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Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691973857
Category : Art
Languages : en
Pages : 213
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Book Description
A richly illustrated look at how travel influenced the work of renowned contemporary artist Betye Saar Betye Saar (b. 1926) is an artist whose assemblages tell visual stories and convey powerful political messages. A leading figure of the Black Arts Movement in the 1970s, she works with found objects—many of which she gathers on her extensive travels—to explore themes like symbolic mysticism, feminism, racism, and Eurocentric chauvinism. Betye Saar: Heart of a Wanderer sheds new light on Saar’s unique creative process, her trips around the world, and the diverse ways in which her artworks engage with global histories of travel and forced migration. It presents how the artist’s work conjures the transporting experience of a voyage to a faraway place. This beautifully illustrated book draws on original, in-depth interviews with Saar and the companions who accompanied the artist in her travels across four continents over several decades. Essays by leading scholars contextualize Saar’s journeys within her broader life and career, as well as how her practice fits into broader traditions—such as scrapbooking—in African American visual culture. In addition to providing this context, this book explores how Saar’s assemblage practice both echoes and provides a critical counterpoint to the collecting practices of Gilded Age American art collectors like Isabella Stewart Gardner. Featuring a wealth of previously unpublished material—including almost thirty travel sketchbooks and two dozen finished assemblages—Betye Saar: Heart of a Wanderer provides a fresh look at a groundbreaking American artist while offering a timely social history of the impact of travel on the African American experience. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston February 16–May 21, 2023
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691973857
Category : Art
Languages : en
Pages : 213
Get Book Here
Book Description
A richly illustrated look at how travel influenced the work of renowned contemporary artist Betye Saar Betye Saar (b. 1926) is an artist whose assemblages tell visual stories and convey powerful political messages. A leading figure of the Black Arts Movement in the 1970s, she works with found objects—many of which she gathers on her extensive travels—to explore themes like symbolic mysticism, feminism, racism, and Eurocentric chauvinism. Betye Saar: Heart of a Wanderer sheds new light on Saar’s unique creative process, her trips around the world, and the diverse ways in which her artworks engage with global histories of travel and forced migration. It presents how the artist’s work conjures the transporting experience of a voyage to a faraway place. This beautifully illustrated book draws on original, in-depth interviews with Saar and the companions who accompanied the artist in her travels across four continents over several decades. Essays by leading scholars contextualize Saar’s journeys within her broader life and career, as well as how her practice fits into broader traditions—such as scrapbooking—in African American visual culture. In addition to providing this context, this book explores how Saar’s assemblage practice both echoes and provides a critical counterpoint to the collecting practices of Gilded Age American art collectors like Isabella Stewart Gardner. Featuring a wealth of previously unpublished material—including almost thirty travel sketchbooks and two dozen finished assemblages—Betye Saar: Heart of a Wanderer provides a fresh look at a groundbreaking American artist while offering a timely social history of the impact of travel on the African American experience. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston February 16–May 21, 2023
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691973865
Category : Art
Languages : en
Pages : 225
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Book Description
A revealing and beautifully illustrated critical edition of Gardner’s collaged travel albums In 1865, art collector and philanthropist Isabella Stewart Gardner (1840–1924) lost her only child to pneumonia at less than two years old. In an effort to rouse her from depression, Gardner and her husband, Jack, travelled to northern Europe and Russia. It was the first of many trips abroad that would eventually take her from the Middle East to Asia—trips that she documented in exquisitely crafted collaged travel albums. Fellow Wanderer brings together nearly thirty of Gardner’s striking travelogues, spanning some thirty-nine countries and offering invaluable perspective on the global influences on this legendary collector and patron of the arts. This book features beautiful facsimiles of Gardner’s travel albums—largely unpublished until now—along with essays by leading scholars who place these diaries and sketchbooks within the context of the art and culture of Europe, the Middle East, and Asia in the nineteenth century. The essays explore a host of topics, such as Gardner’s engagement with world religions while abroad, how she incorporated designs and ideas from around the globe into her Boston museum, and the ways in which the imperial power structures of the era facilitated her travels. Lushly illustrated, Fellow Wanderer provides a uniquely intimate look at how Gardner’s rich and diverse experiences abroad instilled her collecting and patronage with a truly global vision of art. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston February 16–May 21, 2023
Author: Karen Benezra
Publisher: University of California Press
ISBN: 0520307062
Category : Art
Languages : en
Pages : 253
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Book Description
Dematerialization examines the intertwined experimental practices and critical discourses of art and industrial design in Argentina, Mexico, and Chile in the 1960s and 1970s. Provocative in nature, this book investigates the way that artists, critics, and designers considered the relationship between the crisis of the modernist concept of artistic medium and the radical social transformation brought about by the accelerated capitalist development of the preceding decades. Beginning with Oscar Masotta’s sui generis definition of the term, Karen Benezra proposes dematerialization as a concept that allows us to see how disputes over the materiality of the art and design object functioned in order to address questions concerning the role of appearance, myth, and ideology in the dynamic logic structuring social relations in contemporary discussions of aesthetics, artistic collectivism, and industrial design. Dematerialization brings new insights to the fields of contemporary art history, critical theory, and Latin American cultural studies.
