Author: Mark Strand
Publisher: Best New Poets
ISBN: 9780976629634
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it’s being practiced today. Distributed for the Samovar Press in cooperation with Meridian: The Semi-Annual from the University of Virginia
Best New Poets 2008
Author: Mark Strand
Publisher: Best New Poets
ISBN: 9780976629634
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it’s being practiced today. Distributed for the Samovar Press in cooperation with Meridian: The Semi-Annual from the University of Virginia
Publisher: Best New Poets
ISBN: 9780976629634
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it’s being practiced today. Distributed for the Samovar Press in cooperation with Meridian: The Semi-Annual from the University of Virginia
When Last on the Mountain
Author: Vicky Lettmann
Publisher: Holy Cow! Press
ISBN: 0982354584
Category : Literary Collections
Languages : en
Pages : 394
Book Description
"When Last on the Mountain is an open look at the many and astonishing ways our bodies bear both curses and blessing and is a testament to our abiding need to address in language and image the body's sure and swift betrayals. From a vantage point of life after fifty, with grace and humor these writers peer soberly at the future while maintaining their gaze on the past."—Gina Ochsner, author of The Russian Dreambook of Color and Flight "A fun and varied read. Insightful, witty, and sometimes heartbreaking selections, but all with an underlying fire for life."—Will Weaver, author of Sweet Land: New & Selected Stories "Who better to bear witness to the slings and arrows of outrageous fortune than writers over 50? The voices of experience collected by Lettmann and Roan are generous in their honest specificity. Prospective readers can be assured of a good and meaningful time with these stories, essays and poems."—Sam Hodges, reporter for The Dallas Morning News and author of B-Four "When Last on the Mountain is a book full of treasures. From these writers comes work of substance, surprise, and death-defying candor. To read these pieces is to be inside an art that sifts through comedy, irony, and hard facts to offer the intensely interesting (yes) exhilarations of the long view."—Joan Silber, author of Ideas of Heaven: A Ring of Stories and The Size of the World "One day I will write my last downhill run, not on snow, but on paper. Not today. No. I dance, stop, dance, stop, dance, dance, dance down the mountain."—Kaye Bache-Snyder What sets these writers apart? Until we reach fifty, how we live and write is colored by our futures: those we expect to have and those we imagine. The perspective of the over-fifty writer takes on the hues of both past and future, tinted by memories of first loves, stained by memories of war and loss, and made more poignant by the knowledge that this spring's blooms or this morning's cup of coffee with a beloved husband may be the last and must be savored fully. These essays, stories, and poems were chosen from more than two thousand submissions of previously unpublished work. Some of the contributors—a poet laureate, a Pulitzer Prize nominee, a former foreign correspondent—have long literary histories; others—a social worker, a civil service employee, a clergywoman—began to write later in life. All of them were inspired by a call that asked for fresh and honest writing from the fullness of their lives. Vicky Lettmann, who writes fiction, essays, and poetry, served as an editor for the literary/arts magazines Speakeasy (the Loft Literary Center) and Under Construction (North Hennepin Community College). She received an MFA in fiction writing from Warren Wilson College. Her work has appeared in Twenty-Six Minnesota Writers (Nodin Press) and in Beloved on the Earth: 150 Poems of Grief and Gratitude (Holy Cow! Press). Carol Roan teaches voice and stage presence in Winston-Salem, North Carolina. She is the author of Clues to American Dance (Starrhill Press) and Speak Easy: A Guide to Successful Performances, Presentations, Speeches, and Lectures (Starrhill Press), and she writes a column on the "art of performance" for an online 'zine. She won a fellowship to Summer Literary Seminars, Russia, in 2006.
