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Author: Richard Stevenson
Publisher: iUniverse
ISBN: 0595362095
Category : Famines
Languages : en
Pages : 209
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Book Description
This history of the Bengal Famine of 1943 describes the interplay of politics, economics, sociology and military policy, which caused a famine due to a lack of cash, not a lack of food. The Famine, whose story is almost unknown due to wartime censorship by the British, occurred because of a hyperinflation in the price of rice caused by the provisioning for the major offensive against the Japanese on India's eastern borders. Relief efforts were halfhearted because much of the countryside was in a state of endemic revolt against the British. The logistical problems caused by massive gifts of food by the British and Indian troops to the starving people threatened to stall the forthcoming offensive. The cause of the Famine was the deadly alienation between the Bengalis and their British rulers.
Author: Richard Stevenson
Publisher: iUniverse
ISBN: 0595362095
Category : Famines
Languages : en
Pages : 209
Get Book Here
Book Description
This history of the Bengal Famine of 1943 describes the interplay of politics, economics, sociology and military policy, which caused a famine due to a lack of cash, not a lack of food. The Famine, whose story is almost unknown due to wartime censorship by the British, occurred because of a hyperinflation in the price of rice caused by the provisioning for the major offensive against the Japanese on India's eastern borders. Relief efforts were halfhearted because much of the countryside was in a state of endemic revolt against the British. The logistical problems caused by massive gifts of food by the British and Indian troops to the starving people threatened to stall the forthcoming offensive. The cause of the Famine was the deadly alienation between the Bengalis and their British rulers.
Author: Basu/Bose
Publisher:
ISBN: 9781413459456
Category : History
Languages : en
Pages : 255
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Book Description
Author: Arthur Bartlett Maurice
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 316
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Book Description
DigiCat Publishing presents to you this special edition of "The History of the Nineteenth Century in Caricature" by Arthur Bartlett Maurice, Frederic Taber Cooper. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Denis Judd
Publisher: Oxford University Press, USA
ISBN: 9780192803580
Category : History
Languages : en
Pages : 290
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Book Description
An authoritative and lively account of the long and controversial history of the British in India, from the foundation of the East India Company in 1600; to Ghandi's innovative leadership of the increasingly militant Indian Nationalist movement: and finally to Lord Mountbatten's 'swift surgeryof partition', leaving behind the Independent states of India and Pakistan.Against this epic backdrop, Judd explores the consequences of British control for both Indians and the British in India.What was the effect on their daily lives, and on the lives they were effectively controlling? Were the British intent on development or exploitation? Were they a 'civilizing'force? Easy answers are avoided, and difficult questions provoked in this fascinating book.
Author: Arthur Bartlett Maurice
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 408
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Book Description
Author: Andrew Mangham
Publisher: Cambridge University Press
ISBN: 0521760747
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Accessible and comprehensive account of the sensation novel of the nineteenth century.
Author: Charles L. Graves
Publisher: e-artnow
ISBN:
Category : History
Languages : en
Pages : 1674
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Book Description
Punch's History of Modern England is a unique review of the English customs, traditions, education, nobility, courts, fashion, culture, and personalities entirely based on the articles from Punch, the British satirical journal. As the author mentions in the preface, "The Files of Punch have been generally admitted to be a valuable mine of information of the manners, customs and fashions f the Victorian age." This is one of the best examples of Victorian-era humor prose and gives a unique insight into the history of England outside political matters.
![The British Lion's Message to the British People. A Letter to John Bull , Esq., from the British Bulldog [concerning the Assumption of the Title of “Empress of India” by Queen Victoria.] PDF](https://books.google.com/books/content/images/frontcover/WEC9Z-HIP64C?fife=w80-h100)
Author: British lion
Publisher:
ISBN:
Category :
Languages : en
Pages : 18
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Book Description
Author: Geoff Quilley
Publisher: Boydell & Brewer
ISBN: 1783275103
Category : Art
Languages : en
Pages : 371
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Book Description
Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state. This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "school" of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, through maritime imagery, landscape, genre painting and print-making. It also considers how, for artists such as William Hodges and Arthur William Devis, the East India Company, and its provision of a wealthy market in British India, provided opportunities for career advancement, through alignment with Company commercial principles. In this light, the book's main concern is to address the conflicted and ambiguous nature of art produced in the service of a corporation that was the "scandal of empire" for most of its existence, and how this has shaped and distorted our understanding of the history of British art in relation to the concomitant rise of Britain as a self-consciously commercial and maritime nation, whose prosperity relied upon global expansion, increasing colonialism and the development of mercantile organisations.
Author: David Kunzle
Publisher: Univ. Press of Mississippi
ISBN: 1496834003
Category : Literary Criticism
Languages : en
Pages : 650
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Book Description
Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.
