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Author: Rebecca Y. Kim
Publisher: University of Michigan Press
ISBN: 0472123327
Category : Music
Languages : en
Pages : 417
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Book Description
Earle Brown (1926–2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff. This book seeks to expand our view of Brown’s work by exploring his practices as a composer and draughtsman through a selection of works composed in the United States and Europe, which included a seminal collaboration with sculptor Alexander Calder. These essays detail Brown’s compositional methods in historical context: not only his influential experiments with open form composition and graphic notation, but his interest in performance, mixed media, jazz, the Schillinger system, and his engagement with the European avant-garde. The volume also includes never before published essays by Brown that shed new light on his relationships with colleagues and the ideas that shaped his work, in addition to several color photographs of Brown’s paintings.
Author: Rebecca Y. Kim
Publisher: University of Michigan Press
ISBN: 0472123327
Category : Music
Languages : en
Pages : 417
Get Book Here
Book Description
Earle Brown (1926–2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff. This book seeks to expand our view of Brown’s work by exploring his practices as a composer and draughtsman through a selection of works composed in the United States and Europe, which included a seminal collaboration with sculptor Alexander Calder. These essays detail Brown’s compositional methods in historical context: not only his influential experiments with open form composition and graphic notation, but his interest in performance, mixed media, jazz, the Schillinger system, and his engagement with the European avant-garde. The volume also includes never before published essays by Brown that shed new light on his relationships with colleagues and the ideas that shaped his work, in addition to several color photographs of Brown’s paintings.
Author: Michael Nyman
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218
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Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.
Author: Susan Tomes
Publisher: Boydell Press
ISBN: 9781843831600
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
Susan Tomes, a leading musician, describes her experience of twenty years of rehearsal, concerts and recording.
Author: Dorothy Miell
Publisher: Oxford University Press
ISBN: 9780198529361
Category : Education
Languages : en
Pages : 462
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Book Description
"Bringing together leading researchers from a variety of academic and applied backgrounds, this book examines how music can be used to communicate, as well as the biological, cognitive, social, and cultural processes which underlie such communication."--BOOK JACKET.
Author: Sven Ahlbäck
Publisher: Goteborgs Universitet
ISBN:
Category : Music
Languages : en
Pages : 546
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Book Description
Author: Deborah Rambo Sinn
Publisher: Oxford University Press
ISBN: 0199985081
Category : Music
Languages : en
Pages : 160
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Book Description
Playing Beyond the Notes: A Pianist's Guide to Musical Interpretation demystifies the complex concepts of musical interpretation in Western tonal piano music by boiling it down to basic principles in an accessible writing style. Author and veteran piano instructor Deborah Rambo Sinn tackles a different interpretive principle, explaining clearly, for example, how to play effective ornaments and rubatos. As a whole, the book helps pianists understand concrete ways to apply interpretive concepts to their own playing and gives teachers practical ways to teach interpretation to their students. The book is illustrated with over 200 repertoire excerpts and supplemented by a companion website with over 100 audio recordings. Playing Beyond the Notes is essential reading for all performing pianists, independent piano teachers, and piano pedagogy students.
