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Author: Barbara M. Freeman
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580900
Category : Social Science
Languages : en
Pages : 599
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Book Description
Beyond Bylines: Media Workers and Women’s Rights in Canada explores the ways in which several of Canada’s women journalists, broadcasters, and other media workers reached well beyond the glory of their personal bylines to advocate for the most controversial women’s rights of their eras. To do so, some of them adopted conventional feminine identities, while others refused to conform altogether, openly and defiantly challenging the gender expectations of their day. The book consists of a series of case studies of the women in question as they grappled with the concerns close to their hearts: higher education for women, healthy dress reforms, the vote, equal opportunities at work, abortion, lesbianism, and Aboriginal women’s rights. Their media reflected their respective eras: intellectual magazines, daily and weekly newspapers, radio, feminist public relations, alternative women’s periodicals, and documentary film made for television. Barbara Freeman takes an interdisciplinary approach, combining biography, history, and communication studies to demonstrate how their use of different media both enabled and limited these women in their ability to be daring advocates for gender equality. She shows how a number of these women were linked through the generations by their memberships in activist women’s organizations.
Author: Barbara M. Freeman
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580900
Category : Social Science
Languages : en
Pages : 599
Get Book Here
Book Description
Beyond Bylines: Media Workers and Women’s Rights in Canada explores the ways in which several of Canada’s women journalists, broadcasters, and other media workers reached well beyond the glory of their personal bylines to advocate for the most controversial women’s rights of their eras. To do so, some of them adopted conventional feminine identities, while others refused to conform altogether, openly and defiantly challenging the gender expectations of their day. The book consists of a series of case studies of the women in question as they grappled with the concerns close to their hearts: higher education for women, healthy dress reforms, the vote, equal opportunities at work, abortion, lesbianism, and Aboriginal women’s rights. Their media reflected their respective eras: intellectual magazines, daily and weekly newspapers, radio, feminist public relations, alternative women’s periodicals, and documentary film made for television. Barbara Freeman takes an interdisciplinary approach, combining biography, history, and communication studies to demonstrate how their use of different media both enabled and limited these women in their ability to be daring advocates for gender equality. She shows how a number of these women were linked through the generations by their memberships in activist women’s organizations.
Author: Geneviève A. Bonin-Labelle
Publisher: University of Ottawa Press
ISBN: 0776629077
Category : Social Science
Languages : en
Pages : 355
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Book Description
Who are, au féminin, the legends who shaped radio in Canada? What did they contribute locally, regionally, and nationally? How was their experience in radio broadcasting different from that of their male counterparts? Women in Radio presents the women who built careers in the radio industry—yet whose contribution has often been overlooked simply because they were women. This collection of stories highlights the multi-faceted contributions they made to their field and explores issues specific to them. Academic research, interviews, personal reflections and accounts, historical reviews, and hybrid texts combine neatly in this eclectic yet well–researched edited volume to reflect the fast-paced world of radio broadcasting. Whether through storytelling, direct quotes, or quasi transcriptions best read aloud, the reader will come away with a real sense of the aural nature of radio, of the voice unaccompanied, of the pure spoken word and how it differs from the printed word. Published in English.
Author: Gene Allen
Publisher: University of Toronto Press
ISBN: 1442667443
Category : Social Science
Languages : en
Pages : 473
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Book Description
For almost a century, Canadian newspapers, radio and television stations, and now internet news sites have depended on the Canadian Press news agency for most of their Canadian (and, through its international alliances) foreign news. This book provides the first-ever scholarly history of CP, as well as the most wide-ranging historical treatment of twentieth-century Canadian journalism published to date. Using extensive archival research, including complete and unfettered access to CP’s archives, Gene Allen traces how CP was established and evolved in the face of frequent conflicts among the powerful newspaper publishers – John Ross Robertson, Joseph Atkinson, and Roy Thomson, among others – who collectively owned it, and how the journalists who ran it understood and carried out their work. Other major themes include CP’s shifting relationships with the Associated Press and Reuters; its responses to new media; its aggressive shaping of its own national role during the Second World War; and its efforts to meet the demands of French-language publishers. Making National News makes a substantial and original contribution to our understanding of journalism as a phenomenon that shaped Canada both culturally and politically in the twentieth century.
Author: Jerry White
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771123060
Category : Performing Arts
Languages : en
Pages : 1145
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Book Description
This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jürgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The book's appendices reprint letters Brakhage wrote to Stella Pence (Telluride's co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.
