religions'.
Indian-made
Author: Erika Marie Bsumek
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
"In works of silver and wool, the Navajos have established a unique brand of American craft. And when their artisans were integrated into the American economy during the late nineteenth century, they became part of a complex cultural and economic framework in which their handmade crafts conveyed meanings beyond simple adornment." "Bsumek unravels the layers of meaning that surround the branding of "Indian-made." When Navajo artisans produced their goods, collaborating traders, tourist industry personnel, and even ethnologists created a vision of Navajo culture that had little to do with Navajos themselves. And as Anglos consumed Navajo crafts, they also consumed the romantic notion of Navajos as "primitives" perpetuated by the marketplace. These processes of production and consumption reinforced each other, creating a symbiotic relationship and influencing both mutual Anglo-Navajo perceptions and the ways in which Navajos participated in the modern marketplace." "Ultimately, Bsumek shows that the sale of Indian-made goods cannot be explained solely through supply and demand. It must also reckon with the multiple images and narratives that grew up around the goods themselves, integrating consumer culture, tourism, and history to open new perspectives on our understanding of American Indian material culture."--BOOK JACKET.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
Book Description
"In works of silver and wool, the Navajos have established a unique brand of American craft. And when their artisans were integrated into the American economy during the late nineteenth century, they became part of a complex cultural and economic framework in which their handmade crafts conveyed meanings beyond simple adornment." "Bsumek unravels the layers of meaning that surround the branding of "Indian-made." When Navajo artisans produced their goods, collaborating traders, tourist industry personnel, and even ethnologists created a vision of Navajo culture that had little to do with Navajos themselves. And as Anglos consumed Navajo crafts, they also consumed the romantic notion of Navajos as "primitives" perpetuated by the marketplace. These processes of production and consumption reinforced each other, creating a symbiotic relationship and influencing both mutual Anglo-Navajo perceptions and the ways in which Navajos participated in the modern marketplace." "Ultimately, Bsumek shows that the sale of Indian-made goods cannot be explained solely through supply and demand. It must also reckon with the multiple images and narratives that grew up around the goods themselves, integrating consumer culture, tourism, and history to open new perspectives on our understanding of American Indian material culture."--BOOK JACKET.
Gone Primitive
Author: Marianna Torgovnick
Publisher: University of Chicago Press
ISBN: 9780226808321
Category : Art
Languages : en
Pages : 350
Book Description
In this acclaimed book, Torgovnick explores the obsessions, fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields (anthropology, psychology, literature, art, and popular culture),Gone Primitivewill engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask. "A superb book; and--in a way that goes beyond what being good as a book usually implies--it is a kind of gift to its own culture, a guide to the perplexed. It is lucid, usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."--Arthur C. Danto, New York Times Book Review "An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."--Scott L. Malcomson,Voice Literary Supplement
Publisher: University of Chicago Press
ISBN: 9780226808321
Category : Art
Languages : en
Pages : 350
Book Description
In this acclaimed book, Torgovnick explores the obsessions, fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields (anthropology, psychology, literature, art, and popular culture),Gone Primitivewill engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask. "A superb book; and--in a way that goes beyond what being good as a book usually implies--it is a kind of gift to its own culture, a guide to the perplexed. It is lucid, usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."--Arthur C. Danto, New York Times Book Review "An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."--Scott L. Malcomson,Voice Literary Supplement
Literary Primitivism
Author: Ben Etherington
Publisher: Stanford University Press
ISBN: 1503604098
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book fundamentally rethinks a pervasive and controversial concept in literary criticism and the history of ideas. Primitivism has long been accepted as a transhistorical tendency of the "civilized" to idealize that primitive condition against which they define themselves. In the modern era, this has been a matter of the "West" projecting its primitivist fantasies onto non-Western "others." Arguing instead that primitivism was an aesthetic mode produced in reaction to the apotheosis of European imperialism, and that the most intensively primitivist literary works were produced by imperialism's colonized subjects, the book overturns basic assumptions of the last two generations of literary scholarship. Against the grain, Ben Etherington contends that primitivism was an important, if vexed, utopian project rather than a form of racist discourse, a mode that emerged only when modern capitalism was at the point of subsuming all human communities into itself. The primitivist project was an attempt, through art, to recreate a "primitive" condition then perceived to be at its vanishing point. The first overview of this vast topic in forty years, Literary Primitivism maps out previous scholarly paradigms, provides a succinct and readable account of its own methodology, and presents critical readings of key writers, including Aimé Césaire, Frantz Fanon, D. H. Lawrence, and Claude McKay.
Publisher: Stanford University Press
ISBN: 1503604098
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book fundamentally rethinks a pervasive and controversial concept in literary criticism and the history of ideas. Primitivism has long been accepted as a transhistorical tendency of the "civilized" to idealize that primitive condition against which they define themselves. In the modern era, this has been a matter of the "West" projecting its primitivist fantasies onto non-Western "others." Arguing instead that primitivism was an aesthetic mode produced in reaction to the apotheosis of European imperialism, and that the most intensively primitivist literary works were produced by imperialism's colonized subjects, the book overturns basic assumptions of the last two generations of literary scholarship. Against the grain, Ben Etherington contends that primitivism was an important, if vexed, utopian project rather than a form of racist discourse, a mode that emerged only when modern capitalism was at the point of subsuming all human communities into itself. The primitivist project was an attempt, through art, to recreate a "primitive" condition then perceived to be at its vanishing point. The first overview of this vast topic in forty years, Literary Primitivism maps out previous scholarly paradigms, provides a succinct and readable account of its own methodology, and presents critical readings of key writers, including Aimé Césaire, Frantz Fanon, D. H. Lawrence, and Claude McKay.
Primitivism and the Harlem Renaissance
Author: Mark Irving Helbling
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 638
Book Description