Author: Eleanor Selfridge-Field
Publisher: MIT Press
ISBN: 9780262193948
Category : Computers
Languages : en
Pages : 662
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Book Description
The establishment of the Musical Instrument Digital Interface (MIDI) in the late 1980s allowed hobbyists and musicians to experiment with sound control in ways that previously had been possible only in research studios. MIDI is now the most prevalent representation of music, but what it represents is based on hardware control protocols for sound synthesis. Programs that support sound input for graphics output necessarily span a gamut of representational categories. What is most likely to be lost is any sense of the musical work. Thus, for those involved in pedagogy, analysis, simulation, notation, and music theory, the nature of the representation matters a great deal. An understanding of the data requirements of different applications is fundamental to the creation of interchange codes. The contributors to Beyond MIDI present a broad range of schemes, illustrating a wide variety of approaches to music representation. Generally, each chapter describes the history and intended purposes of the code, a description of the representation of the primary attributes of music (pitch, duration, articulation, ornamentation, dynamics, and timbre), a description of the file organization, some mention of existing data in the format, resources for further information, and at least one encoded example. The book also shows how intended applications influence the kinds of musical information that are encoded. Contributors David Bainbridge, Ulf Berggren, Roger D. Boyle, Donald Byrd, David Cooper, Edmund Correia, Jr., David Cottle, Tim Crawford, J. Stephen Dydo, Brent A. Field, Roger Firman, John Gibson, Cindy Grande, Lippold Haken, Thomas Hall, David Halperin, Philip Hazel, Walter B. Hewlett, John Howard, David Huron, Werner Icking, David Jaffe, Bettye Krolick, Max V. Mathews, Toshiaki Matsushima, Steven R. Newcomb, Kia-Chuan Ng, Kjell E. Nordli, Sile O'Modhrain, Perry Roland, Helmut Schaffrath, Bill Schottstaedt, Eleanor Selfrdige-Field, Peer Sitter, Donald Sloan, Leland Smith, Andranick Tanguiane, Lynn M. Trowbridge, Frans Wiering
Author: Virginia Anderson (Musicologist)
Publisher: Leuven University Press
ISBN: 9058679764
Category : Education
Languages : en
Pages : 232
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Book Description
Sound and Score brings together music expertise from prominent international researchers and performers to explore the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners. Considering "notation" as the totality of words, signs, and symbols encountered on the road to an accurate and effective performance of music, this book embraces different styles and periods in a comprehensive understanding of the complex relations between invisible sound and mute notation, between aural perception and visual representation, and between the concreteness of sound and the iconic essence of notation. Three main perspectives structure the analysis: a conceptual approach that offers contributions from different fields of enquiry (history, musicology, semiotics), a practical one that takes the skilled body as its point of departure (written by performers), and finally an experimental perspective that challenges state-of-the-art practices, including transdisciplinary approaches in the crossroads to visual arts and dance.
Author: Gavin Steingo
Publisher: University of Chicago Press
ISBN: 0226831361
Category : Music
Languages : en
Pages : 250
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Book Description
"In Interspecies Communication, ethnomusicologist Gavin Steingo examines several significant cases of attempted communication beyond the human--several cases, that is, where the dualistic relationship of human to non-human is dramatically challenged. Analyzing scenarios including a small coastal community in South Africa where humans call to whales, a scientific laboratory in the Caribbean where humans tried to speak with dolphins, and a case of black performance art involving human-alien communication, Steingo charts various mechanisms that humans have devised to think about, and indeed to reach, beings very unlike ourselves. These speculative endeavors look--and listen--beyond what we are and what we know. The book focuses on the second half of the twentieth century, when Enlightenment conceptualizations of human and non-human were increasingly materialized. Following the Second World War, scientists embarked upon the deep exploration of oceans and cosmic space--two realms previously inaccessible to the senses and to empirical investigation. As quintessential "final frontiers," the "outer" space of the cosmos and the "inner" space of oceans were conceptualized as structurally isomorphic twins, subject to the same method of scrutiny. Interspecies Communication examines the way that globally circulating ideas are taken up by a range of different subject positions-including, and especially, "peripheral" subject positions in the global South"--
Author: Toby Young
Publisher: Cambridge University Press
ISBN: 1108923739
Category : Music
Languages : en
Pages : 359
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Book Description
There are as many ways of creating music as there are composers in the world, with a vast array of possible methods and practices. This book provides essential critical and practical tools for composers as they try to navigate this complex landscape, whilst also offering provocations for practitioners discovering their own voices and solidifying their place in their musical communities. Designed to be a companion in the truest sense, the book offers practical support throughout the creative process and thought-provoking insights on technical questions for a range of compositional approaches.