Publisher: Holy Cow! Press
ISBN: 0982354584
Category : Literary Collections
Languages : en
Pages : 394
Book Description
"When Last on the Mountain is an open look at the many and astonishing ways our bodies bear both curses and blessing and is a testament to our abiding need to address in language and image the body's sure and swift betrayals. From a vantage point of life after fifty, with grace and humor these writers peer soberly at the future while maintaining their gaze on the past."—Gina Ochsner, author of The Russian Dreambook of Color and Flight "A fun and varied read. Insightful, witty, and sometimes heartbreaking selections, but all with an underlying fire for life."—Will Weaver, author of Sweet Land: New & Selected Stories "Who better to bear witness to the slings and arrows of outrageous fortune than writers over 50? The voices of experience collected by Lettmann and Roan are generous in their honest specificity. Prospective readers can be assured of a good and meaningful time with these stories, essays and poems."—Sam Hodges, reporter for The Dallas Morning News and author of B-Four "When Last on the Mountain is a book full of treasures. From these writers comes work of substance, surprise, and death-defying candor. To read these pieces is to be inside an art that sifts through comedy, irony, and hard facts to offer the intensely interesting (yes) exhilarations of the long view."—Joan Silber, author of Ideas of Heaven: A Ring of Stories and The Size of the World "One day I will write my last downhill run, not on snow, but on paper. Not today. No. I dance, stop, dance, stop, dance, dance, dance down the mountain."—Kaye Bache-Snyder What sets these writers apart? Until we reach fifty, how we live and write is colored by our futures: those we expect to have and those we imagine. The perspective of the over-fifty writer takes on the hues of both past and future, tinted by memories of first loves, stained by memories of war and loss, and made more poignant by the knowledge that this spring's blooms or this morning's cup of coffee with a beloved husband may be the last and must be savored fully. These essays, stories, and poems were chosen from more than two thousand submissions of previously unpublished work. Some of the contributors—a poet laureate, a Pulitzer Prize nominee, a former foreign correspondent—have long literary histories; others—a social worker, a civil service employee, a clergywoman—began to write later in life. All of them were inspired by a call that asked for fresh and honest writing from the fullness of their lives. Vicky Lettmann, who writes fiction, essays, and poetry, served as an editor for the literary/arts magazines Speakeasy (the Loft Literary Center) and Under Construction (North Hennepin Community College). She received an MFA in fiction writing from Warren Wilson College. Her work has appeared in Twenty-Six Minnesota Writers (Nodin Press) and in Beloved on the Earth: 150 Poems of Grief and Gratitude (Holy Cow! Press). Carol Roan teaches voice and stage presence in Winston-Salem, North Carolina. She is the author of Clues to American Dance (Starrhill Press) and Speak Easy: A Guide to Successful Performances, Presentations, Speeches, and Lectures (Starrhill Press), and she writes a column on the "art of performance" for an online 'zine. She won a fellowship to Summer Literary Seminars, Russia, in 2006.
The Poets & Writers Guide to MFA Programs
Author:
Publisher: Poets & Writers Inc
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 67
Book Description
This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process.
Publisher: Poets & Writers Inc
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 67
Book Description
This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process.
Human Dark with Sugar
Author: Brenda Shaughnessy
Publisher: Copper Canyon Press
ISBN: 1619320118
Category : Poetry
Languages : en
Pages : 90
Book Description
“Brenda Shaughnessy’s poems bristle with imperatives: ‘confuse me, spoon-feed me, stop the madness, decide.’ There are more direct orders in her first few pages than in six weeks of boot camp...Only Shaughnessy’s kidding. Or she is and she isn’t. If you just want to boss people around, you’re a control freak, but if you can joke about it, then your bossiness is leavened by a yeast that’s all too infrequent in contemporary poetry, that of humor.”—New York Times “Shaughnessy’s voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy.”—Harvard Review “Brenda Shaughnessy . . . writes like the love-child of Mina Loy and Frank O’Hara.”—Exquisite Corpse "In its worried acceptance of contradiction, its absolute refusal of sentimentality and its acute awareness of time's 'scarce infinity,' this is a brilliant, beautiful and essential continuation of the metaphysical verse tradition." —Publishers Weekly, starred review “Human Dark with Sugar is both wonderfully inventive (studded with the strangenesses of ‘snownovas’ and ‘flukeprints’) and emotionally precise. Her ‘I’ is madly multidexterous—urgent, comic, mischievous—and the result is a new topography of the debates between heart and head.”—Matthea Harvey, a judge for the Laughlin Award "Seriously playful, sexy, sharp-edged, and absolutely commanding throughout....Here you'll meet an 'I' boldly ready to take on the world and just itching to give 'You' some smart directives. So listen up."—Library Journal In her second book, winner of the prestigious James Laughlin Award, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. “You’re a tool, moon. / Now, noon. There’s a hero.” Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance—anodyne, astrolabe, alizarin—then catches her readers up short with a string of powerful monosyllables. “I’ll take / a year of that. Just give it back to me.” In addition to its verbal play, Human Dark With Sugar demonstrates the poet’s ease in a variety of genres, from “Three Sorries” (in which the speaker concludes, “I’m not sorry. Not sorry at all”), to a sequence of prose poems on a lover’s body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images —not the least of which is human dark with sugar. Brenda Shaughnessy was raised in California and is an MFA graduate of Columbia University. She is the poetry editor for Tin House and has taught at several colleges, including Eugene Lang College and Princeton University. She lives in Brooklyn.