Author: Robert Lecker
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228004780
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Despite her trailblazing efforts to represent the work of Canadian writers to publishers in North America and abroad, Doris Hedges (1896-1972), the Montreal author who started Canada's first literary agency in 1946, is routinely excluded from Canadian literary histories. In Who Was Doris Hedges? Robert Lecker provides a detailed account of her remarkable career. Hedges published several novels, short stories, and books of poetry, moved in Montreal literary circles, did a stint as a radio broadcaster, and provided reports to the Wartime Information Board during the Second World War, possibly as an American spy. She lived a privileged life in the Golden Square Mile district of downtown Montreal with her husband, Geoffrey Hedges, a member of the Benson and Hedges tobacco empire. The more one uncovers about Hedges's life, the more one discovers a courageous figure who was exploring many of the conflicted issues of her day: the rise of juvenile delinquency, the suppression of female sexuality, the place of women in business and finance, and the difficulties confronting the publishing industry in the years leading up to and following the war. Mixing lively biographical commentary with literary analysis, Who Was Doris Hedges? is a vivid account of a writer's life and concerns during a period when Canada's literature was coming of age.
Author: Robert Hirsch
Publisher: Taylor & Francis
ISBN: 1000904350
Category : Photography
Languages : en
Pages : 1232
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Book Description
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revised and updated to include the latest advances in technology and digital photography, as well as information on contemporary photographers such as Granville Carroll, Meryl McMaster, Cindy Sherman, Penelope Umbrico, and Yang Yongliang. New topics include the rise of mobile photography and surveillance cameras, drone photography, image manipulation, protest and social justice photography, plus the roles of artificial intelligence and social media in photography. Highly illustrated with over 250 full-color images and contributions from hundreds of artists around the world, Seizing the Light serves as a gateway to the history of photography. Written in an accessible style, it is perfect for those newly engaging with the practice of photography and for experienced photographers wanting to contextualize their own work.
Author: Kirsten Kozolanka
Publisher: UBC Press
ISBN: 0774821671
Category : Social Science
Languages : en
Pages : 350
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Book Description
Alternative media hold the promise of building public awareness and action against the constraints and limitations of media conglomeration and cutbacks to public broadcasting. These media are becoming key venues for community expression and political debate, but what is it that makes them alternative? The contributors to this path-breaking volume answer this question by examining the evolution of various kinds of alternative media – including indigenous, anarchist, ethnic, and feminist media – against the backdrop of political, economic, and cultural developments in Canada. They get at the heart of alternative media by focusing on the three interconnected dimensions that define them: structure, participation, and activism. Alternative Media in Canada not only reveals how alternative media are enabled and constrained within Canada’s complex media and policy environment; it also shows that, in the context of globalization, the Canadian experience parallels media and policy challenges in other nations.
Author: Karan Thapar
Publisher: SCB Distributors
ISBN: 8183284450
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
Written in Karan's inimitable style, the articles in this book are a real treat — racy, fun and enlightening at the same time. It is a must read for anyone who is interested in creative writing and journalism.
Author: Jerry White
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589363
Category : Performing Arts
Languages : en
Pages : 215
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Book Description
Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book, the first to be devoted specifically to the work they did together, examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking. Two Bicycles examines all of the films, videos, and television works that the two did together, and moves slowly across France and Switzerland, with detours in Quebec, Mozambique, and Palestine. Their amazingly varied body of work includes a twelve-hour television series, some experimental videos, an acclaimed feature film with Isabelle Huppert, a cigarette commercial, and much else. Overall the book shows the degree to which this work departs radically from the legacy of the French New Wave, and in many ways shows signs of having been formed by the distinct culture of Switzerland, to which Godard and Miéville returned in the 1970s to set up their “atelier,” Sonimage. Two Bicycles offers a chance to explore a body of work that is as unique and demanding as it is rich and revelatory. Godard and Miéville have worked together for four decades but have never seemed more relevant.
Author: Shannon Stettner
Publisher: Athabasca University Press
ISBN: 1771991593
Category : Social Science
Languages : en
Pages : 366
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Book Description
Until the late 1960s, the authorities on abortion were for the most part men—politicians, clergy, lawyers, physicians, all of whom had an interest in regulating women’s bodies. Even today, when we hear women speak publicly about abortion, the voices are usually those of the leaders of women’s and abortion rights organizations, women who hold political office, and, on occasion, female physicians. We also hear quite frequently from spokeswomen for anti-abortion groups. Rarely, however, do we hear the voices of ordinary women—women whose lives have been in some way touched by abortion. Their thoughts typically owe more to human circumstance than to ideology, and without them, we run the risk of thinking and talking about the issue of abortion only in the abstract. Without Apology seeks to address this issue by gathering the voices of activists, feminists, and scholars as well as abortion providers and clinic support staff alongside the stories of women whose experience with abortion is more personal. With the particular aim of moving beyond the polarizing rhetoric that has characterized the issue of abortion and reproductive justice for so long, Without Apology is an engrossing and arresting account that will promote both reflection and discussion.
