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Author: Hans Bunge
Publisher: Bloomsbury Publishing
ISBN: 1472531590
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany. Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Schönberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil. Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.
Author: Hans Bunge
Publisher: Bloomsbury Publishing
ISBN: 1472531590
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany. Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Schönberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil. Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.
Author: Kenneth Fowler
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 110
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Book Description
This study focuses on the theoretical foundations of the music-text relationship in the works of Brecht and his composers. In the course of his researches, he determined that the formerly accepted or received truths regarding Brecht theory and practice had been inadequate. Himself a trained musician, Fowler argues that it is Brecht's dramatic theory - an inadequate account for his practice - rather than a theory of musical meaning that had informed previous investigations. He concludes with an outline for the necessary strategy of re-examining Brecht's theory.
Author: Michael John Tyler Gilbert
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Not long after Bertolt Brecht's death in 1956, his musical collaborator of many years, Hanns Eisler, characterized Brecht's attitude toward music with a mixture of admiration and skepticism as «dieses Streben Brechts nach Vernunft auch in der Musik.» In this comprehensive, chronologically-arranged study of Brecht's involvement with music, the origins and implications of the writer's quest for «rationality, even in music» are systematically examined. Particular attention is given to the pertinent critical writings of both Brecht and his major musical collaborators Kurt Weill, Hanns Eisler and Paul Dessau as a framework for examining Brecht's multifaceted relationship to music. Finally, the book offers a critical assessment of Brecht's views on music as well as the nature and extent of his influence on 20th century musical aesthetics.
Author: Michael John Tyler Gilbert
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
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Book Description
Author: Joy H. Calico
Publisher: Univ of California Press
ISBN: 0520942817
Category : Music
Languages : en
Pages : 301
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Book Description
From an award-winning author, the first thorough examination of the important influence of opera on Brecht’s writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.
Author: Michael John T. Gilbert
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
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Book Description
Author: Bertolt Brecht
Publisher: Oak Publications
ISBN: 1783234415
Category : Music
Languages : en
Pages : 192
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Book Description
Here are 42 poems by Bertolt Brecht, including several from various plays, with musical settings by Hanns Eisler. Eric Bentley has compiled the collection, created singable English translations (which appear along with the German), and supplied historical notes on the songs. Earl Robinson has supervised the editing of the music, supplied piano arrangements where necessary, and added guitar accompaniments for all songs.
Author: Kurt Weill
Publisher: Samuel French, Inc.
ISBN: 9780573681905
Category : German drama
Languages : en
Pages : 92
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Book Description
Author: Ronald K. Shull
Publisher:
ISBN:
Category :
Languages : en
Pages : 811
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Book Description
Author: Bertolt Brecht
Publisher: Bloomsbury Publishing
ISBN: 1472538080
Category : Drama
Languages : en
Pages : 80
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Book Description
The Lehrstücke (or 'learning-plays') lie at the heart of Brechtian theatre. Written during 1929 and 1930, years of far-reaching political and economic upheaveal in Germany and the period of Brecht's most sharply Communist works, these short plays show an abrupt rejection of most of the trappings of conventional theatre. The Lehrstücke are spare and highly formalized pieces intended for performance by amateurs, on the principle that the moral and political lessons contained in them can best be taught by participation in an actual production. There is nothing in the drama of the twentieth century to match the precision of their language and the economy of their theatrical technique.