Publisher: Copper Canyon Press
ISBN: 1619320118
Category : Poetry
Languages : en
Pages : 90
Book Description
“Brenda Shaughnessy’s poems bristle with imperatives: ‘confuse me, spoon-feed me, stop the madness, decide.’ There are more direct orders in her first few pages than in six weeks of boot camp...Only Shaughnessy’s kidding. Or she is and she isn’t. If you just want to boss people around, you’re a control freak, but if you can joke about it, then your bossiness is leavened by a yeast that’s all too infrequent in contemporary poetry, that of humor.”—New York Times “Shaughnessy’s voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy.”—Harvard Review “Brenda Shaughnessy . . . writes like the love-child of Mina Loy and Frank O’Hara.”—Exquisite Corpse "In its worried acceptance of contradiction, its absolute refusal of sentimentality and its acute awareness of time's 'scarce infinity,' this is a brilliant, beautiful and essential continuation of the metaphysical verse tradition." —Publishers Weekly, starred review “Human Dark with Sugar is both wonderfully inventive (studded with the strangenesses of ‘snownovas’ and ‘flukeprints’) and emotionally precise. Her ‘I’ is madly multidexterous—urgent, comic, mischievous—and the result is a new topography of the debates between heart and head.”—Matthea Harvey, a judge for the Laughlin Award "Seriously playful, sexy, sharp-edged, and absolutely commanding throughout....Here you'll meet an 'I' boldly ready to take on the world and just itching to give 'You' some smart directives. So listen up."—Library Journal In her second book, winner of the prestigious James Laughlin Award, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. “You’re a tool, moon. / Now, noon. There’s a hero.” Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance—anodyne, astrolabe, alizarin—then catches her readers up short with a string of powerful monosyllables. “I’ll take / a year of that. Just give it back to me.” In addition to its verbal play, Human Dark With Sugar demonstrates the poet’s ease in a variety of genres, from “Three Sorries” (in which the speaker concludes, “I’m not sorry. Not sorry at all”), to a sequence of prose poems on a lover’s body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images —not the least of which is human dark with sugar. Brenda Shaughnessy was raised in California and is an MFA graduate of Columbia University. She is the poetry editor for Tin House and has taught at several colleges, including Eugene Lang College and Princeton University. She lives in Brooklyn.
Welcome to the Neighborhood
Author: Sarah Green
Publisher: Ohio University Press
ISBN: 0804041059
Category : Literary Collections
Languages : en
Pages : 323
Book Description
How to live with difference—not necessarily in peace, but with resilience, engagement, and a lack of vitriol—is a defining worry in America at this moment. The poets, fiction writers, and essayists (plus one graphic novelist) who contributed to Welcome to the Neighborhood don’t necessarily offer roadmaps to harmonious neighboring. Some of their narrators don’t even want to be neighbors. Maybe they grieve, or rage. Maybe they briefly find resolution or community. But they do approach the question of what it means to be neighbors, and how we should do it, with open minds and nuance. The many diverse contributors give this collection a depth beyond easy answers. Their attentions to the theme of neighborliness as an ongoing evolution offer hope to readers: possible pathways for rediscovering community, even just by way of a shared wish for it. The result is an enormously rich resource for the classroom and for anyone interested in reflecting on what it means to be American today, and how place and community play a part. Contributors include Leila Chatti, Rita Dove, Jonathan Escoffery, Rebecca Morgan Frank, Amina Gautier, Ross Gay, Mark Halliday, Joy Harjo, Edward Hirsch, Marie Howe, Sonya Larson, Dinty W. Moore, Robert Pinsky, Christine Schutt, and many more.
