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Author: Bernie Wrightson
Publisher:
ISBN: 9781613451366
Category : Art
Languages : en
Pages : 0
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Book Description
Bernie Wrightson, comic book artist and illustrator extraordinaire has worked creating comic books, illustration, and conceptual design for film. His impressive list of work includes the co-creation of Swamp Thing, illustrating Mary Shelly's Frankenstein, and, of course, working on dozens of comic book titles. Wrightson's extensive design work for the Gang of Seven Animation Studio, while known, has never been documented until now with the creation of this new in-depth monograph that utilizes the archives of the studio. Marvel at concept drawings, model sheets, and hundreds of designs for projects including Biker Mice From Mars, The Juice, and Freak Show. All of the artwork in this book has been scanned directly from the original artwork so fans can savior Wrighton's genius up close and personal. Also included in this monograph is an introductory essay, an in-depth interview, and photographs taken during his tenure as an associate partner of the studio.
Author: Bernie Wrightson
Publisher:
ISBN: 9781613451366
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Bernie Wrightson, comic book artist and illustrator extraordinaire has worked creating comic books, illustration, and conceptual design for film. His impressive list of work includes the co-creation of Swamp Thing, illustrating Mary Shelly's Frankenstein, and, of course, working on dozens of comic book titles. Wrightson's extensive design work for the Gang of Seven Animation Studio, while known, has never been documented until now with the creation of this new in-depth monograph that utilizes the archives of the studio. Marvel at concept drawings, model sheets, and hundreds of designs for projects including Biker Mice From Mars, The Juice, and Freak Show. All of the artwork in this book has been scanned directly from the original artwork so fans can savior Wrighton's genius up close and personal. Also included in this monograph is an introductory essay, an in-depth interview, and photographs taken during his tenure as an associate partner of the studio.
Author: Christopher Zavisa
Publisher: Underwood Books
ISBN: 9780887331305
Category :
Languages : en
Pages : 360
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Book Description
Author: Steve Niles
Publisher:
ISBN: 9781684050307
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
"Originally published as Dead, she said issues #1-3, The ghoul issues #1-3, Doc Macabre issues #1-3"--Copyright page.
Author: Len Wein
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 22
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Book Description
Swamp Thing sneaks aboard a train to the Louisiana swamp where he was 'born.' However, he is unaware that an alien has landed there to repair its spaceship.
Author: Bruce Jones
Publisher:
ISBN: 9781582406022
Category : Outcasts
Languages : en
Pages : 0
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Book Description
A humble man, lonely at heart, seeks out the rejected "Freaks" of the world, taking these misbegotten outcasts under his wing in a traveling show of oddities. But life is not without its own irony and his true self is revealed in a twist of fate and revenge.
Author: Bernie Wrightson
Publisher: Dark Horse Comics
ISBN: 162115596X
Category : Comics & Graphic Novels
Languages : en
Pages : 144
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Book Description
Horror legend Bernie Wrightson's Creepy and Eerie short stories, color illustrations, and frontispieces are finally collected in one deluxe collection! These classic tales from the 1970s and early 1980s include collaborations with fellow superstars and Warren Publishing alumni Bruce Jones, Carmine Infantino, Howard Chaykin, and others, as well as several adaptations and original stories written and drawn by Wrightson during one of the most fruitful periods of his career! The infamous "Jenifer" is included, as well as Wrightson's fullcolor "Muck Monster" and adaptations of Poe and Lovecraft classics.
Author: Mary Wollstonecraft
Publisher: Dark Horse Comics
ISBN: 1621156605
Category : Fiction
Languages : en
Pages : 400
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Book Description
Few works by comic-book artists have earned the universal acclaim and reverence that Bernie Wrightson's illustrated version of Mary Wollstonecraft Shelley's Frankenstein was met with upon its original release in 1983. Twenty-five years later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. This book includes the complete text of the original ground-breaking novel, and the original forty-seven full-page illustrations that stunned the world with their monumental beauty and uniqueness.
Author: Len Wein
Publisher: DC Comics
ISBN: 1401293581
Category : Comics & Graphic Novels
Languages : en
Pages : 308
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Book Description
Deep in the bayous of Louisiana, far from civilization’s grasp, a shadowed creature seen only in fleeting glimpses roils the black waters…a twisted, vegetative mockery of a man…a Swamp Thing! Created by writer Len Wein and artist Bernie Wrightson, this shambling, muck-encrusted figure swiftly became one of DC’s most iconic characters of the Bronze Age of Comics, and his shocking stories have become classics in the gothic horror genre. Now, for the first time, all of these legendary early adventures are presented here in a comprehensive trade paperback edition. Swamp Thing: The Bronze Age Vol. 1 collects the original short story “Swamp Thing” from The House of Secrets #92 and Swamp Thing #1-13, featuring all of Wein and Wrightson’s original run on the series and including art by Nestor Redondo, Michael Wm. Kaluta and Luis Dominguez.
Author: John Lent
Publisher: Bloomsbury Publishing USA
ISBN: 0313083924
Category : Social Science
Languages : en
Pages : 569
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Book Description
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.
Author: Jason S. Polley
Publisher: Taylor & Francis
ISBN: 1040039308
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
This edited collection variously interrogates how everyday evil manifests in Stephen King’s now-familiar American imaginary; an imaginary that increases the representational limits of both anticipated and experienced realism. Divided into three parts: I. The Man, II. The Monster, and III. The Re-mediator, the book offers rigorous readings of evil, realism, and popular culture as represented in a range of texts (and paratexts) from the King canon. Rich with images, a photo-essay, and appendices collecting classical texts and cultural detritus germane to King, this book moves away from viewing King’s work primarily through the lens of the “American gothic” and toward the realism that the suspense novelist’s voice (fictional and non-) and influence (literary and popular) indelibly continue to amplify, all the while complicating the traditional divide between serious literature and popular fiction. Stephen King remains perpetually popular. And he is finally receiving the academic treatment he has craved since the early 1980s. Yet still unexamined in the King critical canon is the suspense novelist’s fascination with “everyday evil.” Beyond rigorous interrogations of King’s fictional depictions of “everyday evil” by an array of scholars of different ranks living around the world (Canada, Finland, Hong Kong, the UK), the book, replete with 20 images, considers how King widens the parameters of literary production and appreciation. An integral part of the Americana that King’s five-decades-in-the-making canon configures, of course, includes King himself. King has long made use of self-referentiality in his fiction and nonfiction. Some of his nonfiction, several of our essays reveal, recirculates in paratextual form as “Prefatory Remarks” to new novels or new editions of older ones. The paratexts considered here (both across the volume and in the appendices) offer alternate ways by which to appreciate King and his sphere of influence (literary and popular). Said appendices are a grouping of King's paratexts on his writing as Bachman, appearing here, for the first time, as a cohesive collection. King's influence took off in the 1970s, as is further explored in the book-enveloping three-part photo-essay “King’s America, America’s King: Stephen King & Popular Culture since the 1970s.” About the transformative quality of “everyday evil,” the photo-essay tracks the cultural impacts of King first as an emerging author, then a pop culture phenomenon, and, finally, as an established American literary voice. Everyday Evil in Stephen King's America is designed to appeal to teachers and students of American literature, to Stephen King enthusiasts, as well as to acolytes of Americana since the Vietnam War.