Author: Anne Monahan
Publisher: Yale University Press
ISBN: 0300243308
Category : Art
Languages : en
Pages : 265
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Book Description
This nuanced reassessment transforms our understanding of Horace Pippin, casting the artist and his celebrated paintings as more complex than has previously been recognized
Author: Robert Farris Thompson
Publisher: Vintage
ISBN: 0307874338
Category : Art
Languages : en
Pages : 337
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Book Description
This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Author: Kaira M. Cabañas
Publisher: University of California Press
ISBN: 0520356225
Category : Art
Languages : en
Pages : 239
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Book Description
A new reality for the art object has emerged in the world of contemporary art: it is now experienced less as an autonomous, inanimate form and more as an active material agent. In this book, Kaira M. Cabañas describes how such a shift in conceptions of art’s materiality came to occur, exploring key artistic practices in Venezuela, Brazil, and Western Europe from the mid-twentieth century to the present. Immanent Vitalities expands the discourse of new materialisms by charting how artists, ranging from Gego to Laura Lima, distance themselves from dualisms such as mind-matter, culture-nature, human-nonhuman, and even Western–non-Western in order to impact our understanding of what is animate. Tracing migrations of people, objects, and ideas between South America and Europe, Cabañas historicizes changing perceptions about art’s agency while prompting readers to remain attentive to the ethical dimensions of materiality and of social difference and lived experience.
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
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Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
Author: Elizabeth Hutton Turner
Publisher: University of Washington Press
ISBN: 9780295747040
Category : Art
Languages : en
Pages : 0
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Book Description
"This book is published on the occasion of the exhibition Jacob Lawrence: The American Struggle organized by the Peabody Essex Museum, Salem, Massachusetts."
Author: Celeste-Marie Bernier
Publisher: Liverpool University Press
ISBN: 1781384290
Category : Social Science
Languages : en
Pages : 323
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Book Description
This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diasporic visual arts tradition.
Author: Celeste-Marie Bernier
Publisher: Temple University Press
ISBN: 1439912734
Category : Art
Languages : en
Pages : 550
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Book Description
For self-made artist and World War I soldier Horace Pippin - who served in the 369th African American infantry - war provided a formative experience that defined his life and work. His transformation of combat service into canvases and autobiographies whose emotive power, psychological depth, and haunting realism showed his view of the world revealed his prowess as a painter and writer. In Suffering and Sunset, Celeste-Marie Bernier painstakingly traces Pippin's life story of art as a life story of war. Illustrated with more than sixty photographs, including works in various media - many in full color - this is the first intellectual history and cultural biography of Pippin. Working from newly discovered archives and unpublished materials, Bernier provides an in-depth investigation into the artist's development of an alternative visual and textual lexicon and sheds light on his work in its aesthetic, social, historical, cultural, and political contexts. Suffering and Sunset illustrates Pippin's status as a groundbreaking African American painter who not only suffered from but also staged many artful resistances to racism in a white-dominated art world. -- from dust jacket.