Publisher: Ohio University Press
ISBN: 0804041059
Category : Literary Collections
Languages : en
Pages : 323
Book Description
How to live with difference—not necessarily in peace, but with resilience, engagement, and a lack of vitriol—is a defining worry in America at this moment. The poets, fiction writers, and essayists (plus one graphic novelist) who contributed to Welcome to the Neighborhood don’t necessarily offer roadmaps to harmonious neighboring. Some of their narrators don’t even want to be neighbors. Maybe they grieve, or rage. Maybe they briefly find resolution or community. But they do approach the question of what it means to be neighbors, and how we should do it, with open minds and nuance. The many diverse contributors give this collection a depth beyond easy answers. Their attentions to the theme of neighborliness as an ongoing evolution offer hope to readers: possible pathways for rediscovering community, even just by way of a shared wish for it. The result is an enormously rich resource for the classroom and for anyone interested in reflecting on what it means to be American today, and how place and community play a part. Contributors include Leila Chatti, Rita Dove, Jonathan Escoffery, Rebecca Morgan Frank, Amina Gautier, Ross Gay, Mark Halliday, Joy Harjo, Edward Hirsch, Marie Howe, Sonya Larson, Dinty W. Moore, Robert Pinsky, Christine Schutt, and many more.
The Best American Poetry 2008
Author: Charles Wright
Publisher: Simon and Schuster
ISBN: 0743299752
Category : Poetry
Languages : en
Pages : 226
Book Description
An anthology of poetry selected as the best published in magazines and periodicals in 2007 by editor Charles Wright, featuring seventy-five poems by Carolyn Forche, Jorie Graham, Louise Gluck, Alex Lemon, and others.
Publisher: Simon and Schuster
ISBN: 0743299752
Category : Poetry
Languages : en
Pages : 226
Book Description
An anthology of poetry selected as the best published in magazines and periodicals in 2007 by editor Charles Wright, featuring seventy-five poems by Carolyn Forche, Jorie Graham, Louise Gluck, Alex Lemon, and others.
Like a Beggar
Author: Ellen Bass
Publisher: Copper Canyon Press
ISBN: 1619321327
Category : Poetry
Languages : en
Pages : 90
Book Description
Featured on NPR's The Writer's Almanac “Ellen Bass’s new poetry collection, Like a Beggar, pulses with sex, humor and compassion.”—The New York Times “Bass tries to convey everyday wonder on contemporary experiences of sex, work, aging, and war. Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly “In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—Booklist Ellen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness. From "Another Story": After dinner, we're drinking scotch at the kitchen table. Janet and I just watched a NOVA special and we're explaining to her mother the age and size of the universe— the hundred billion stars in the hundred billion galaxies. Dotty lives at Dominican Oaks, making her way down the long hall. How about the sun? she asks, a little farmshit in the endlessness. I gather up a cantaloupe, a lime, a cherry, and start revolving this salad around the chicken carcass. This is the best scotch I ever tasted, Dotty says, even though we gave her the Maker's Mark while we're drinking Glendronach... Ellen Bass's poetry includes Like A Beggar (Copper Canyon Press, 2014), The Human Line (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award. She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.
Publisher: Copper Canyon Press
ISBN: 1619321327
Category : Poetry
Languages : en
Pages : 90
Book Description
Featured on NPR's The Writer's Almanac “Ellen Bass’s new poetry collection, Like a Beggar, pulses with sex, humor and compassion.”—The New York Times “Bass tries to convey everyday wonder on contemporary experiences of sex, work, aging, and war. Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly “In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—Booklist Ellen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness. From "Another Story": After dinner, we're drinking scotch at the kitchen table. Janet and I just watched a NOVA special and we're explaining to her mother the age and size of the universe— the hundred billion stars in the hundred billion galaxies. Dotty lives at Dominican Oaks, making her way down the long hall. How about the sun? she asks, a little farmshit in the endlessness. I gather up a cantaloupe, a lime, a cherry, and start revolving this salad around the chicken carcass. This is the best scotch I ever tasted, Dotty says, even though we gave her the Maker's Mark while we're drinking Glendronach... Ellen Bass's poetry includes Like A Beggar (Copper Canyon Press, 2014), The Human Line (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award. She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.
