Between Film and Screen PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Between Film and Screen PDF full book. Access full book title Between Film and Screen by Garrett Stewart. Download full books in PDF and EPUB format.
Author: Garrett Stewart
Publisher: University of Chicago Press
ISBN: 9780226774121
Category : Literary Criticism
Languages : en
Pages : 406
Get Book
Book Description
What is the mysterious region between photography and the phenomenon of narrative cinema, between the photogram - a single film frame - and the illusion of motion we recognise as movies?.
Author: Garrett Stewart
Publisher: University of Chicago Press
ISBN: 9780226774121
Category : Literary Criticism
Languages : en
Pages : 406
Get Book
Book Description
What is the mysterious region between photography and the phenomenon of narrative cinema, between the photogram - a single film frame - and the illusion of motion we recognise as movies?.
Author: John Hill
Publisher: Indiana University Press
ISBN: 9781860200052
Category : Art
Languages : en
Pages : 284
Get Book
Book Description
This work features contributions from academics and media professionals who ask: what is the history of involvement between film and television in the US, Europe, Britain and Ireland; what are the sources of television finance for film; and what are the consequences for the type of film made?
Author: Garrett Stewart
Publisher: University of Chicago Press
ISBN: 9780226774114
Category : Literary Criticism
Languages : en
Pages : 416
Get Book
Book Description
What is the mysterious region between photography and the phenomenon of narrative cinema, between the photogram - a single film frame - and the illusion of motion we recognise as movies?.
Author: Robert T. Eberwein
Publisher: Princeton University Press
ISBN: 1400853893
Category : Performing Arts
Languages : en
Pages : 265
Get Book
Book Description
Robert T. Eberwein uses a hypothesis from psychoanalytic theory to explore the frequently noticed similarity between dreaming and watching a film. His comprehensive study of the relationship between films and dreams explains the film screen as a psychic structure. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Kiene Brillenburg Wurth
Publisher: Fordham Univ Press
ISBN: 0823239055
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Get Book
Book Description
The contributors to this volume re-assess literary practice at the edges of paper, electronic media, and film. They show how the emergence of a new medium reinvigorates the book and the page as literary media, rather than announcing their impending death.
Author: Ian Bernard
Publisher: CRC Press
ISBN: 1136081747
Category : Performing Arts
Languages : en
Pages : 172
Get Book
Book Description
Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.
Author: Spencer Lewerenz
Publisher: Baker Books
ISBN: 1585582719
Category : Religion
Languages : en
Pages : 218
Get Book
Book Description
When it comes to Hollywood, Christians too quickly wash their hands of popular culture and leave this immensely influential media to unbelievers. In truth, the industry is listening. There is a church in Hollywood, but too often their work is unrecognized. Behind the Screen offers a glimpse of Hollywood insiders who, through their jobs on movie sets, behind TV shows, and in radio broadcasts, work together to give glory to God. With contributions from the writers and producers of such productions as Joan of Arcadia, Mission Impossible, Batman Forever, That '70s Show, and others, believers everywhere are encouraged to join with the church in Hollywood and do their part in closing the gap between Christianity and culture.
Author: Steven Douglas Katz
Publisher: Gulf Professional Publishing
ISBN: 9780941188104
Category : Performing Arts
Languages : en
Pages : 390
Get Book
Book Description
An instant classic since its debut in 1991, Film Directing: Shot By Shot and its famous blue cover is one of the most well-known books on directing in the business, and is a favorite of professional directors as an on-set quick reference guide.
Author: Jon Lewis
Publisher: Duke University Press
ISBN: 0822390132
Category : Performing Arts
Languages : en
Pages : 425
Get Book
Book Description
Film scholarship has long been dominated by textual interpretations of specific films. Looking Past the Screen advances a more expansive American film studies in which cinema is understood to be a social, political, and cultural phenomenon extending far beyond the screen. Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade journalism, fan magazines, studio publications, and industry records. Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies. Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp
Author: Gilberto Perez
Publisher: U of Minnesota Press
ISBN: 145295965X
Category : Performing Arts
Languages : en
Pages : 564
Get Book
Book Description
A lifetime of cinematic writing culminates in this breathtaking statement on film’s unique ability to move us Cinema is commonly hailed as “the universal language,” but how does it communicate so effortlessly across cultural and linguistic borders? In The Eloquent Screen, influential film critic Gilberto Perez makes a capstone statement on the powerful ways in which film acts on our minds and senses. Drawing on a lifetime’s worth of viewing and re-viewing, Perez invokes a dizzying array of masters past and present—including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard—to explore the transaction between filmmaker and audience. He begins by explaining how film fits into the rhetorical tradition of persuasion and argumentation. Next, Perez explores how film embodies the central tropes of rhetoric––metaphor, metonymy, allegory, and synecdoche––and concludes with a thrilling account of cinema’s spectacular capacity to create relationships of identification with its audiences. Although there have been several attempts to develop a poetics of film, there has been no sustained attempt to set forth a rhetoric of film—one that bridges aesthetics and audience. Grasping that challenge, The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus.
