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Author: Bettina Lockemann
Publisher: Hatje Cantz Verlag
ISBN: 3775752730
Category : Photography
Languages : en
Pages : 162
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Book Description
The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right. BETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.
Author: Bettina Lockemann
Publisher: Hatje Cantz Verlag
ISBN: 3775752730
Category : Photography
Languages : en
Pages : 162
Get Book Here
Book Description
The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much of an effect on the viewer as the selection of images, their positioning in the layout, typography, and the texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art theories, her phenomenological discussion complements methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium. Through a practice-based examination of contemporary photobooks, this guide emphasizes the status of the photobook as an artwork in its own right. BETTINA LOCKEMANN (*1971) is an artist and scholar specialized in artistic documentary photography. After studying art photography and media art in Leipzig and earning a PhD in art history at the ABK Stuttgart she was professor for practice and theory of photography at the HBK Braunschweig for five years. She lives in Cologne.
Author: Jaimey Fisher
Publisher: Rodopi
ISBN: 9042030011
Category : Art
Languages : en
Pages : 474
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Book Description
The phrase "spatial turns" signals the growing importance of space as an analytical as well as representational category for culture. The volume addresses such emerging modes of inquiry by bringing together, for the first time, essays that engage with spatial turns, spatiality, and the theoretical implications of both in the context of German culture, history, and theory. Migrating from fields like geography, urban studies, and architecture, the new centrality of space has transformed social-science fields as diverse as sociology, philosophy, and psychology. In cultural studies, productive analyses of space increasingly cut across the studies of literature, film, popular culture, and the visual arts. Spatial Turns brings together essays that apply a spatial analysis to German literature and other media and engages with specifically German theorizations of space by such figures as Siegfried Kracauer and Walter Benjamin. The volume is organized in four sections: "Mapping Spaces" addresses cartography in all forms and in its intersection with culture; "Spaces of the Urban" takes up one of the key sites of spatial studies, the city; "Spaces of Encounter" considers how Germany has become a contact zone for multiple ethnicities; and "Visualized Spaces" concerns the theorization of space in film and new media studies.
Author:
Publisher: BRILL
ISBN: 9004385479
Category : Photography
Languages : en
Pages : 281
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Book Description
Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.
Author: Camille Henrot
Publisher: Hatje Cantz Verlag
ISBN: 3775755357
Category : Art
Languages : en
Pages : 147
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Book Description
Milkyways is a collection of essays by artist Camille Henrot, exploring the ambivalence of motherhood and the process of creation in both art-making and life. Each chapter delivers a cosmos of references in literature, cartoons, art history, psychoanalysis, and more—from ancient maternity myths to modern maternity wards; from Marcel Proust to Maggie Nelson to Hélène Cixous. Alongside illustrations of the artist's work in painting, drawing, and sculpture, Henrot's perspectives in writing oscillate freely between the personal and the societal, the obvious and the more complex, the visceral and the utterly mundane. Milkyways was originally conceived for Republik magazine on invitation by Antje Stahl. Written with Jacob Bromberg, Antje Stahl, and Léa Trudel. CAMILLE HENROT (*1978, Paris) is one of the most influential voices in contemporary art today, with a practice encompassing drawing, painting, sculpture, installation and film. Inspired by references from literature, psychoanalysis, cultural anthropology and the banality of everyday life, she questions what it means to be both a private individual and a global subject in an increasingly connected and over-stimulated world. Henrot has had numerous solo exhibitions worldwide in venues including Middelheim Museum, Antwerp; Palais de Tokyo, Paris; National Gallery of Victoria, Melbourne; New Museum, New York; and Art Sonje Center, Seoul. She lives and works in New York City.
Author: Susanne Ackers
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 140
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Book Description
Author: Axel Sowa
Publisher: Hatje Cantz Verlag
ISBN: 3775748539
Category : Architecture
Languages : en
Pages : 115
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Book Description
Die zwölfte Ausgabe von Candide widmet sich dem Thema Visual Urbanism – ein vollkommen neues Forschungsfeld. Fotograf*innen und Wissenschaftler*innen experimentierten mit anthropologischen, kulturwissenschaftlichen, soziologischen und geografischen Methoden, für eine Reflexion über die meist unkritische Nutzung von Bildern des öffentlichen Raums. Candide 12 sucht Möglichkeiten, diese Ergebnisse in Architektur und Stadtplanung zu integriert. Dabei beantworten Autor*innen drängende Fragen, wie nach der Nutzbarmachung fotografischer Bilder für die Architektur und vice versa.
Author: Ralf Adelmann
Publisher: Herbert von Halem Verlag
ISBN: 3869621737
Category : Social Science
Languages : en
Pages : 314
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Book Description
Is there one visual culture or are there multiple visual cultures? On the one hand, it is obvious that images do not exist and cannot be understood independently. Rather, they are embedded in institutions and cultural contexts. This common ground suggests an understanding of visual culture as a singular phenomenon. On the other hand the plurality of pictorial representations - from Sitcoms to illustrations in childrens' books, from cartoons to satellite photos, from high art to everyday life - suggests the conception of visual culture as a singular phenomenon to be misleading. The visual world is a field of conflict and tension between self and other, mainstream and counterculture. The articles in this book include both theoretical reflections on the dialectics of visual culture(s) as well as case studies. The focus lies on examples from the U.S. American context - from the focusing on Native Americans as the 'Vanishing Race' in the 19th-century Photography to the TV coverage of the Columbia Space Shuttle Disaster in February, 2003. This book is therefore highly recommendable to both students and scholars of American Studies als well as those interested in the interdisciplinary debate on visual culture(s).
Author:
Publisher: BRILL
ISBN: 900444355X
Category : Literary Criticism
Languages : en
Pages : 530
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Book Description
Refresh the Book discusses the changing perceptions, functions, forms, as well as literary and artistic potential of the book in the digital age.
Author: Lars Koch
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579758
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
The volume examines from a comparative perspective the phenomenon of aesthetic disruption within the various arts in contemporary culture. It assumes that the political potential of contemporary art is not solely derived from presenting its audiences with openly political content, but rather from creating a space of perception and interaction using formal means: a space that makes hegemonic structures of action and communication observable, thus problematizing their self-evidence. The contributions conceptualize historical and contemporary politics of form in the media, which aim to be more than mere shock strategies, which are concerned not just with the ‘narcissistic’ exhibition of art as art, but also with the creation of a new common horizon of experience. They combine the analysis of paradigmatic works, procedures and actions with reference to theoretical debates in the fields of literature, media and art of the twentieth and twenty-first centuries. The essay-collection shows how textual, visual, auditive or performative strategies disclose their own ways of functioning, intervene in automated processes of reception and thus work on stimulating a sense of political possibilities. The editors acknowledge support from the European Union’s Seventh Framework Program (FP 7/ 2007–2013), ERC grant agreement no. 312454.
Author: Jorg Colberg
Publisher: CRC Press
ISBN: 1317484711
Category : Photography
Languages : en
Pages : 281
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Book Description
Understanding Photobooks is a user-friendly guide to engaging with the photographic book— or, as it is widely known, the photobook. Despite its importance as a central medium in which many photographers showcase their work today, there is surprisingly little information on the mechanics of the photobook: what exactly it does and how it does it. Written for makers and artists, this book will help you develop a better understanding of the images, concept, sequence, design, and production of the photobook. With an awareness of the connections between these elements, you’ll be able to evaluate photobooks more clearly and easily, ultimately allowing for a deeper and more rewarding experience of the work.
