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Author: Nelson George
Publisher: Da Capo Press
ISBN: 0786726121
Category : Music
Languages : en
Pages : 362
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Book Description
The ninth entry in the acclaimed series celebrating the best writing on every style of music, from rock to hip-hop, R&B to jazz, pop to blues, and more. Best music writing is the definitive guide to the year in music writing, an annual feast of essays, missives, and musings on every musical style by critics, novelists, and musicians themselves. Culled from publications ranging from blogs to the New Yorker, the 2008 edition captures a year in music writing as diverse and riveting as the music it illuminates.
Author: Nelson George
Publisher: Da Capo Press
ISBN: 0786726121
Category : Music
Languages : en
Pages : 362
Get Book Here
Book Description
The ninth entry in the acclaimed series celebrating the best writing on every style of music, from rock to hip-hop, R&B to jazz, pop to blues, and more. Best music writing is the definitive guide to the year in music writing, an annual feast of essays, missives, and musings on every musical style by critics, novelists, and musicians themselves. Culled from publications ranging from blogs to the New Yorker, the 2008 edition captures a year in music writing as diverse and riveting as the music it illuminates.
Author: Alex Ross
Publisher: Da Capo Press
ISBN: 0306820579
Category : Music
Languages : en
Pages : 337
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Book Description
Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort—novelists, poets, journalists, musicians— are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
Author: Ann Powers
Publisher: Da Capo Press
ISBN: 030681935X
Category : Music
Languages : en
Pages : 353
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Book Description
Best Music Writing has become one of the most eagerly awaited annuals out there. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues and more, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort—novelists, poets, journalists, musicians—are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.
Author: Greil Marcus
Publisher: Da Capo Press
ISBN: 0786745851
Category : Music
Languages : en
Pages : 384
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Book Description
Best Music Writing has faithfully collected the year's most compelling writing on music for a decade now, so it's appropriate this special edition be guest-edited by one of the best-known writers on music and popular culture, Greil Marcus, author of Lipstick Traces, Mystery Train, Like a Rolling Stone, and other groundbreaking excursions into the very fabric of music, America, and beyond. As always, Series Editor Daphne Carr has culled an impressively wide range of essays, profiles, news articles, interviews, creative non-fiction, fiction, book reviews, long-format reviews, blog posts, and journal articles on music and music culture, from rock and hip-hop to R&B and jazz to pop, blues, and more. Writers who have been published in Best Music Writing include Alex Ross, Jonathan Lethem, Ann Powers, Dave Eggers, Susan Orlean, and more.
Author: Shelly Field
Publisher: Infobase Publishing
ISBN: 0816078017
Category : Music
Languages : en
Pages : 393
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Book Description
Praise for the previous edition: ..".a practical and concise guide...a valuable resource...recommended."--American Reference Books Annual
Author: Kelefa Sanneh
Publisher: Penguin
ISBN: 0525559604
Category : Music
Languages : en
Pages : 497
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Book Description
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
Author: Marcus Berkmann
Publisher: Little, Brown Book Group
ISBN: 1408713845
Category : Music
Languages : en
Pages : 218
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Book Description
Marcus Berkmann was for many years the pop critic of the Spectator, waiting like most freelances to get fired. He's also the author of the bestselling Berkmann's Cricket Miscellany, concentrating on the ridiculous true stories and the weird characters of that most eccentric of sports. Here he combines the two, in a wildly entertaining ride through the galloping absurdities of pop, from Elvis Presley's real hair colour, through Janet Jackson's more intimate piercings, to Courtney Love's hatred of cheese. Why does Bono always wear sunglasses? Did Ozzy Osbourne really urinate on the Alamo? What actually happened at Keith Moon's 21st birthday party at the Holiday Inn in Flint, Michigan? There's sex, there's drugs, there's violence, there's even a little rock 'n' roll from time to time. But mainly there are vital questions, now finally answered. Which notable guitarist has unfeasibly tiny hands? Which Britpop star was forced to wear lederhosen as a child? Who said, 'The majority of pop stars are compete idiots in every respect'? And was she wrong?
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 15
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Book Description
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author: Cameron Glenn
Publisher: Lulu.com
ISBN: 055707391X
Category : Fiction
Languages : en
Pages : 551
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Book Description
Elle is a teen girl struggling from the recent death of her mother. She discovers writings in an attic, and forms a relationship with the author, now a ghost. Also included are short stories and poems.
Author: Stuart A. Kallen
Publisher: Greenhaven Publishing LLC
ISBN: 1420507389
Category : Young Adult Nonfiction
Languages : en
Pages : 122
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Book Description
This volume discusses the history of alternative rock and the ethos of alt-rockers as rebels who value independence, experimentation, and truth-telling. Rather than making music for broad commercial appeal, these musicians drew from a variety of styles that were considered unfriendly for consumers. Over the years, alternative rock has spawned mash-ups of garage rock, punk, new wave, rap, thrash, and hardcore. This group of indie rockers not only created a new sound but also put forth a different attitude, as they outwardly rejected the musical standards and sales practices set by major record companies.