The Bloomsbury Anthology of Contemporary Jewish American Poetry
Author: Deborah Ager
Publisher: Bloomsbury Publishing USA
ISBN: 1441183043
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
With works by over 100 poets, The Bloomsbury Anthology of Contemporary Jewish American Poetry celebrates contemporary writers, born after World War II , who write about Jewish themes. This anthology brings together poets whose writings offer fascinating insight into Jewish cultural and religious topics and Jewish identity. Featuring established poets as well as representatives of the next generation of Jewish voices, it includes poems by Ellen Bass, Charles Bernstein, Carol V. Davis, Edward Hirsch, Jane Hirshfield, David Lehman, Jacqueline Osherow, Ira Sadoff, Philip Schultz, Alan Shapiro, Jane Shore, Judith Skillman, Melissa Stein, Matthew Zapruder, and many others.
Publisher: Bloomsbury Publishing USA
ISBN: 1441183043
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
With works by over 100 poets, The Bloomsbury Anthology of Contemporary Jewish American Poetry celebrates contemporary writers, born after World War II , who write about Jewish themes. This anthology brings together poets whose writings offer fascinating insight into Jewish cultural and religious topics and Jewish identity. Featuring established poets as well as representatives of the next generation of Jewish voices, it includes poems by Ellen Bass, Charles Bernstein, Carol V. Davis, Edward Hirsch, Jane Hirshfield, David Lehman, Jacqueline Osherow, Ira Sadoff, Philip Schultz, Alan Shapiro, Jane Shore, Judith Skillman, Melissa Stein, Matthew Zapruder, and many others.
I Was Waiting to See What You Would Do First
Author: Angie Mazakis
Publisher: University of Arkansas Press
ISBN: 1610756916
Category : Poetry
Languages : en
Pages : 91
Book Description
Finalist, 2020 Miller Williams Poetry Prize Like nesting dolls, the poems in I Was Waiting to See What You Would Do First contain scenes within scenes, inviting the reader over and over again to sharpen focus on minute details that, though small, reveal much about human perception and imagination. Angie Mazakis handles these layers of revelation with great tenderness. Her poems wander in the way that a curious mind wanders, so that even though they often end very far from where they started, they are anchored in the familiar, referring to experiences we all share: a moment of distraction in a coffee shop imagining a conversation with someone across the room, or a narrative built around the expressions of the cartoon people on the airplane seatback safety guide. I Was Waiting to See What You Would Do First is a testament to the notion that whether through a cosmic or microscopic lens, “You just see one moment; you just see now.”
Publisher: University of Arkansas Press
ISBN: 1610756916
Category : Poetry
Languages : en
Pages : 91
Book Description
Finalist, 2020 Miller Williams Poetry Prize Like nesting dolls, the poems in I Was Waiting to See What You Would Do First contain scenes within scenes, inviting the reader over and over again to sharpen focus on minute details that, though small, reveal much about human perception and imagination. Angie Mazakis handles these layers of revelation with great tenderness. Her poems wander in the way that a curious mind wanders, so that even though they often end very far from where they started, they are anchored in the familiar, referring to experiences we all share: a moment of distraction in a coffee shop imagining a conversation with someone across the room, or a narrative built around the expressions of the cartoon people on the airplane seatback safety guide. I Was Waiting to See What You Would Do First is a testament to the notion that whether through a cosmic or microscopic lens, “You just see one moment; you just see now.”
The Book of what Stays
Author: James Crews
Publisher: U of Nebraska Press
ISBN: 0803236352
Category : Poetry
Languages : en
Pages : 96
Book Description
For any of us, what stays? James Crews writes of the love and lives that, whatever the loss or cost, we must hold and keep.
Publisher: U of Nebraska Press
ISBN: 0803236352
Category : Poetry
Languages : en
Pages : 96
Book Description
For any of us, what stays? James Crews writes of the love and lives that, whatever the loss or cost, we must hold and keep.